My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Adam Harvey

Occasional Hope’s favorite albums of 2018

It seems harder and harder to find great new music as the mainstream gets more pop oriemnted. However, some good music is still out there, and here are my favorite full-length albums this year.

10. Junior Sisk – ‘Brand New Shade Of Blue

My favorite bluegrass album this year. Sometimes witty, sometimes lonesome, but a great listen.

Download now: ‘By Now I Would Be Dead’, ‘Ain’t Nothing Wrong With That’, ‘The Whiskey & The Guitar

9. Josh TurnerI Serve A Savior

The best religious album of the year.

Download now: ‘I Saw The Light’, ‘Great Is Your Faithfulness’, ‘I Pray My Way Out Of Trouble’, ‘Me And God

8. Jason Eady – ‘I Travel On

The troubadour takes a bluegrass twist with this year’s fine set.

Download now: ‘She Had To Run’, ‘Below The Waterline’, ‘I Travel On’, ‘I Lost My Mind In Carolina

7. Randall King – ‘Randall King

I’m afraid I didn’t get around to reviewing this promising debut album, but it’s a strong introduction with a 90s neotraditional country vibe.

Download now: ‘Reason To Quit’, ‘Mirror, Mirror’, ‘Dent In It

6. Dillon Carmichael Hell On An Angel

Sometimes sublime, sometimes a bit too heavy on the Southern Rock, this remains the debut of the year.

Download now: ‘That’s What Hank Would Do’, ‘Dixie Again’, ‘Hard On A Hangover’, ‘Natural Disaster’

5. Courtney Patton What It’s Like To Fly Alone

Courtney Patton produced my favorite album of 2015. This year’s follow up was not quite as good, but still extremely rewarding.

Download now: ‘Devil’s Hand’, ‘Round Mountain’, ‘Words to My Favorite Memory’, ‘Red Bandana Blue’, ‘Open Flame

4. Josh Ward – ‘More Than I Deserve

Solid traditional country from Texas.

Download now: ‘One More Shot Of Whiskey’, ‘Say Hello To Goodbye’, ‘The Devil Don’t Scare Me’, ‘More Than I Deserved

3. Adam HarveyThe Nashville Tapes

Great neotraditional country from the deep voiced Australian who was our last Spotlight Artist.

Download now: ‘What A Song Can Do’, ‘When Willie’s Gone’, ‘We’ll Have To Drink Our Way Out Of This’, ‘I’d Rather Be A Highwayman’, ‘Three Rivers Hotel’

2. Loretta Lynn – ‘Wouldn’t It Be Great’

The legend returns with a fabulous mix of sassy growing old disgracefully and emotional ballads.

Download now: ‘Ruby’s Stool’, ‘Lulie Vars’, ‘Another Bridge To Burn’, ‘Wouldn’t It Be Great?

1. Kayla RayYesterday & Me

The Jason Eady-helmed project allos an excellent singer songwriter to shine.

Download now: ‘Once A Week Cheaters’, ‘Things Only Years Can Teach A Woman’, ‘Fair Warning’, ‘Rockport’.

Bonus selection: Tim CulpepperDUI

I omitted this fabulous traditional honky tonk projct as it has only eight tracks. But what there is is outstanding.

Download now: ‘Under The Influence’, ‘Another Way To Try’, ‘She Only Loves Me’, ‘Sad Ole Country Song

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Album Review: Adam Harvey – ‘The Nashville Tapes’

Adam headed to Nashville to record his latest album in the legendary Studio A, built by Cowboy Jack Clement. Nash Chambers, son of Bill and brother of Kasey, produced. Adam wrote or co-wrote much of the material. He states his musical credo in the charming ‘I’d Rather Be A Highwayman’, happy to play in bars for the sake of the music

Smoky rooms and dimlit nights
Tucked among the neon lights
I play the soundtrack while they drink
But I’m not as lonely as you think
These country songs I live and breathe
Fuel to burn the fire in me
They simply let me be myself
I’m not sayin’ I don’t care for rock and roll
But it don’t feel the same way in my soul

I’d rather be a Highwayman than a Rolling Stone
I’d rather be singing to a barstool some cowboy’s sittin’ on
So nothing makes me give a damn
More than country music can
I’d rather be a Highwayman than a Rolling Stone

Empty faces come in here for the friendly atmosphere
Music seems to wash their cares away
There’s freedom in these country songs I play
Now, I may never make it rich
By the time I call it quits
Not every rainbow ends in gold
But I’ll still be singing as the final curtains close

The power of country music also informs ‘What A Song Can Do’, with its tender recollection of a father where music was the only bond.

They can make you laugh, help you cry
Take you to a place in time that you once knew
Sing you home or say goodbye
Change your mind or change your life
It’s true
Ain’t it funny what a song can do?

The Last Post on ANZAC Day
Or when I hear Amazing Grace or He Stopped Loving Her Today

(For the benefit of anyone unfamiliar with it, ANZAC Day commemorates the sacrifice of Australian and New Zealand soldiers in the First World War, especially at Gallipoli in 1915, and is hugely important in Australian culture.)

Adam pays fond tribute to Willie Nelson with the Bill Chambers co-write ‘When Willie’s Gone’. Mickey Raphael provides harmonica on a track musically recalling ‘On The Road Again’. Raphael also shines on the excellent ‘Less Of A Thinking Man’, about making problems worse by brooding over them.

Another mainstay of Australian country music, Troy Cassar-Daly, helped Adam to write ‘We’ll Have To Drink Our Way Out Of This’. This is a great country song about drinking to get over a woman and the state of the world alike. Adam draws on his Australian heritage in his duet with another Aussie star, Lee Kernaghan, on Slim Dusty’s classic folk-country singalong ‘Three Rivers Hotel’, set in an itinerant railway workers’ tavern. Kernaghan’s Australian accent is much stronger than Adam’s, underlining the character of the song. ‘Those Holden Days’, written by Stewart French, presumably another Australian, is gently nostalgic about a teenager’s first car whose manufacturer has now ceased making cars.

There are a handful of other, less predictable, covers. ‘Never Be Anyone Else But You’ was a pop hit for Ricky Nelson in the late 50s, but has been done in a country style before by Emmylou Harris. Adam’s version is likeably catchy. Neil Diamond’s ‘Solitary Man’ is less successful, pitched in too low a key for Adam’s voice, but is a rare misstep.

‘This Lovin’ You’ is a sweet love song inspired by Adam’s wife. ‘Lucky’ recounts life advice from an old mentor. The mid-tempo ‘Anything You Want Me To’ combines both themes, with a wife thanked for helping him fulfil his potential.

Harvey is one of my favorite Australian country singers, thanks to his hugely listenable deep baritone voice and traditional leaning instincts. This album is excellent and I strongly recommend it.

Grade: A

Classic Rewind: Adam Harvey – ‘Harvey’s Backyard Bar’

Album Review: Adam Harvey – ‘Family Life’

Family Life was Adam Harvey’s eleventh album and fifth for Sony-Australia. The album reached #10 on the ARIA chart and was released in August 2014 on the heels of Adam’s most successful album The Great Country Songbook, a duet album with Troy Cassar-Daley that reached #2 the year before.

The album features nine songs from Adam’s pen, plus three from American writers.

The album opens up with the title track an ode to family life. The song reminds me strongly of the John Conlee hit “Domestic Life” both in terms of the lyrics and the melody:

Two sugars in my coffee cup
Make it strong make it wake me up
Put my boots on in the dark
While I’m hoping that my car will start

Working ten hours a day
Another stack of bills to pay
The job don’t bother me no more
There’s three reasons
That I’m working for

Family Life
Mortgage, two kids and a beautiful wife
We ain’t got much but we’re good at getting by
And you’re looking at a man who’s proud
Yeah you’re looking at a man who’s found
Where he wants to be
Where he’s meant to be
Family life is alright with me

Next up is “Do The Best You Can”, a Bob McDill composition, a nice ballad. This is followed by another McDill song, “She Don’t Know She’s Beautiful” which was a #1 hit for Sammy Kershaw in 1993. Adam turns in a solid performance with an arrangement faithful to Kershaw’s hit but with more percussion.

Harvey continues the focus on matters domestic with “Kids”, a rollicking up-tempo ballad about life with kids, “Count On Me”, a tender ballad of reassurance to the singer’s woman, and “My Little Boy”, a paean to the joys of watching his son grow up.

Harvey gets a bit off track from his domestic bliss theme with “One Full Bottle of Rum”, a mid-tempo ballad about a night of catching up with an old chum.

“Mere Male” features Randy Kohrs on dobro on a largely acoustic up-tempo romp about the dumb things that guys do. The song is a hoot and I wish someone in the USA would record it.

What does one truly need in life? According to Adam Harvey the answer is “Sweet Sweet Love”. This song is a romantic ballad taken at mid-tempo and definitely qualifies as a love song to the singer’s woman.

“Daddy, What If” was a major hit for Bobby Bare in early 1974, reaching #1 on Cash Box and Record World and #2 on Billboard (the folks at Billboard must not have liked Bare as his records usually charted higher on Record World and Cash Box than on Billboard). The song, written by legendary Playboy cartoonist Shel Silverstein, is a perfect fit for this album. Adam performs this as a duet with his daughter Leylah:

(Daddy what if the sun stop shinin’ what would happen then)
If the sun stopped shinin’ you’d be so surprised
You’d stare at the heavens with wide open eyes
And the wind would carry your light to the skies
And the sun would start shinin’ again

(Daddy what if the wind stopped blowin’ what would happen then)
If the wind stopped blowin’ then the land would be dry
And your boat wouldn’t sail son and your kite wouldn’t fly
And the grass would see your troubles and she’d tell the wind
And the wind would start blowin’ again

(But daddy what if the grass stopped growin’ what would happen then)
If the grass stopped growin’ why you’d probably cry
And the ground would be watered by the tears from your eyes
And like your love for me the grass would grow so high
Yes the grass would start growin’ again

Next up is the up-tempo “My Family and Home”

When I hear country music
It takes me right back to my family home
Sittin’ by my dad’s radio
Trying to them songs on my own

The album concludes with the contemplative “You Are On My Mind”, performed as an acoustic ballad, with large parts of the song featuring just Adam and an acoustic guitar, joined in later with a lonesome fiddle played by Mick Albeck.

I really liked this album. It is nicely balanced in terms of tempos with both serious and humorous material and containing nothing you’d be afraid to let the children hear, even though this is not a children’s album. Adam Harvey is a great singer and songwriter. His vocals shine throughout the album. I would give this album a solid A

Track List
01 Family Life (A. Harvey)
02 Do the Best You Can (B. McDill)
03 She Don’t Know She’s Beautiful (B. McDill)
04 Kids (A. Harvey)
05 Count on Me (A. Harvey – Clint Crighton)
06 My Little Boy (A. Harvey)
07 One Full Bottle of Rum (A. Harvey)
08 Mere Male (A. Harvey – Colin Buchanan)
09 Sweet Sweet Love (A. Harvey – Clint Crighton)
10 Daddy What If (Shel Silverstein)
11 My Home and Family (A. Harvey – Clint Crighton)
12 You Are on My Mind (A. Harvey – Clint Crighton)

Partial List of Musicians
Jeff McCormack – Bass / Clayton Doley – Organ
Vaughan Jones – Piano / Mark Punch – Electric Guitar
Mick Albeck – Fiddle / Trent Williamson – Harmonica
Randy Kohrs – Dobro

Classic Rewind: Adam Harvey – ‘Genie In The Bottle’

Album Review: Adam Harvey and Troy Cassar-Daly – ‘The Great Country Songbook’

In 2013 Adam teamed up with fellow Australian country singer Troy Cassar-Daly for a collection of classic covers with a focus on the music of the 1970s which Adam grew up on. Mixed in with the duets are a number of songs on which either Adam or Troy sings lead.

The pair open with ‘Good Hearted Woman’ which is relaxed and enjoyable, and one of several covers of Waylon & Willie. The others are ‘Mamas Don’t Let Your Babies Grow Up To Be Cowboys’, sung seriously. Adam also performs a solo version of ‘Luckenbach, Texas’ which suits his voice very well. The duo also cover ‘Coward Of The County’, which doesn’t quite gel as a duet, although each man’s solo lines have believable emotional heft. ‘Rhinestone Cowboy’ feels rather karaoke, but ‘I Walk The Line’ is rather enjoyable, with Adam in particular sounding great. One of my favorites of the duets is a really lovely version of ‘Seven Spanish Angels’.

‘Lights On The Hill’ was an Australian country classic, written by Joy McKean for her husband, Aussie legend Slim Dusty in the 70s. Set to a catchy, oddly upbeat mid tempo tune, It is a story song about a trucker killed on the road one rainy night. This one is another duet. Troy also sings another Joy McKean/Slim Dusty classic, ‘Indian Pacific’, about a railway line, on which his natural Australian accent is more in evidence.

Adam takes on ‘He Stopped Loving Her Today’. It is a brave attempt, and Adam’s deep baritone sounds great, but who can match George Jones? He is very good on ‘Behind Closed Doors’, and ‘Old Dogs, Children And Watermelon Wine’ is absolutely perfect for his deep voice – wonderful. ‘You’re My Best Friend’ is another strong cover.

Troy has a nice, smooth voice, and he takes the lead on ‘Crystal Chandeliers’, a reproach to an ex wife who has abandoned the protagonist for a rich man. It was never a single for Charley Pride in the US, but was an international success for him. Better still is a lovely version of ‘For The Good Times’, with some gorgeous steel guitar, and a natural, relaxed ;That’s The Way Loves Goes’, which is a real highlight. ‘Mama Tried’ is enjoyable with the same arrangement as the original, and Troy delivers an authentic version of ‘Hey Good Looking’. ‘Oh Lonesome Me’ is quite good too.

There is a very generous helping of material, with 20 tracks. The last is a medley of three songs: a bright fun extract from ‘Thank God I’m A Country Boy’, a soulful ‘Before The Next Teardrop Falls’, and a good humoured ‘On The Road Again’ to wrap things up.

Covers collections aren’t everyone’s cup of tea, and the largely faithful arrangements will seems superfluous to some listeners. However, I really enjoyed this album and am happy to recommend it.

Grade: A

Album Review: Adam Harvey — ‘Falling Into Place’

Falling into Place, released in 2011, is Adam Harvey’s ninth album overall and third release for Sony Music Australia. It won him Album of the Year from the CMA (Country Music Awards of Australia) in 2012.

The album opens with the mid-paced and inviting “Built To Last,” in which the narrator longs for a simpler time when quality (of both cars and women) mattered. “You Don’t Know My Love” finds the man working hard to help his girl overcome her skepticism and by the sounds of the uptempo arrangement, it doesn’t sound like much of a chore.

He’s nursing a hangover and some regrets about mid-week partying on “Hair of The Dog.” The title track is a pleasing mid-tempo ballad focusing on a relationship and the ways that life just kind of takes care of itself sometimes. “One More Beer” celebrates the end of the night when the bar is about to shut down. Harvey performs the song with a bit of a drunken’ swagger, which adds to the effect beautifully.

“A Good Woman Can” is a lively and playful uptempo honky-tonk infused duet with fellow Aussie Beccy Cole. The track is excellent even if it’s a bit frivolous. The pair works well together, however.

Harvey included three notable covers on the album. The album’s final cut, “Closing Time,” was first released and made famous by Lyle Lovett in 1986. It’s an excellent observational ballad about the people in the bar at closing time, complete with gorgeous vivid imagery.

The other two are a pair of songs Randy Travis recorded on Around The Bend in 2008. “Everything I Own Has Got A Dent” is a comical mid-tempo ballad in which a man confesses to having banged up cars, punched holes in walls and even disregarded love with his woman. He admits that even his heart has got a dent, too.

The second Travis song is his failed-to-chart single “Dig Two Graves,” which won him a Grammy nomination in 2009. Harvey’s version of the ballad, about a man who says he won’t last long if the love of his life should die before him, is excellent although it could’ve been a bit more traditional in its presentation.

Falling into Place is a great album, one which retains the more contemporary stylings of Harvey’s more recent work at the time. I wasn’t blown away by it, but there are some pretty good songs throughout.

Grade: B+

Album Review: Adam Harvey – ‘Both Sides Now’

Released in 2009, Both Sides Now was Adam’s eighth studio album and second release for Sony Music Australia. Unlike Adam’s previous albums, which were more oriented toward traditional country music, this album featured a wide array of pop music with very little traditional country among the songs selected. Each of the songs also featured with guests mostly from the world of Australian pop music.

Frankly,I expected not to like this album, but I was pleasantly surprised how Adam brought a country feel to the non-country material. Moreover, the strategy of aiming toward the pop market must be adjudged a success as the album was Adams’s first to crack the top twenty albums chart, a place each of Adam’s subsequent albums reached. Plus, this is a pretty good album.

The album opens up with “Stuck In The Middle (With You)” a song composed by Gerry Rafferty and a major pop hit for Gerry’s group Stealer’s Wheel in 1973, becoming a major hit throughout the English- speaking world. Guy Sebastian, an Australian pop star appears with Adam on the song. The arrangement is rather more country sounding than the original hit although it features slide guitar and harmonoica rather than steel guitar.

“Easy” was a top ten pop hit for the R&B group the Commodores and was written by lead singer Lionel Richie. Adam is joined by Wendy Matthews, a pop singer from the 1980s. The rather bland arrangement is true to the original, but Adam’s deep baritone salvages the song.

“Move It On Over” is a humorous Hank Williams classic about an errant husband literally banished to the doghouse for his wayward behavior. Adam is joined by 1990s pop star David Campbell. This song is given a solid county arrangement.

Judy Collins had the big hit in 1968 with Joni Mitchell’s “Both Sides Now”. Adam is joined by the McClymont’s, a stunningly attractive trio of Australian pop-country singers. The arrangement is fairly true to the original, although a steel guitar can be heard gently playing in the background. This is a really nice track

“Down On The Corner” was a major pop hit penned by John Fogerty of Creedence Clearwater Revival. Although not specifically a country song, CCR’s swamp pop sound was embraced by country radio in 1969. I’m not sure why Leo Sayer was chosen for this recording, but it works. Sayer was a major British star during the period encompassing the disco era. He moved to Australia and became an Australian citizen in 2009.

“King of The Road” was Roger Miller’s signature song, performed her in somewhat doo-wop arrangement with really minimal instrumentation. Adam is accompanied by John Williamson, an Australian bush balladeer.

“It’s All Over Now” was written by R&B artists Bobby & Shirley Womack. Bobby’s version barely cracked the top hundred for his group the Valentinos, but when the Rolling Stones recorded the song, it soared to #1 in the UK with significant chart placements elsewhere. Adam is joined by Australian pop singer Shannon Noll. This would be a hard song to mess up and Adam & Shannon do a fine job with the song.

Adam is joined by Troy Cassar-Daley, a major Australian country star on the Willie Nelson-RayCharles duet of “Seven Spanish Angels”. The arrangement is true to the original and Adam & Troy handle the vocals with aplomb.

Webb Pierce had a major US county hit with “In The Jailhouse Now” holding down the #1 slot for twenty-one weeks in 1955. The song is far older than that with authorship claimed by the ‘Father of Country Music’ Jimmie Rodgers (1897-1933). It is a fun song with many variations in the lyrics. The arrangement reminds me of the one used by Red Knuckles & The Trailblazers (the alter-ego of the bluegrass band Hot Rize). Cool song with Kasey Chambers and Shane Nicholson joining in on the fun.

“Have I Told You Lately” is a Van Morrison blues -rocker with Adam joined by Renee Geyer, an Australian R&B/Jazz singer. Ms Geyer takes harmony on this recording, which has some steel guitar on it but is not otherwise very country.

Billy Edd Wheeler has written many fine songs with ”Jackson” being among the most famous. Adam is joined by Beccy Cole, a major Australian county star on this cover of the Nancy Sinatra & Lee Hazlewood (or Johnny Cash & June Carter if you prefer) duet.

If you don’t know of Tommy Emmanuel, here is your chance to hear him as he is the man playing guitar on this exquisite recording of Jerry Jeff Walker’s “Mr. Bojangles”. This may be the nicest track on the album – Adam sings it well, and if there is a better guitar player in the world than Tommy Emmanuel, I have yet to hear him (or her).

Grade: B+ / A-

Classic Rewind: Adam Harvey – ‘The Shake Of A Hand’

Classic Rewind: Adam Harvey – ‘God Made Beer’

Album Review: Adam Harvey – ‘I’m Doing Alright’

In 2007 Adam signed to Sony Australia, and released an excellent debut for the label. The style was a little more contemporary country than his most recent albums, but very well performed and produced.

He wrote the majority of the tracks, mostly with Rod McCormack, including my favorite, ‘Someone Else’s Dream’. This is an excellent ballad, set to a strong melody ideally suited to Adam’s deep voice, with a tasteful string arrangement, and an inspiring lyric about fulfilling your own path in life:

I’ve known hurt and pain
Seen things I hope we never see again
I’ve been bought and sold
I’ve learned not to believe most of what I’m told
We’re all busy making plans
But there’s just a few who can
Have a vision and the will to see it through

Truth knows when things aren’t what they seem
And words fall flat if you d- on’t feel what they mean
You can’t move forward
Till you know where you’ve been
The ones who stand alone see
It’s no life
Living someone else’s dream

‘Walls’ is an excellent song, referring to the Aboriginal population of Australia, the Berlin Wall and other artificial barriers:

When different people find a common ground
There’s no way to stop
Walls from tumbling down

Walls
We all build ‘em
When we need something to hide behind
But if we learn from those that came before us
We let ‘em fall
Walls

Every day we make ‘em like we need ‘em to survive
But what’s the use of feelings if they’re locked up inside?

The solemn ‘A Bigger Plan’ relates grandparental advice to a child, while the sultry jazzy ballad of ‘Will You Be Mine’ is the album’s sole love song. ‘Saturday Night’ is another likeable song about childhood memories of good times at family parties every week:

There ain’t nothing like a party at the Harveys on a Saturday night

The soundtrack include smashing bottles and police sirens.

The title track is a mid paced song with a contemporary feel about satisfaction with one’s life despite lacking material goods. Not bad. ‘Way Too Fast’ is a nice song advising taking time out from a busy life, warmly sung.

‘You’d Do The Same For Me’ is a thoughtful ballad about friendship with an attractive melody and some nice fiddle:

We all need a shoulder when life lets you down
One thing you can count on
I’ll always be around
Nothing’s too much trouble for a friend in need
You’d do the same for me

Most of his usual co-writers refused to work on him with ‘Genie In The Bottle’, which they thought was a stupid idea for a song, but while admittedly a bit silly it’s rather fun, about a lovelorn man who takes to the bottle:

The genie in the bottom of the Jim Bean bottle made me do what I didn’t wanna do
I made a wish with the genie but the genie was a meanie and he didn’t make my wish come true
I was hoping he would make your memory go away but I’m still thinkin’ of you

Of the outside material, ‘The Older I Get’ is a pleasant mid-paced tune about learning how to live well. It was written by Danny Gree, Rob Crosby and Liz Hengber.

‘Flowers’ was a very minor hit for its writer Billy Yates, with its perfectly constructed and emotionally devastating lyric about a man who (spoiler alert!) causes the death of his partner by drunk driving. It has also been cut by Chris Young. Adam’s version is decent but not my favorite, lacking a bit of the combined delicacy and intensity needed to carry it off. I don’t quite *believe* this version.

The best known cover is the Guy Clark song ‘Heartbroke’. Adam’s version is highly enjoyable but not as exciting as Ricky Skaggs’ bluegrass infused hit. Adam also takes on bluesman Keb Mo’’s ‘A Better Man’; the original actually has a jug band feel which might have worked better but Adam’s version is a bit dull.

There are “bonus” acoustic re-recordings of several of the songs on this album, and a few older songs, on my version of the album.

The album won an Australian CMA award, and is well worth finding.

Grade: A-

Album Review: Adam Harvey – ‘Cowboy Dreams’

Released in April 2003, Cowboy Dreams was Adam’s fifth album and the second to be certified gold by the Australian Recording Industry Association signifying sales of 35,000 albums.

The album opens up with the “Love Bug”, the Wayne Kemp-Curtis Wayne penned hit for George Jones in 1965 and George Strait in 1993, both top ten records. It’s a silly song but Adam handles it well.

Next up is “Call It Love” a nice ballad that I could see George Strait having a hit with in his prime

Just Lookin Back On The Life We’ve Made
The Things We’ve Lost The Words To Say
A Million Words Are Not Enough
Call It Love

I Know That Sometimes I Put You Through
More Than I Should Ask Of You
There Must Be A Reason You Don’t Give Up
Call It Love

I Don’t Know What Else To Call It
When All I Wanna Do
Is Grow Old With You
What Else On Earth Can It Be When Every Time You’re With Me
A Simple Touch Tears Me Up
Call It Love

“When Lonely Met Love” is a nice up-tempo dance floor number:

He was empty as a bottle on a Saturday night
She was sweet as a rose that grows in a garden getting good sunlight
As fate would have it, the unlikely happened
In a parking lot, two worlds collide

When lonely met love, they hit it off
Dancing on the ceiling, couldn’t peel them off
Now they’re real tight, it feels real nice
Lonely ain’t looking, lonely no more
Love started popping like a bag of popcorn
When they opened up, when lonely met love

Those good old ballads of booze, women and cheating have been largely banished from modern country music so “Hush”, so this mid-tempo ballad is a refreshing change of pace

He’s looking in the mirror checking out his hair, putting on his cologne
He ain’t shaved since Tuesday but tonight every little whisker’s gone
He’s going out with the perfect wife but she ain’t his own

Chorus:
Hush…can’t talk about it
Hush…dance all around it
Everybody’s doing it old and young
Don’t breath a word cats got your tongue
Huush

She makes the kids breakfast, packs their lunch, sends them on their way
Makes all the beds and cleans up the kitchen loads the TV tray
But that ain’t coffee in the coffee cup gets her through the day

“She Don’t Know It Yet” is a wistful ballad about a man who has not been able to convey to his woman just how much he really loves her

I really love western swing and “Cowboy For A Day” is a nice example with a subject matter similar to Conway Twitty’s “Don’t Call Him A Cowboy” but with a more upbeat message and taken at a much faster tempo. This would be a great dance number

Adam’s voice is in Trace Adkins / Josh Turner territory but the structure of the album reminds me of many of George Strait’s albums, with a nice mix of slow and up-tempo songs.

My digital copy of the album did not include any information concerning songwriting credits, but it is fair to assume that where I haven’t commented, that Adam had a hand in the writing. I really liked “A Little More To It Than That” and “Little Cowboy Dreams” which I assume are Adam’s compositions. The latter is a really cute song, a father’s words to his son:

Dust off your boots, take off your star
Whistle your rocking horse in from the yard
Take off your hat you’ve tamed the wild west
But son even heroes need to get rest

Close your eyes little man it’s been a long day
And your worn out from riding it seems
Let your work in the saddle
All drift away
Into sweet little cowboy dreams

Old-timer that I am my favorite song on the album goes way back to 1965 when Lefty Frizzell recorded the Hank Cochran-Chuck Howard song “A Little Unfair”. Adam doesn’t sound like Lefty and doesn’t try to sound like Lefty but doers a very effective job with the song:

You want me to love just you while you love your share
Ain’t that being a little unfair
It’s me stay home while you stay gone till you decide to care
Ain’t that being a little unfair

I can’t see how it can be anything for me
What’s mine is yours but what’s yours is yours
That’s how you wanted to be
You want me to wait for you till you decide to care
Ain’t that being a little unfair

I can’t see how it can be anything for me
What’s mine is yours but what’s yours is yours
That’s how you wanted to be
You want me to wait for you till you decide to care
Ain’t that being a little unfair

This is a very country album – fiddle, steel guitar, thoughtful lyrics and everything else you would want in a country album.

Grade: A+

Album Review: Adam Harvey — ‘Can’t Settle for Less’

Adam Harvey released his sixth album, Can’t Settle for Less, in January 2005. It peaked at #20 on the Australian Country Album chart.

Among the album’s 13 tracks are six songs recorded by other artists in the States and likely unfamiliar to Harvey’s audiences Down Under. He opens with a brilliant take on Don Williams’ “I’ve Been Loved By The Best,” a mid-tempo stunner about a man and his recent love.

“I Want My Rib Back” is a silly and somewhat obscure song Keith Whitley had recorded for the Blake Mevis produced follow-up to LA to Miami that was never released. His version eventually saw the light of day on Kentucky Bluebird before the song found its way to Kenny Chesney on his Capricorn debut, In My Wildest Dreams. Harvey does well with the song, which has never been one of my favorites.

“Cadillac Tears” was originally recorded by Kevin Denney for his self-titled debut in 2002. The uptempo honky tonker is gorgeous and finds a woman wallowing that she’s single, despite being very well off financially from her previous lover. “Lady Lay Down” was a #1 single for John Conlee from his Rose Colored Glasses album in 1978. The traditional ballad is wonderful, although a bit slicker than I would’ve expected from Harvey.

“Orphan of the Road” is an old Johnny Cash song about a cowboy and a carnie girl, and their one-time three-day stand. The track is exquisite, with Harvey turning in a revelatory performance framed in a simple acoustic arrangement. “Life Don’t Have To Mean Nothing At All” was written by Tom T. Hall and covered by Joe Nichols on Man With A Memory in 2002. The song itself is charming, and Harvey turns in a fabulous performance of it.

The rest of the album’s tracks are original and credited to Harvey. “That’s Just How She Gets” is an amusing look at a woman’s behavior when her man stumbles home drunk. “The Biggest Fool” is an ear-catching mid-tempo ballad with a seductive traditional arrangement. “God Made Beer” is the first real inane track on the album, which scores points for its working man undertones, but suffers from an unintelligent lyric. “Doghouse” is also a bit silly.

“That’s What You Call A Friend” is a tasteful yet somewhat predictable mid-tempo ballad. “Missing Heroes” is a contemporary traditional ballad typical of the era. “Once Upon A Long Time Gone” is a gorgeous ballad set to an old-time-y country arrangement. Harvey’s vocal is spellbinding. This is the kind of song I could see Lee Ann Womack recording.

Can’t Settle for Less truly is an incredible album of originals mixed between well-chosen songs sung by other artists. It isn’t perfect, but it’s pretty darn close to it. Harvey reminds me a lot of Josh Turner, especially on this album. He has a very similar tone to his voice that is very appealing. This album is also available on Apple Music and iTunes and is well worth checking out.

Grade: A

Classic Rewind: Adam Harvey – ‘Family Life’

Classic Rewind: Adam Harvey ft Beccy Cole – ‘I Love To Have A Beer’

Album Review: Adam Harvey – ‘Workin’ Overtime’

After some time finding his feet, Adam’s first Australian gold selling album was 2001’s Workin’ Overtime. It also won him a Golden Guitar award for Best Album. It thoroughly deserved both, as this is an excellent album.

He wrote or cowrote the lion’s share of the tracks himself for the first time. The title track, ‘Workin’ Overtime (On A Good Time)’ was co-written with fellow Australian Rod McCormack and American country artist David Lee Murphey. This starts out slow and then ramps it up as Adam quits his job in favour of party time.

McCormack and Jerry Salley teamed up with Adam for ‘The Shake Of A Hand’, a sweet song set to a pretty lilting melody with a wistful nostalgia for a more innocent past. The same team produced the charmingly retro western swing ‘Two Steppin’ Fool’, in which Adam offers himself as a replacement for a cheater.

Adam and Rod McCormack were joined by Sonny Tillis to write ‘What It Used To Be’, a lovely sad ballad about the aftermath of a failed relationship. Matt King co-wrote the mid-paced ‘I’ll Drink To That’, a swaggering response to a wife’s ultimatum to stop drinking to excess in which the booze looks like winning:

Hangovers hurt me in the morning
But living with a crazy woman
Sure to give a man a heart attack
So I’ll drink to that
I’ll raise my glass and
Here’s to all the good times that you said we never had
This beer ain’t half as bitter as
This trouble you’ve been causing
With these threats that you’ll be walking
If I touch another drop
I’ll drink to that

Rick Price cowrote two songs with Adam and Rod, both love songs. ‘One Of A Kind’ is a sweet ballad, earnestly delivered by Adam, while ‘Little Bitty Thing Called’ is slighter lyrically but a fun little ditty.

A few covers or outside songs were thrown in. ‘The House That Jack Built’ is a rapid paced Billy Yates/Jerry Salley story song about a young married couple whose ideal picket fence life is broken up when a richer man comes along, with a fiddle dominated arrangement. Steel guitar leads into the superlative ballad ‘One And One And One’, also recorded by Gene Watson. Adam does it full justice as he portrays a man who retires hurt but dignified when he finds his lover two timing him:

The first time I laid eyes on you it was love for me
It never crossed my mind what all I couldn’t see
Now suddenly there’s more than me you’re livin’ for
I go to you and find a stranger at your door

1 + 1 + 1 is one too many
I can’t understand your reasons why
1 + 1 + 1 is one too many
So let me be the one to say goodbye

You say God blessed you with two good men
And you can’t choose
‘Cause in different ways we both mean the world to you
And you’re wonderin’ now if somehow
I could live with that
But God above wouldn’t call this love so I want out

‘She’s Gone, Gone, Gone’ is a Harlan Howard song first recorded by the legendary Lefty Frizzell and then a top 10 country hit for Glen Campbell. It is upbeat musically, belying a sad lyric, and highly enjoyable with a delightful acoustic arrangement. There is a tasteful cover of the Guy Clark classic ‘Boats To Build’.

‘Beauty’s In The Eye (Of The Beerholder)’ is a comic drinking song which is good fun.

The album closes with a very fine version of Chris Wall’s modern classic ‘I Feel Like Hank Williams Tonight’, most recently recorded by Sunny Sweeney.

Adam is in great voice on this record, and the material is all high quality. I recommend this wholeheartedly.

Grade: A

Classic Rewind: Adam Harvey – ‘Alcoholiday’

Album Review: Adam Harvey — ‘Sugar Talk’

Adam Harvey released his third album, Sugar Talk, in late August 1999. Much like Occasional Hope noted in her review last week, there isn’t much information about the album online although I was able to find it on Apple Music.

The album is comprised of fourteen tracks. Wikipedia lists two singles. “Treat Me Like A Dog” is a ruckus barnburner about a man who wants a woman who will love and forgive him despite his flaws, much the same way people love everything about their pets. “I Blame You” is a nice power ballad where a man blames his woman for all the riches in his life.

When researching “Gypsy Queen,” I found out it is an old Australian song from the 1970s and became Harvey’s first number one hit. The track is excellent, dosed in mandolin and has a nice sing-song-y melody. “When I’m Drinking” is a playful honky-tonk rocker about a man who’s let the bottle have a grip on his life.

“Hold on my Heart” is another barnburner, in which Harvey sings about a woman who has “a hold on my heart and I hope she never let’s go.” The title track follows the same uptempo formula, with slight variations.

Harvey is a keen observer on “I Can Tell By The Way You Dance,” in which he predicts the woman he’s watching on the dance floor will become his girl. It’s probably not a sequel, but the next track in sequence is “Caroline.” In the chorus he sings, “when I’m with you I lose my mind.”

The last of the high-octane moments is “It’s Still Love,” which is very good but feels slightly generic. “When You Love Somebody” is a nice contemporary ballad. “Love Listens” falls at mid-tempo, with generous steel guitar throughout and a smoother vocal from Harvey.

Harvey also includes three songs I recognize as being recorded by other artists. When I played “Don’t Tell Me (You’re Not in Love)” I recognized it immediately, but didn’t know where I’d heard it before. It turns out George Strait included it as an album track on The Road Less Traveled three years after Harvey released it here.

He gives himself a tall order singing Lefty Frizzell’s “I Never Go Around Mirrors,” which was famously covered twice by Keith Whitley. Harvey’s version is very good and holds its own against the others.

The final cover, “Goodnight Sweetheart,” was originally recorded by Joe Diffie in 1992 before being picked up as the title track and second single from country singer turned Texas real estate agent David Kersh’s debut album. It peaked at #6 for him in 1996. Harvey’s version is excellent, tender, and makes me believe this is a song Whitley would’ve likely recorded had he lived.

I was unfamiliar with Adam Harvey before writing this review. Sugar Talk is a very strong album with some excellent moments throughout. He goes a bit too heavy on the light uptempo material but kills it when he slows things down. In addition to Apple Music, Sugar Talk is all available on iTunes. I recommend checking it out.

Grade: A-

Classic Rewind: Adam Harvey – ‘The House That Jack Built’

Album Review: Adam Harvey – ‘Second Time Around’

Typically Australian County albums tend to be a mixture of original compositions and covers of Nashville hits. Second Time Around is no exception but it is quite an enjoyable album. Adam’s expressive baritone makes for pleasant listening, and the backing on this album is solidly country.

Unfortunately, my digital download of this album did not come with lyric sheets or, songwriter credits or musician credits. If I don’t mention the songwriter, that means I don’t know who wrote the song, but it is likely that either Adam or another Australian artist would have the songwriting honors.

The album opens with “He Lives My Dream”, an oft-told story about the restlessness of the itinerant musician. In this case the singer’s bus breaks down and while waiting he sees a young family exiting church services. I’m usually not that fond of narrations, but the opening narrative sets up the song nicely.

“Been There Done That” finds the singer seeing an ex-girlfriend at a barroom. She tries to chat him up – but this time he’s not having any.

“Tequila Sunrise” is Adam’s cover of an Eagles’ song. If you liked the song generally, you will like Adam’s rendition, which is laid back and melodic.

“I think I’ll Have Another Bourbon” is a kind of generic drinking song, a slow ballad about a woman who has left him and who he can’t get over. Some interesting harmonica work dominates the bluesy backing.

From this point forward Adam covers some of the greatest songs in the American country music canon.

Adam is no Merle Haggard but “Fightin’ Side Of Me” is effectively presented, as is “Sad Songs And Waltzes”, a song written by Willie Nelson but perhaps better remembered from the Keith Whitley cover version.

“Big Bad John” is one of those songs that everyone over the age of fifty-five has heard, whether or not they listen to country music. Adam’s version pales in comparison to the Jimmy Dean original. The song is not a novelty song, but there is a certain ambiance to the song that no one else has ever managed to duplicate.

Better is “Hello Darlin’“, Adam’s cover of the Conway Twitty classic from 1970. Adam’s deep baritone seems expressly made for the song.

Chris Wall never made it as a mainstream country singer, although he had some success as a songwriter. “Trashy Women” was recorded by Jerry Jeff Walker in 1989 and Wall put the song on his superlative album Honky Tonk Heart in 1990, it wasn’t until Confederate Railroad recorded the song a few years later that the song became a top ten country hit. Wall’s song has remained a staple of bar bands since then. Adam does a fine job with the song. I love this song:

Well I was raised in a sophisticated kind of style
But my taste in music and women drove my folks half wild
Mom and Dad had a plan for me, it was debutantes and symphonies
But I like my music hot and my women wild

You see I like my women just a tad on the trashy side
When they wear their clothes too tight and their hair is dyed
Too much lipstick and too much rouge
Gets me excited, leaves me feeling confused
I like my women just a tad on the trashy side

Well you should have seen the look on the face of my Dad and Mom
When I showed up at the door with my date for the senior prom
They said, “Pardon us son, she ain’t no kid,
That’s a cocktail waitress in a Dolly Parton wig”
I said, “I know, ain’t she great, Dad?

They say opposites attract, well I don’t agree
I need a woman that’s as tacky as me

Covering a Vern Gosdin classic is an impossible task as there is no way you can sing the song better than “The Voice” did. That said, Adam does a very nice job with “Is It Raining At Your House”.

I do not know the source of “I’d Be Worse off” but I really like the song with kind of a folk-country ballad with some nice harmonica accompaniment. I don’t know if this a single “Down Under” but if it wasn’t, it should have been.

The album closes with the Don Williams classic “I Believe In You” . The arrangement is a clone of the Don Williams original but with a bit more steel guitar.

To an American listener, this album may feel too familiar, but please remember that Adam Harvey was recording the album for Australian audiences, to whom these may have been mostly new songs. At any rate, it is a good album, Adam sings well, I like the band and the arrangements and this would be in the B+ / A= minus range for me.