My Kind of Country

Country music from a fan's point of view since 2008

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Album Review: Merle Haggard and Mac Wiseman – ‘Timeless’

timelessIt would never have occurred to me that Merle Haggard and Mac Wiseman would team up on an album, but I am sure glad that they did, and that the album is widely available through Cracker Barrel. Produced by Ronnie Reno, son of bluegrass legend Don Reno, the album finds Merle and Mac playing a bluegrass set with a band comprised of with Rob Ickes (dobro), Carl Jackson (guitar), Aubrey Haynie (fiddle), Andy Leftwich (fiddle/mandolin), Ben Isaacs (acoustic bass), and special guests Vince Gill (tenor vocals), Marty Stuart (mandolin/guitar), Sonya Isaacs (high harmony) and Becky Isaacs (tenor harmony).

Mac Wiseman has long been known as the “voice with a heart” , but perhaps he should also be known as “the voice with staying power” as the ninety year old Wiseman shows that he has lost little over the years. In contrast, the seventy-eight year older Haggard has lost more of his vocal prowess over the years. Even so, he still sings well.

Although Haggard is by far the bigger star of the two, the disc is truly a collaborative effort with more than half of the repertoire being songs associated with Wiseman, although one could argue that the entire program is Wiseman since Mac sings anything and everything in the broad spectrum of country music. Merle & Mac sing together on six of the album’s thirteen tracks, Vince Gill is on two tracks as a vocalist, one with Merle and one with Mac. Merle has three solo vocals and Mac has two solo tracks.

The disc opens up with “If Teardrops Were Pennies”, a Carl Butler composition that was a big Carl Smith hit from 1951 ( the duo of Porter Wagoner & Dolly Parton covered it in the early 1970s). The song has been in Mac’s repertoire forever. Merle and Mac swap verses on this one. The song is taken at mid tempo.

Similarly, the Tommy Collins composition “High On A Hilltop” has been in Merle’s repertoire forever. This track features Vince Gill on harmony vocal. I’ve never heard the song done as bluegrass before, but good songs normally are adaptable to any treatment, and so it proves here.

It would be unthinkable to do this album without featuring the three songs most intimately associated with Mac Wiseman. The first of these songs, Mac’s “I Wonder How The Old Folks Are At Home” has Merle and Mac swapping verses. The song has become a bluegrass standard.

The same can’t be said for another Wiseman composition, “I’ll Be All Smiles Tonight”, but it’s a good song on which Merle and Mac swap verses.

“Learning To Live With Myself” is a Merle Haggard composition that wasn’t ever a single, but is a thoughtful song that Merle sings as a solo. The harmony work by Sonya Isaacs and Becky Isaacs is very nice.

“Jimmy Brown The Newsboy” is the second of the three Wiseman signature songs on the album. I think every bluegrass band in the world has this song in their repertoire, as well they should. Mac sings the verses, Merle does the introduction and harmonizes on the chorus, This is a great track, possibly my favorite on the album. Ronnie Reno adds tenor vocals.

If there is one song people instantly associate with Merle Haggard, it has to be “Mama Tried”. Merle solos the vocal on this track. I love Rob Ickes’ dobro work on this track. This is the only track on the project of a song that was a hit single for Merle. Ronnie Reno, a former member of Haggard’s Strangers, plays guitar on this track.

“Sunny Side of Life”, also known as “Keep On The Sunny Side” is an old Carter Family song that has been sung by country, folk and bluegrass singers for the last 70+ years. Mac and Merle swap verses on this one with producer Ronnie Reno adding tenor vocals.

John Duffey, a founding member of both the Country Gentlemen and the Seldom Scene, wrote “Bringing Mary Home” while a member of the Country Gentlemen. The song was one the Country Gentlemen’s signature songs, tackled here as a solo by Mac Wiseman. Mac has been singing the song forever and inhabits the verses of the song as only he can.

Vince Gill assists Mac on the third of Mac’s signature songs, Mac’s composition “Tis Sweet To Be Remembered”. I first heard the song with Mac singing it on the WWVA Big Jamboree radio show sometime during the mid-1960s. I loved the song then and now, and although it is impossible to pick a favorite Mac Wiseman song among the thousands of great songs he has sung, if I had to do it, it would be this song.

Both Merle Haggard and Mac Wiseman are devout Christians and the album closes out with three religious songs.

“Two Old Christian Soldiers” is a Merle Haggard composition that Merle and Mac swap verses on this one. Taken at mid-tempo, their battle is against the devil and time, “working off their debt to the Lord.”

The last two songs are a pair of solo efforts, “Lord Don’t Give Up On Me”, a Haggard song sung solo by Merle and “Hold Fast To The Right”, a Wiseman copyright which Mac solos and Ronnie Reno plays guitar.

These ‘two old Christian soldiers’ have had many hit records and successful albums, and it would have been too easy to record an album that romps through their greatest hits. Instead, what we have here is a thoughtful, organic program that forms a cohesive album. I can’t pick out one standout track since the album has so many great tracks. Suffice it to say, this disc has been playing in my car for the last three weeks.

Track Listing:
1. If Teardrops Were Pennies (Merle/Mac)
2. High On A Hilltop (Merle/Vince)
3. I Wonder How The Old Folks Are At Home (Mac/Merle)
4. I’ll Be All Smiles Tonight (Merle/Mac)
5. Learning To Live With Myself (Merle)
6. Jimmy Brown The Newsboy (Mac/Merle)
7. Mama Tried (Merle)
8. Sunny Side of Life (Mac/Merle)
9. Bringing Mary Home (Mac)
10. Tis Sweet To Be Remembered (Mac/Vince)
11. Old Christian Soldiers (Merle/Mac)
12. Lord Don’t Give Up On Me (Merle)
13. Hold Fast to the Right (Mac)

Album Review: Nathan Stanley – ‘Every Mile’

every mileRalph Stanley’s 21 year old grandson is the third generation of his family to have a music career. His grandfather is of course a legend, while father Ralph II is affine singer in his own right. Nathan has an attractive although not very distinctive voice, and his song choices and arrangements here are very tasteful, mostly in the hinterland of country and bluegrass. This album is a religious one, so it is appropriate that it comes to our attention in Easter week. the general mood is a warm, positive one well suited to Stanley’s vocal style.

Nathan Stanley’s voice is smoother sounding than his father or grandfather, and it works particularly well on ballads. He also has a great ear for a melody, as evidenced by the songs chosen here. There are a number of beautiful ballads included. The metaphorical ‘Piece Of Clay’ about the way God remakes people is perhaps my favourite. Almost as lovely are ‘Where No One Stands Alone’ and ‘Where Will You Go’. ‘I Know Jesus Will See Me Through’ features pretty harmonies from Sonya and Becky Isaacs. The title track is a gently melodic expression of gratitude to God with lovely harmonies from Southern Gospel singer Wes Hampton, who makes another appearance on ‘Lord You’re The Best Thing’, another pretty tune.

‘Let Me In Your Heart’ picks up the pace. The harmonica led ‘Would You Be Ready’ (a duet with gospel singer Adam Crabb) is quite cheerful sounding despite its pointed lyrical criticism of those who do not live what they preach. The pensive ‘Heart That Will Never Break Again’ remembers a dying father with faith he is going to “a better place”.

There are a number of special guests familiar to country fans. 80s star T Graham Brown joins Nathan for an unexpectedly bluesy and very enjoyable version of the Tanya Tucker hit ‘Baptism Of Jesse Taylor’. Jeff Bates adds a gritty harmony/duet to the traditional ‘Green Pastures’, which is one of my favourite tracks. Vince Gill provides a sweet counterpoint on ‘Hand In Hand With Jesus’ backed by a string arrangement. Grandpa Ralph shows up on ‘You Can’t Make Old Friends’; Ralph is sounding very old, but there is a palpable warmth and familial affection in their duet which really works. I might even prefer it to the recent cut by Dolly Parton and Kenny Rogers just for that eomotional connection.

I wasn’t sure what to expect from this album, but have been impressed by Nathan Stanley. I look forward to hearing more from him.

Grade: A-