My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Carolina Chocolate Drops

Spotlight Artist: Buddy Miller

buddy millerAnyone whose resume’ includes a spell leading Emmylou Harris’s backing band is going to be a great musician (just think of alumni like Rodney Crowell and Ricky Skaggs), and this month’s spotlight artist is no exception. Born in Ohio in 1952, where his father was serving in the Air Force, Steven “Buddy” Miller was raised in New Jersey, where he started out playing stand-up bass in his high school bluegrass band. He is now best known for his brilliant guitar playing – and, of course, for his songwriting and production, as well as being an artist in his own right.

He met future wife and musical partner Julie Griffin (born in 1956) in Austin, Texas, in 1975 when he joined Rick Stein & the Alleycats, a band of which she was a member (she was a dissenting voice). They subsequently moved together to New York and formed the Buddy Miller Band. Julie’s personal journey led her to leave the band (in which she was replaced by singer-songwriter Shawn Colvin), and she returned to Texas. Buddy followed her, and he and Julie married in 1981, and lived for periods in Texas, Seattle and California before eventually settling in Nashville in 1993.

streetlightJulie was now set on a career in Christian music. The band Streetlight, which featured Buddy, Julie and one other man, released a six-track Christian contemporary EP in 1983 for the Sparrow label. Julie, a distinctive vocalist and excellent songwriter, began making solo records in 1990, still as a Christian artist. Her solo career slowed after she was diagnosed with fibromyalgia, with no new solo recordings since 1999, but she has continued to work with Buddy, and they have recorded several duet albums.

Buddy and Julie found congenial musical company in Nashville, and their songs have been covered by many country, Americana and other artists. Buddy found work playing on sessions, and discovered a gift for producing. He has built a recording studio in his Nashville home, and has been acclaimed for his production work on records by Allison Moorer, Patty Griffin, the Carolina Chocolate Drops, soul singer Solomon Burke, and Ralph Stanley. He served as music director for the second and third seasons of the TV drama Nashville.

In c.1995 Buddy became the guitar player for Spyboy, the trio Emmylou formed to support her tour promoting her Wrecking Ball album, and he stayed with her for eight years. He has also toured in the bands of Steve Earle, Robert Plant and Alison Krauss. In 2008-9 he took front stage alongside Emmylou Harris, Patty Griffin and Shawn Colvin on the Three Girls And Their Buddy tour, interrupted by a heart attack from his fortunately made a full recovery.

Alongside his sidesman and studio duties, Buddy began recording his own music in 1995 with Your Love And Other Lies. He has interspersed solo records with duet projects with wife Julie, and one with old friend Jim Lauderdale. Buddy’s latest project, Cayamo Sessions At Sea, was released last Friday, with a host of guest stars, and we are delighted to be spending February focussing on his music here.

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Album Review: Various Artists – ‘Divided And United: Songs Of The Civil War’

divided & unitedI love history as much as I do country music, so a project like Divided And United, and the several other recent albums which have focussed on the musical legacy of the Civil War is of strong interest to me. Of all these projects, this two-disc set is the one to involve the greatest number of straight country artists, although bluegrass and other American roots music are both well represented. Almost all the songs are all of genuine Civil War vintage or older ones which were popular at the time, and performed as far as possible in the style of the period. Movie composer Randall Poster had the idea for the project and produces. Relatively sparse arrangements are similar to the way the songs would have been sung at the time of the war.

My favourite track is Vince Gill’s beautiful, thoughtful prayer by a dying drummer boy to the ‘Dear Old Flag’ for which he is sacrificing his life, set to a simple, churchy piano accompaniment. A choir including Sharon and Cheryl White and the Isaacs, mixed quite low, joins in the final chorus. Another highlight is Jamey Johnson’s haunting lament of a ‘Rebel Soldier’ far from home, a kind of proto-blues which the former serving Marine conveys with an emotional power which renders the song completely believable. Also wonderful is Lee Ann Womack (absent for far too long from the recording studio) on ‘The Legend Of The Rebel Soldier’, a touching story song about a soldier dying far from home, beautifully sung. These three tracks are pretty much perfect.

Ashley Monroe sings ‘Pretty Saro’, another fine sad song reflecting on death, although it does not relate directly to the war (and in fact the songs which significantly predates the period), it fits in nicely musically. The pretty ‘Aura Lee’, another non-war folk song, is sung by the genre-defying musician Joe Henry (who also produces a number of tracks), and was another I enjoyed despite a limited (if emotionally expressive) vocal. I also very much enjoyed Chris Hillman’s sympathetic reading of the classic ‘Hard Times Come Again No More’.

The sad (but not directly related to the war) ‘Listen To The Mocking Bird’ is prettily sung by the brilliant fiddler Stuart Duncan with Dolly Parton harmonising. (Dolly’s star power gets her the lead billing in this pairing, but Duncan is the true lead vocalist on the track). Ricky Skaggs’s quietly measured ‘Two Soldiers’ and Chris Stapleton’s ‘Two Brothers’ relate specifically Civil War tragedies, the latter being one of the few post-war compositions.

The septuagenarian Loretta Lynn is showing her age vocally, but this lends some realistic vulnerability to her convincing portrayal of a farmer’s wife bidding her husband off to war, undertaking that she will carry on the farm until his return. Another veteran, but this time from the world of bluegrass, the legendary Del McCoury plays the part of a soldier bidding farewell to his sweetheart ‘Lorena’. This plaintive tale is mirrored by the mournful sequel at the other end of the album, ‘The Vacant Chair, meditated on by Dr Ralph Stanley, while old-time specialists Norman and Nancy Blake give us ‘The Faded Coat Of Blue’, another melancholy reflection.

Steve Earle portrays a young soldier’s fears the night before going into action, in ‘Just Before The Battle Mother / Farewell Mother’; perhaps he tries a little too hard to sound like a rough, tough soldier, and not quite enough sounding vulnerable and fearful in the face of impending death. The old soldier’s jaundiced attitude to war in ‘Down By The Riverside’ is rather yelled by blues musician Taj Mahal, but it is in keeping with the song and works quite well, while. One can imagine the soldiers singing like this.

‘Dixie’, sung during the war by both sides but associated now with the South, is pleasantly but somewhat underwhelmingly sung by Karen Elson and the Secret Sisters. It just feels a little too winsomely pretty to fit the project. Perhaps the ladies would have been more suited to ‘Wildwood Flower’, one of the few disappointments for me. ‘Wildwood Flower’ would have been better sung by a female singer than by Sam Amidon, a folk singer whose rather pedestrian vocal falls rather flat compared to many other versions I’ve heard, although the picking is nicely done. A A Bondy is a bit too breathy and experimental for me on ‘Johnny Has Gone For A Soldier’.

‘The Fall Of Charleston’, performed by folk/Americana duo Shovels & Rope is rather cluttered and messy sounding, and I could have done without this. T Bone Burnett isn’t much of a singer, but his grizzled vocal is extremely effective portraying the gloomy soldier’s wearied despair in ‘The Battle of Antietam’. Also working well with an everyman style vocal, John Doe’s wearied ‘Tenting On The Old Campground’ feels very authentic. Chris Thile and Mike Daves on the perky-sounding ‘Richmond Is A Hard Road To Travel’ also deal with army life.

‘Old Crow Medicine Show’ take on the two-paced marching song ‘Marching Through Georgia’ quite enjoyably. In a similar vein the less well known (and more anonymous sounding) The Tennessee Mafia Jug Band take on ‘Secesh’ in a raucous singalong. The Civil War had a naval aspect as well as a land one, and this represented here by a quirky sea song, ‘The Mermaid Song’, sung
by musician Jorma Kaukonen.

Angel Snow’s dreamily dejected version of ‘When Johnny Comes Marching Home’ is quite effective at adding an unexpected poignancy.
The late Cowboy Jack Clements closes proceedings with the wistful ‘Beautiful Dreamer’.

Lest we forget the underlying cause of the war, the view of the slaves is represented in two songs (although it is not quite a first-person testimony, as both were written by the white abolitionist composer Henry Clay Ward. Pokey Lafarge tackles the anticipation of freedom in ‘Kingdom Come’ with committed enthusiasm just short of shouting, set against a martial beat. Much better, The Carolina Chocolate Drops hail the ‘Day Of Liberty’ for the country’s enslaved African Americans with a part-narrated (by Don Flemons), part-upbeat vocal (Rhiannon Giddens) song.

A few instrumental tunes are included, beautifully played by Bryan Sutton, Noah Pikelny and David Grisman. This impeccably arranged project is a remarkable piece of work, a poignant re-imagining of the Civil War through its music. It won’t appeal to everyone, but I appreciated it a great deal, and on a purely musical level, it has a lot to offer anyone who likes acoustic music.

Grade: A+

Predictions and analysis: The 55th Annual Grammy Awards

Grammy-AwardsIt’s that time of year again, to celebrate music’s biggest night. The 55th Grammy Awards are set to air this Sunday on CBS. In a rather surprising move, it’s the females who’ll be representing our genre at the show. Carrie Underwood, Taylor Swift, and Miranda Lambert are all slated to perform, with Lambert teaming up with her ‘Locked and Reloaded’ tour partner Dierks Bentley for a special collaboration. The country nominees are below, and it turns out they’re much stronger than was expected. The Recording Academy seems to have found a happy medium between commercial and artistic popularity. We’ll have to see if any of the artistic nominees (Jamey Johnson, The Time Jumpers, and others) will prevail against their commercial contemporaries. Predictions are below:

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