My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Bob Carpenter

Paul W. Dennis’s favorite albums of 2016

real-country-musicBeing the old man of the blog, I suppose it is inevitable that my favorite albums would differ from those of Razor X and Occasional Hope. There is some overlap, however, and where overlap exists I will not comment on the album

(#) on Razor X’s list / ($) on Occasional Hope’s list

15) Tracy Byrd – All American Texan (#)

14) Mark Chesnutt – Tradition Lives (#) ($)

13) Rhonda Vincent – All The Rage, Volume One

Alison Krauss fans notwithstanding, Rhonda is the Queen of Bluegrass music and is also adept at country and western swing numbers. Rhonda has a great band and all of the members are featured. Her guitar player, Josh Williams, is on a par with any acoustic player currently going.

12) Balsam Range – Mountain Voodoo

Balsam Range has been around for about a decade, winning the 2014 IBPA “Entertainer of The Year” and Vocal Group of The Year” awards. Their newest album was nominated for several awards. This band is renowned for their vocal harmonies. Their current single “Blue Collar Dreams” is being played on Bluegrass Junction on XM Radio – it’s a goodie and indicative of their material.

11) John Prine – For Better Or Worse ($)

the-life-and-songs-of-emmylou-harris10) Various Artists – Life and Songs of Emmylou Harris
I suspect that Emmylou Harris is the most highly revered female country singer, particularly for younger country fans and pop music fans. The epitome of elegance and grace, Emmylou has also been a champion of traditional country music. This album contains nineteen tracks with a vast array of admirers who gathered at DAR Constitution Hall in Washington DC on January 10, 2015 to pay tribute. Emmy sings on a few of the tracks but mostly the guests sing songs at least loosely associated with Emmylou. Guests include Sheryl Crow, Alison Krauss, Buddy Miller, Rodney Crowell and others.

09) Karl Shiflett & Big Country Show – Sho Nuff Country

Although focusing on bluegrass, this veteran outfit has a strong propensity to record country music of the period before 1980, and they perform it well. For me the highlights are “Six Pack To Go” and “Why Baby Why”, but I really enjoyed the whole album.

08) Nitty Gritty Dirt Band (& guests) – Circling Back: Celebrating 50 Years
Knowing that this ban has been around for fifty years is making me feel old, since I purchased several of their early albums when they originally came out. This album was recorded live at the Ryman on September 14, 2015 and features the current membership (Jeff Hanna, Jimmie Fadden, Bob Carpenter and John McEuen) augmented by friends Sam Bush, Jerry Douglas and Byron House. The guest vocalists include former band members Jimmy Ibbotson and Jackson Browne with John Prine, Alison Krauss, Rodney Crowell and Jerry Jeff Walker also making appearances. Highlights include Alison Krauss singing “Catfish John” , Vince Gill singing “Tennessee Stud” and Sam Bush and Vince Gill teaming up on “Nine Pound Hammer”.

07) Willie Nelson – For The Good Times: A Tribute To Ray Price (#) ($)

06) Time Jumpers – Kid Sister (#)

05) Dallas Wayne – Songs The Jukebox Taught Me ($)

things-we-do-for-dreams04) Trinity River Band – Things I Do For Dreams
I find it odd that Callahan, Florida, a town of about 2000 people, has produced two of my favorite new bluegrass bands in Trinity River Band and Flatt Lonesome. Trinity River Band was nominated for the Emerging Artist award at the recent International Bluegrass Music Association award a few months ago. They play well, sing well and present an effective stage show.

03) Dale Watson – Under The Influence
Had he been born in the 1930s or 1940s, Dale Watson would have been a huge mainstream country star. This album finds Dale tackling a wide array of country and rockabilly classics from bygone years. My favorites from this disc include Dale’s take on the Eddie Rabbitt classic “Pure Love” and his take on the Phil Harris song from the 1940s “That’s What I Like About The South”.

02) Flatt Lonesome – Runaway Train
Flatt Lonesome won the IBMA Vocal Group of The Year award for 2016. They are just flat[t] out good. Their take on Dwight Yoakam’s “You’re The One” has to be heard to be believed, but my favorite track is their cover of the Tommy Collins tune “Mixed Up Mess of A Heart”.

01) Gene Watson – Real. Country. Music ($)
Okay, so I lied, but I cannot let the #1 album go by without the comment that I consider Gene Watson to be the best country male vocalist alive today and that I pray that 2017 sees another new release from Gene.

Album Review: Nitty Gritty Dirt Band – ‘Speed of Life’

220px-NGDB-SpeedThe Nitty Gritty Dirt Band released their most recent project Speed of Life on their own NGDB Records distributed by Sugar Hill in 2009. George Massenburg and Jon Randall Stewart produced the album, which peaked at #59 on the Billboard Top Country Albums Chart. The album, which didn’t produce any singles, is folksy bluegrass. Given Stewart co-produced it, he helmed Dierks Bentley’s Up On The Ridge, that isn’t a surprise.

Jeff Hanna’s wife Matraca Berg contributed two songs to the project. Both are mid-tempo harmonica laced ballads. “The Resurrection,” which she co-wrote with Alice Randall, is about a lost soul in a nowhere town, while “Good To Be Alive,” (a co-write with Troy Verges) is sing-a-long folk. Both tracks are very good, although I enjoy the latter a bit more even though the cadence is a cheesy for my taste.

John McEuen also contributed two tracks while Bob Carpenter, who co-wrote one with him, supplied four. “Earthquake” is a western swing meets bluegrass fusion ballad complete with gorgeous old-time steel guitar riffs. McEuen composed “Lost In The Pines,” a slow instrumental solo, and while it’s heavy on banjo, it really isn’t my thing.

Carpenter also co-wrote “Something Dangerous” and “Amazing Love.” The former is a plucky mid-tempo number while the latter skews contemporary country. Both are very good although “Amazing Love” is more appealing both sonically and lyrically.

The remaining tracks on Speed of Life offer more of the same bluegrass meets folk mid-tempo numbers that are all expertly crafted if not terribly exciting. “Tulsa Sounds Like Trouble To Me” is an exception, opting for a more upbeat style that gives the track a bit more muscle and energy. “Going Up To The Country” and “Brand New Heartache” follow suit, but they’re more organic in style.

Overall, Speed of Life is a very good album that continues the Nitty Gritty Dirt Band’s legacy of strong, cleanly produced projects that sound great but aren’t a real punch in the gut. The band could stand to be a bit more adventurous, but that’s just not their style. I would recommend this album to anyone that likes their music mixing bluegrass and folk with organic sounds throughout.

Grade: B+

Album Review: Nitty Gritty Dirt Band – ‘Acoustic’

220px-NGDB-AcousticTwenty years ago, when their string of radio singles came to end, Nitty Gritty Dirt Band returned their roots with a collection entitled Acoustic. Like other similarly titled projects through the years, this isn’t re-recordings of past hits, but rather an album of all-new material.

While the album didn’t spawn any singles, it’s most notable for introducing the world to “Bless The Broken Road,” a Jeff Hanna, Marcus Hummon, and Bobby Boyd co-write that would top the charts for Rascal Flatts ten years later. Not many know the song began as a Nitty Gritty Dirt Band tune, with a lush piano drenched arrangement not too far removed from Rascal Flatts’ hit recording.

Jimmy Ibbotson had a hand in writing a few of the album’s tunes. “Sara In The Summer” is a harmonica laced folksy country shuffle, “How Long” is a mid-tempo love song, and “One Sure Honest Line” is a song about songs. All are excellent, showcasing the band’s tight harmonies set to clean, appealing production. Ibbotson co-wrote “This Train Keeps Rolling Along,” a fantastic story song with Jim Photoglo and Vince Melamed.

Bob Carpenter was another prominent songwriter on the album. He co-wrote Harmonica ballad “Let It Go,” America-like “Badlands,” and harmony rich “Love With Find A Way.” While all of the tracks are good, “Love With Find A Way” is the highlight, sounding like The Eagles from their Desperado era in the early 1970s.

Dennis Linde contributed “Hello, I Am Your Heart” a slice of filler that really doesn’t go anywhere. Jimmy Fadden had two cuts. “Cupid’s Got A Gun” is a plucky ballad while “Tryin’ Times” is heavy on mandolin yet light on social commentary, as the title suggests.

If anything, Acoustic is too polished. The album still sounds impeccable but the immaculate arrangements hinder any chance for letting loose, which a lot of these songs could benefit from. It’s still a great album, though, and well worth seeking out.

Grade: A

Album Review: The Nitty Gritty Dirt Band – ‘Workin’ Band’

workinbandWith the release of 1988’s Workin’ Band, The Nitty Gritty Dirt Band began to wind down its most commercially successful decade. It was the band’s final “regular” album of the decade and its last for Warner Bros.; the following year’s album and their Universal debut would be the much-acclaimed and guest star-studded Will The Circle Be Unbroken?, Volume II which we reviewed in April 2009 .

Like the previous year’s Hold On, Workin’ Band was produced by Josh Leo. It produced three Top 10 singles, beginning with “Workin’ Man (Nowhere To Go)”, a #4 peaking hit that despite its uptempo arrangement, dealt with the plight of American farmers who were displaced after losing their farms at auction. It was followed by another uptempo, radio-friendly number “I’ve Been Lookin'”, which reached #2. Both songs were penned by band members: Jimmie Fadden wrote “Workin’ Man” and Jimmy Ibbotson and Jeff Hanna penned “I’ve Been Lookin'”. The third single, “Down That Road Tonight” was written by Jeff Hanna with Josh Leo and Wendy Waldman. My least favorite of the three singles, “Down That Road Tonight” contains just a hint of the blues. It reached #6 and marks the second-to-last time The Nitty Gritty Dirt Band would score a Top 10 hit (“When It Goes” from the Circle II collection became their final Top 10 in 1990).

Two of the album’s tunes were later covered by other artists. Holly Dunn released a very similar version of “Thunder and Lightnin'” a year later and Lorrie Morgan recorded a much slicker version of “Soldier of Love” in 1996, which pales in comparison to NGDB’s rendition.

Band member Bob Carpenter contributed two of his original compositions to the project: “Baby Blues”, a co-write with Wendy Waldman and “A Lot Like Me”. Both are departures from the band’s usual sound. Carpenter takes over as lead vocalist and though he is not as gifted a singer as his bandmates, he is effective on both tunes, particularly the rock-infused “A Lot Like Me”, that I liked a lot more than I expected to.

Workin’ Band was always one of my favorite Nitty Gritty Dirt Band albums. I bought it on cassette when it was released in 1988, but never upgraded it to CD. Consequently, I had not heard it in a very long time, but it has held up surprisingly well and I found that I enjoyed it as much as I did over quarter-century ago.

Grade: A-

Album Review: Nitty Gritty Dirt Band – ‘Partners, Brothers And Friends’

partners brothers and friendsBy 1985 the Nitty Gritty Dirt Band were confident in their mainstream country/country-rock style, and released the excellent Partners, Brothers And Friends, a fine collection of mainly up-tempo, mainly positive songs which shows the band at their best.

The lead single, ‘Modern Day Romance’ was their second country chart topper. It is an early Kix Brooks songwriting credit (alongside Dan Tyler), and is a solidly enjoyable story song about a roadside pickup which turns into a wild weekend and a broken heart when the girl leaves him stranded:

I tried to love her without any strings
But a modern day romance has left me some old fashioned pain

The wistfully nostalgic ‘Home Again in My Heart’ then hit #3, with the banjo most prominent in the mix helping to give it a rustic feel. The charming ‘Old Upright Piano’ (written by Don Schlitz and Rhonda Kye Fleming) also looks back fondly to childhood memories of the narrator’s grandparents, and allows Bob Carpenter to shine on the piano.

There is a similar mood to Jimmy Ibbotson’s song ‘Telluride’ (not the song of that name later recorded by Tim McGraw but a cover of a song Ibbotson had written in the 1970s. Its poetically folky lyrics about a 19th century gold miner and his love for his wife are counterpointed by a more contemporary arrangement.

The autobiographical title track (written by Jimmy Ibbotson and Jeff Hanna) peaked at #6, but is one of my favourites of their records as it cheerfully chronicles the ups and downs of their career.

There are a number of enjoyable upbeat numbers, any of which would have been possible singles. The exuberant ‘Redneck Riviera’ (witten by Jeff Hanna and Bob Carpenter) is an early version of the country beach song, but it’s quite entertaining and rooted in real life. Hanna, Ibbotson and Steve Goodman wrote the catchy ‘Queen Of The Road’, a joyful tribute to a tough girl biker. The breezy cowboy song ‘Other Side of The Hill’ (sometimes also known as ‘Cadillac Cowboy’ and recorded by a number of other artists) is another enjoyable cut.

Slowing things down for a moment, ‘As Long As You’re Loving Me’ is a love song with a pretty melody written by Don Schlitz, Lisa Silver and Russell Smith.

They close up with the dramatic saga of ‘Leon McDuff’, a farmer who loses his riverside farm to floods, an unhelpful bank and an unscrupulous tax official who grabs his land for his own benefit. The song is structured as the defence lawyer’s speech at his trial for murdering the sheriff sent to evict Leon and his family:

I’m asking you to be the judge of when enough is enough

The band’s instrumental playing on this track is spectacular.

This album sees the Nitty Gritty Dirt Band at their best. It is strongly recommended (and can be found as part of a 2-4-1 CD with its predecessor.

Grade: A

Album Review: Nitty Gritty Dirt Band – ‘Let’s Go’

0215albums247The Nitty Gritty Dirt Band returned to their country roots in 1982, around the time the band started using their full name again. They had a lineup change as well, with former member Jimmy Ibbotson joining Jeff Hanna, Jimmie McFadden, and John McEuen for the sessions taking place in Nashville. With Norbert Putnam and Richard Landis producing, Let’s Go was released on Liberty Records in 1983.

The album, which peaked at #26, had two successful singles. “Shot Full of Love,” written by Bob McDill reached #19. While not overwhelmingly country, the track worked in the Urban Cowboy era of smooth country-pop and was nicely driven by the band’s excellent harmonies.

Ibbotson wrote “Dance Little Jean,” an excellent mid-tempo acoustic guitar driven number in hopes it would convince his ex-wife they should reconcile. The plan backfired although she’s reported to say he could afford to pay child support (the Jean of the song referred to the couple’s daughter), as the track would be a hit. Her prediction was correct and the song rose to #9.

The remainder of the album was peppered with tracks penned by notable songwriters. Rodney Crowell wrote “Never Together (But Close Sometimes),” a Caribbean flavored number accentuated with steel drums and an island beat that are horribly dated today. Pop singer-songwriter Andrew Gold contributed “Heartaches In Heartaches,” an excellent mid-tempo number notable for a rocklin’ beat. Dave Loggins composed “Goodbye Eyes,” a tender soft-rock ballad that would’ve been a perfect crossover hit had it been a single. And finally, Marshall Crenshaw inscribed “Maryann,” a synth-heavy ballad with a fuller arrangement than most of the tracks, but still perfectly Nitty Gritty Dirt Band.

Hanna co-wrote “Special Look,” a very good synth drenched number with Bob Carpenter. He and Fadden collaborated on the title track, a number that wouldn’t have been out of place in Alabama’s catalog at the time. “Don’t Get Sand In It,” isn’t country at all, but from a pop/rock perspective, it’s still good. “Too Many Heartaches in Paradise” leans more into country music from the era and would’ve been a good choice as a single.

As a whole, Let’s Go isn’t a country album and to categorize it as indicative of the Urban Cowboy era is a stretch. But the band is in fine form throughout, with clean arrangements and harmonies that may be dated today, but are still very listenable.

Grade: B+

Spotlight Artist: The Nitty Gritty Dirt Band

ngdb 1980s

Is it folk or rock or country?
Seems like everybody cares but us

Lots of people have had that question about the Nitty Gritty Dirt Band. The answer, of course, is all of the above, with the band’s origins lying in the roots scene of 1960s California, but their greatest strength has been as a country rock band in the 1980s, and in the role bringing together country heritage with younger performers and listeners in the Will The Circle Be Unbroken trilogy.

The band was founded in the 1960s in Long Beach, California, by Jeff Hanna, as a folk-rock jug band. The first members included Jimmie Fadden and singer-songwriter Jackson Browne (soon replaced by John McEuen). Hanna, Fadden and McEuen are still members today, although the lineup has seen a long list of changes. They soon signed to Liberty Records and from 1967 released a series of folk-rock albums.

Jimmy Ibbotson joined the group in 1970, and the four plus Les Thompson recorded their most country influenced effort to date, Uncle Charlie And His Dog Teddy. They really made their mark on country music, and a place in country music history, with the ground-breaking and legendary Will The Circle Be Unbroken in 1972. The genre has always balanced change with reverence for its heritage, but by the early 1970s the oldest artists were no longer at the forefront. The triple album – a rarity at the time – revived many classic and oldtime country songs, and collaborated with veteran artists including Mother Maybelle Carter, Roy Acuff, and Earl Scruggs among others.

They were still not a straight country group, playing for rock audiences much of the time. In 1975 Ibbotson left the band, and they changed their name to the simpler The Dirt Band, adopting a more rock and pop direction, although they continued to record some country songs like Rodney Crowell’s ‘Voila An American Dream’, which was a pop hit for the band in 1980.

Reverting to the Nitty Gritty Dirt Band name in 1982, the core group of Hanna, McEuen, Ibbotson and McFadden made a concerted bid for the country mainstream. They enjoyed immediate success with the single ‘Dance, Little Jean’ becoming their first top 10 country hit. After their first mainstream country record they transferred to Warner Brothers Records. They were rejoined in 1983 by Bob Carpenter, who had been with them for a while in the late 70s, and for a few years Bernie Leadon of the Eagles took the place of McEuen.

At the height of their success, the neotraditional sound was sweeping country airwaves. it was the ideal moment to revisit the legendary Will The Circle Be Unbroken. Recruiting some more recent stars alongside survivors from the original, Will The Circle Be Unbroken Volume II was a tour de force, winning two Grammy Awards and the CMA Album of the Year. A third instalment would following 2002.

Their commercial appeal faded a little in the 1990s, and they wandered between labels, issuing material on MCA, Capitol, Liberty, DreamWorks and independent labels. They are still active touring – appearing at the Hardly Strictly Bluegrass festival in California on 5 October, and in Canada the rest of the month. They released their last album to date in 2009.

We’re happy to announce they will be our Spotlight Artists for this month. We will be focussing on their mainstream country period.