My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Ashley Gorey

Album Review: Trisha Yearwood – ‘PrizeFighter: Hit After Hit’

prizefighterThe initial euphoria I felt upon learning that Trisha Yearwood was finally releasing a new album was tempered slightly by the realization that it would be mostly comprised of her old hits along with six new tracks. After a seven-year hiatus, one would think that fans should be able to expect a full-length album’s worth of new material. The older songs included on PrizeFighter: Hit After Hit, are re-recordings of ten of Yearwood’s best known hits. They are faithful enough to the originals that casual fans will probably not notice the difference, with the possible exception of “XXX’s and OOO’s”, which lacks the double-tracked vocal of the original. These re-recordings are the rare exceptions that can hold their own against the orignals, proving that nearly a quarter-century after her debut, Yearwood can still deliver the goods. That being said, the newly-recorded versions don’t bring anything new to the table and no matter how well done they are, one can’t help feeling a little disappointed that Trisha and her producers didn’t make the effort to find a few more new songs to include on the album in their place.

As far as the new material goes, Trisha shows that she hasn’t lost her touch when it comes to choosing top-notch material. The title track and lead single “PrizeFighter“, which I reviwewed back in September, is the only one of the six new tracks that seemed tailor-made for radio. The collaboration with Kelly Clarkson peaked at a disappointing buy not surprising #42 on the country airplay chart and didn’t enter the main Billboard country singles chart at all. The remainder of the new material seems decidedly less commercial. The best of the group is “I Remember You”, a stripped-down acoustic ballad written by Kelly Archer, Ben Caver and Brad Rempel. Trisha’s sister provides the harmony vocals and the song is dedicated to their late parents. Almost as good is “Met Him In A Motel Room”, a Rory Lee Feek and Jamie Teachenor tune about a young girl, possibly a prostitute, meeting someone for a clandestine tryst. The setting of the seedy motel is juxtaposed with a church in the next verse. It’s not clear whether the girl is meeting a clergymen or a pillar-of-the-community married man, but she is later contemplating suicide in another motel room, when the sight of a Bible on the beside table gives her pause to reconsider.

“Your Husband’s Been Cheatin’ On Us” and “You Can’t Trust the Weatherman” provide a much-needed change of pace after such heavy material. The former is a bluesy number, a departure for Yearwood and reminsicent of something Wynonna might have recorded. It is told from the point of view of a cast-aside mistress who gets her revenge by telling her ex-lover’s wife about his affair with yet another woman. The song was written by Matraca Berg, Marshall Chapman and Jill McCorkle. “You Can’t Trust The Weatherman”, written by Ashley Gorley, Wade Kirby and Bryan Simpson, is a tongue-in-cheek number about a shotgun wedding that eventually finds the young couple becoming a latter-day Bonne and Clyde — and almost getting away with it. It is the most country-sounding of the album’s new songs.

Despite the somewhat disappointing recycling of so much old material, Trisha Yearwood fans are bound to be happy to finally have something new to sink their teeth into. The album can be purchased on CD or downloaded from GhostTunes.

Grade: A

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Album Review: Joe Nichols – ‘It’s All Good’

Joe Nichols is one of Music Row’s underrated journeymen performers. His sixth studio album, released last week is a mostly quiet affair, more rooted in tradition than the music of most his contemporaries, with a few concessions to contemporary tastes that should give him a shot at some radio airplay. As with his last few albums, he’s opted not to put all his eggs in one basket by using just one producer. This time around Mark Wright shares the honors with Buddy Cannon, with each contributing five tracks.

Things get off to a rocky start with the lead single, “Take It Off” a mediocre number that attempts but does not succeed in recreating the winning formula of 2005’s “Tequila Makes Her Clothes Fall Off”. Written by Dallas Davidson, Ashley Gorey, and Kelly Lovelace, the song is ultimately done in by the lack of subtlety in the lyrics, namely the part that goes:

You’re a pretty little country thing
But giddy under them cut-off jeans
Take ’em off, come on mama, take ’em off

Presumably these words of poetry are the handiwork of Kelly Lovelace, since they sound like something we’d normally hear from Brad Paisley. Released in August and reviewed by J.R. Journey shortly thereafter, “Take It Off” is currently at #25 on the charts.

The second track, “The More I Look” is a little better. It doesn’t contain any tasteless lyrics, but the production is a little cluttered and loud for my liking. Thankfully, this is the only production misstep on the album. I imagine that this track is earmarked for release as a single at some point, since it seems more radio friendly than most of the other songs on the album. Another likely single is “Somebody’s Mama”, a tune written by David Lee Murphy and Kim Tribble that finds Joe in the midst of covering up a tattoo that reminds him of an old flame. The couple apparently split up because Joe wasn’t ready to settle down:

She used to say all she wanted was babies
And I was too young to slow down
But I figure she’s probably somebody’s mama by now.

He goes on to speculate that she’s also dripping in diamonds and driving an expensive car, which seems odd because nothing else in the lyrics suggests that she was particularly materialistic. On the contrary, the fact that “she used to say all she wanted was babies” suggests quite the opposite. Still, it’s a pleasant song that stands a reasonable chance of success on the charts.

Things improve considerably from the fourth track on, with Joe sounding a lot at times like a younger George Strait, in both his vocal style and choice of material. The Strait influence is particularly evident with the title track written by Gary Burr and Georgia Middleman. “It’s All Good” is the most traditional and the best song on the album and probably not what radio wants, so it will likely linger in obscurity as an album cut. “No Truck, No Boat, No Girl” is also quite good and slightly more radio-friendly. The mood continues to get more mellow as the album progresses, with inoffensive filler like “Never Gonna Get Enough” and “She’s Just Like That.” The closing track “How I Wanna Go”, is a particularly laid-back tune that finds Joe contemplating an easy life on a sailboat with his guitar and lady, and again sounding very much like King George.

Nichols has had inconsistent success on the singles charts and there’s probably not anything here that is going to change that. It’s All Good is not an outstanding album, but it is very good above-average effort that deserves a listen. It is currently on sale for $5.99 at Amazon MP3.

Grade: B