2001’s Scarecrow was the last full-length studio album that Garth released before his long sabbatical from music, and like most of his albums, it is an eclectic collection encompassing a variety of styles, although there seems to have been more of an effort to appeal to country fans than on past projects.
The lead single, “When You Come Back To Me Again” was originally included on the soundtrack to the film Frequency. Written by Garth and Jenny Yates, it is an AC-leaning ballad, and despite the overwrought string arrangement, it’s one of Garth’s better non-country efforts. It was apparently a little too-AC for country radio. It peaked at #21, becoming one of a very few number of Garth Brooks singles to miss the Top 20.
Before the album was released, Capitol dug back into its archives and went back to Garth’s 1990 collection No Fences, and released “Wild Horses”, with a newly recorded vocal track, as his next single. Then it was back to Scarecrow for the catchy and sparsely produced “Wrapped Up In You”, which became the album’s biggest hit, peaking at #5. It was the only single from Scarecrow to reach the Top 10. It was followed by a shouty duet with future wife Trisha Yearwood, the Delbert McClinton-Gary Nicholson tune “Squeeze Me In”, which reached #16. Garth makes his best attempt at a Delbert McClinton impersonation, but sounds out of his element here. Trisha sounds slightly more at home. “Thicker Than Blood”, a nice midtempo number again penned by Garth and Jenny Yates, deserved more attention than it received. It peaked at #18.
Like much of Garth’s work, Scarecrow is a mixed bag. It’s a very incohesive album as Garth attempts to appeal to every niche of his vast fanbase, and in doing so often comes across as insincere. There is the exaggerated twang on the more country numbers like “Beer Run”, a novelty duet with George Jones that wears thin after the first listen, the complete lack of a twang on the overblown power ballads like “Mr. Midnight” and “The Storm” and the awkward attempt to be a bluesman on “Squeeze Me In”. It all leaves the listener wondering just who the real Garth Brooks really is and what kind of music would he really have made had he not been so obssessed with breaking sales records.
That being said, Scarecrow has more than its fair share of enjoyable moments. “Pushing Up Daisies” is a nice cover of a Kevin Welch tune from 1995 and should have been released as a single. “Don’t Cross The River” is a countrified version of a song originally recorded in 1972 by the pop group America. The arrangement features a lot of banjo, dobro and fiddle and it works surprisingly well, and “Rodeo or Mexico” is a very enjoyable number written by Garth with Paul Kennerley and Bryan Kennedy.
Scarecrow is probably one of Garth’s more forgettable albums but on average the plusses outweigh the minuses. Garth fans will like it and even more casual listeners will find plenty to enjoy.