This Is Me, the follow-up to Wind In the Wire, revived Randy’s career after that side-project, with four top 10 hits including the chart-topping ‘Whisper My Name’. Surprisingly, though, his next album was a commercial disappointment, with none of the singles doing at all well. Released in August 1996, Full Circle was produced as usual by Kyle Lehning, but the sound is a little fuller than on their previous work together. Randy’s resonant baritone is at its best, and the material is generally high quality.
The first two singles, ‘Are We In Trouble Now’ and ‘Would I’ both faltered in the 20s. The former is a well-written ballad about falling in love which was rather surprisingly written by British rock guitarist Mark Knopfler. (Knofler has had a longstanding interest in country music, and has recorded albums with Emmylou Harris and Chet Atkins.) Randy gives it a sensitive, tender delivery worthy of a much bigger hit. The up-tempo ‘Would I’, on the other hand, is pleasant but forgettable, and frankly makes me think of the songs criticised in Alan Jackson’s ‘Three Minute Positive Not Too Country Uptempo Love Song’ from a few years later.
‘If It Ain’t One Thing, It’s Another’ is a much more entertaining, personality-infused up-tempo number, co-written by Joe Stampley (best known for his Moe & Joe duets with Moe Bandy), and not picking this as a single feels like a bit of a missed opportunity. It could have made the basis of an amusing video too.
The excellent ‘Price To Pay’ (written by Trey Bruce and Craig Wiseman) was perhaps just a little too downbeat to succeed in a period when pop influences were once more gaining ground on country radio. A cheating song, the remorseful protagonist regrets having ever let it start, when it would have been so much easier to call a halt:
Your heart wasn’t mine to take
Mine wasn’t mine to give
And love wasn’t ours to say
I shoulda let you go when I could
When the memories weren’t so many or so good
And one night was such a small price to pay
It barely charted despite being the best of the three singles, and that signalled the end of Randy’s time with Warner Brothers, at least for a while.
The atmospheric opener ‘Highway Junkie’, written by blue-collar singer-songwriter Chris Knight with Sam and Annie Tate, sets the portrait of a trucker using his focus on life on the road to get over heartbreak against a muscular beat. The song namechecks Roger Miller and his classic ‘King Of The Road’, and quite fittingly later in the record there is a loping cover of that very song, which also appeared on the soundtrack of the movie Traveller.
Another very good song is ‘Long On Lonely (Short On Pride)’, written by venerable songwriting team of Bob McDill, Dickey Lee, and Bucky Jones. The weary protagonist appeals to his former lover:
I won’t say I love you, don’t know if it’s true
I will say I need you, God knows I do
Randy revived an old song he had written (with John Lindley) and recorded back in the Randy Ray days, ‘The Future Mister Me’. This mournful response to a failed relationship was well worth revisiting, and is quite beautifully sung by a defeated sounding narrator, who has obviously caused his share of problems for his ex wife but is now wishing her luck with her new man. He also wrote two more songs for the album. ‘I Wish It Would Rain’ (written with Ron Avis, the driver of Randy’s tour bus) is excellent. In this intense ballad, the protagonist is desperate for his chance-met ex not to see him crying at the sight of her with her new love. The tender love song ‘I Can Almost Hear Her Wings’ was written with Buck Moore and Eddie Lee, and is lovely.
The beaty ‘Don’t Take Your Love Away From Me’ is enjoyable enough, but lacks much of a melody and is one of the weaker moments. The album closes with the philosophical and relaxed sounding ‘Ants On A Log’, written by Skip Ewing and Donny Kees.
Full Circle is easy to find cheap. Although it was not a commercial success for Randy, it is underrated and worth seeking out.