Loretta’s sixth studio album was released on Decca in September 1966. It marks a significant advance in her career, as her first album to hit #1 on the country album chart. Produced by Owen Bradley, there is no doubt that this record is solid country from the first note to the last. Loretta wrote half the twelve tracks, mostly without assistance.
The title track is one of Loretta’s classic hits, a confident rebuttal to a woman making moves on Loretta’s husband, and one of my personal favorites, as she firmly declares:
Sometimes a man’s caught lookin’
At things that he don’t need
He took a second look at you
But he’s in love with me
This song strikes the perfect attitude, balancing awareness of male frailty with faith in love, and like many of Loretta’s best songs, drawn from real-life experience (although not directly autobiographical – it was inspired by a couple at one of her shows). It was the only hit from the album, but it was a significant one, reaching #2.
Equally assertive is a sassy country cover of Nancy Sinatra’s then-current pop hit ‘These Boots Are Made For Walkin’’, written by Lee Hazlewood. Loretta’s own ‘Keep Your Change’ is a cheerfully assertive up-tempo riposte to an ex wanting to crawl back; it is not as good as the title track but still entertaining and full of attitude as Loretta tells the guy she doesn’t want him back, and asks witheringly,
What happened to the scenery
That looked so good to you?
Did you get tired of the change you made –
Or did she get tired of you?
Not everything is assertive. The B-side of ‘You Ain’t Woman Enough’ was the hidden gem ‘A Man I Hardly Know’ (covered a few years ago by Amber Digby). This song has a honky tonk angel as the protagonist, a woman seeking refuge from her heartbreak in the arms of strangers.
‘God Gave Me A Heart To Forgive’, which Loretta wrote with Bob and Barbara Cummings (her only co-write on the album), shows a more vulnerable side to Loretta as she plays the long-suffering wife of a husband who stays out all night leaving his wife lonely at home, with the attitude of the title track sadly wanting; the protagonist of this song is more of a doormat:
You brought me every misery that there is
But God gave me a heart to forgive
You hurt me as much as you can
Then you tell me that you’re just weak
Like any other man
Still you’re the only reason that I live
And God gave me a heart to forgive
Although it wasn’t written by Loretta, Bobby Harden’s ‘Tippy Toeing’ (about getting a restless baby to sleep) feels autobiographical for the mother-of-six, and has a bouncy singalong nursery rhythm perfectly suited to the subject matter.
An interesting inclusion is Loretta’s take on the then unknown Dolly Parton’s plea to a lover planning to leave, ‘Put It Off Until Tomorrow’, which is rather good, with Loretta’s voice taking on more vibrato than usual. This may be one of Dolly’s first cuts as a writer. Dolly’s own version of the song was released as a single in 1966 (and appeared on her debut album the following year), but failed to chart. Loretta’s ‘The Darkest Day’ is a less memorable look at a woman left by her man.
Another fine song with a classic feel is ‘Talking To The Wall’, about a woman who leaves the man she believes is not happy with her, and is trying not to admit she regrets it:
But I might as well be talking to the wall
When I tell myself I’m not missing you at all
It was customary for country artists to record covers of current and recent hits by other artists in the 1960s, and the songwriter Warner Mack had his own hit with the song in 1966 (#3 on Billboard). Loretta also chose to cover one of his older hits, the pained ‘Is It Wrong (For Loving You)’, which was a top 10 hit in 1957.
‘It’s Another World’ is a not very memorable perky love song, a cover of a hit for Loretta’s mentors the Wilburn Brothers (#5 in 1965), with double tracked vocals retaining the duo feel of the original. A much better Wilburn Brothers cover is their 1966 top 10 hit ‘Someone Before Me’, a classic style lovelorn ballad here given a gender switch in the lyrics so that it is about a woman loving a man still hung up on his ex, which is another one I like a lot. It was a top 10 hit for the Wilburn Brothers in 1966, but Loretta’s version is superior:
Someone before me still turns you inside out
When we’re together she’s all you talk about
You’re always wanting me to do the things she used to do
Someone before me sure left her mark on you
I’ve tried to get inside your heart but I don’t have a chance
Now I can see she’s still on your mind with every little glance
You’re living on old memories
My love can’t get through to you
Someone before me sure left her mark on you
The Osborne Brothers recorded a beautiful version the following year for their album Modern Sounds Of Bluegrass Music.
Loretta at her peak has the reputation of being more of a singles artist than an albums one, but this classic album is pretty solid throughout and one which I really enjoy. It has been re-released in its entirety on a budget CD and is also available digitally.