My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Byron Hill

Album Review – Keith Whitley: A Tribute Album

Keith whitley tributeOne of the problems with making a tribute album is how far the participants are prepared to bring something of themselves to the interpretation, and how far they are so concerned to pay their respects the artist being honored, that the end result is little more than very tasteful, high-class karaoke.

The tribute album produced by BNA, the successor to Keith Whitley’s record label RCA, in 1994, five years after his death, does sometimes fall into that trap, but it makes one or two decisions which mark it out, too. The highly respected Randy Scruggs took on production duties, with Lorrie Morgan as executive producer. Another of those involved was songwriter Byron Hill, who says on his website that the project was the one he enjoyed working on most in his period as A&R director for BNA (1993-1994).

Some of the hottest artists of the mid 90s were recruited for the project, and most of them give respectful versions of some of Keith’s best-known songs, which speak well of their admiration of Keith, but fall a little flat when compared to the originals. Alan Jackson takes on ‘Don’t Close Your Eyes’; Tracy Lawrence tries ‘I’m Over You’; Joe Diffie sings ‘I’m No Stranger To the Rain’; and Mark Chesnutt tackles ‘I Never Go Around Mirrors’. They are all fine singers in their own right, and their versions of Keith’s hits are pleasant enough to listen to, but the overriding adjective which comes to mind while listening is ‘nice’. They lack something of the passion Keith brought to them, and perhaps this is because they were thinking of the act of tribute they were paying rather than the song itself. I suspect that if any one of these gentlemen had independently decided to record the song on one of his own albums, it would have had a different approach and more life. I think what is missing is inspiration.

Diamond Rio are a little more successful bringing something new to their track, ‘Ten Feet Away’, one of the better songs on LA To Miami. This is partly because the natural advantage of being a harmony-based band automatically brings a new feel to a song popularised by a solo singer, and partly because the new version has better production. Also very pleasing and not overawed by the task is the duet by Keith’s old friend Ricky Skaggs with Marty Raybon, lead singer of Shenandoah, on ‘All I Ever Loved Was You’, the least familiar of all the covers. This traditional-sounding bluegrass waltz was written by Ricky’s mother Dorothy Skaggs, and originally recorded by Keith and Ricky as precociously talented teenagers on their 1971 set Second Generation Bluegrass.

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