My Kind of Country

Country music from a fan's point of view since 2008

Classic Rewind: Linda Davis and the Whites – ‘Do You Know My Jesus’

The songs starts almost three minutes in.

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In Memoriam: Dave Rowland (1944-2018)

Dave Rowland, the lead singer of the group Dave & Sugar, passed away this week, aged 74, from complications following a stroke. Dave & Sugar are best known for a string of 16 singles that charted between 1975-1981. Here are some highlights:

“Queen of the Silver Dollar” (#25, 1975), their debut single:

“The Door Is Always Open” (#1, 1976), their second single and first chart-topper. (FYI: Jamey Johnson most recently recorded it on That Lonesome Song in 2008):

Dave released a solo album aptly titled Sugar Free, in 1982. Here’s a track from that album, “It’s Hard to Just Stop Lovin'”:

In Memoriam: Freddie Hart (1926-2018)

You may have heard that Freddie Hart passed away Oct. 21, aged 91. I wanted to link to Paul W. Dennis’ Country Heritage piece on him, which provides background about his career. Here are some highlights:

Easy Lovin’ (#1, 1971), his first chart-topper and signature song:

My Hang-Up Is You (#1, 1972):

Super Kind of Woman (#1, 1973):

Week ending 11/3/18: #1 singles this week in country music history

1958: City Lights — Ray Price (Columbia)

1968: Next In Line — Conway Twitty (Decca)

1978: Sleeping Single In A Double Bed — Barbara Mandrell (ABC)

1988: Darlene — T. Graham Brown (Capitol)

1998: Honey, I’m Home — Shania Twain (Mercury)

2008: She Never Cried In Front of Me — Toby Keith (Show Dog Nashville)

2018: Meant To Be — Bebe Rexha featuring Florida Georgia Line (Big Machine)

2018 (Airplay): She Got The Best of Me — Luke Combs (Columbia Nashville)

Classic Rewind: Keith Whitley – ‘When You Say Nothing At All’

Classic Rewind: The SteelDrivers, John Prine and Bill Murray – ‘Paradise’

Classic Rewind: George Jones – ‘I Don’t Need Your Rocking Chair’

Classic Rewind: Porter Wagoner and Dolly Parton – ‘Yours, Love’

Album Review: Adam Harvey – ‘The Nashville Tapes’

Adam headed to Nashville to record his latest album in the legendary Studio A, built by Cowboy Jack Clement. Nash Chambers, son of Bill and brother of Kasey, produced. Adam wrote or co-wrote much of the material. He states his musical credo in the charming ‘I’d Rather Be A Highwayman’, happy to play in bars for the sake of the music

Smoky rooms and dimlit nights
Tucked among the neon lights
I play the soundtrack while they drink
But I’m not as lonely as you think
These country songs I live and breathe
Fuel to burn the fire in me
They simply let me be myself
I’m not sayin’ I don’t care for rock and roll
But it don’t feel the same way in my soul

I’d rather be a Highwayman than a Rolling Stone
I’d rather be singing to a barstool some cowboy’s sittin’ on
So nothing makes me give a damn
More than country music can
I’d rather be a Highwayman than a Rolling Stone

Empty faces come in here for the friendly atmosphere
Music seems to wash their cares away
There’s freedom in these country songs I play
Now, I may never make it rich
By the time I call it quits
Not every rainbow ends in gold
But I’ll still be singing as the final curtains close

The power of country music also informs ‘What A Song Can Do’, with its tender recollection of a father where music was the only bond.

They can make you laugh, help you cry
Take you to a place in time that you once knew
Sing you home or say goodbye
Change your mind or change your life
It’s true
Ain’t it funny what a song can do?

The Last Post on ANZAC Day
Or when I hear Amazing Grace or He Stopped Loving Her Today

(For the benefit of anyone unfamiliar with it, ANZAC Day commemorates the sacrifice of Australian and New Zealand soldiers in the First World War, especially at Gallipoli in 1915, and is hugely important in Australian culture.)

Adam pays fond tribute to Willie Nelson with the Bill Chambers co-write ‘When Willie’s Gone’. Mickey Raphael provides harmonica on a track musically recalling ‘On The Road Again’. Raphael also shines on the excellent ‘Less Of A Thinking Man’, about making problems worse by brooding over them.

Another mainstay of Australian country music, Troy Cassar-Daly, helped Adam to write ‘We’ll Have To Drink Our Way Out Of This’. This is a great country song about drinking to get over a woman and the state of the world alike. Adam draws on his Australian heritage in his duet with another Aussie star, Lee Kernaghan, on Slim Dusty’s classic folk-country singalong ‘Three Rivers Hotel’, set in an itinerant railway workers’ tavern. Kernaghan’s Australian accent is much stronger than Adam’s, underlining the character of the song. ‘Those Holden Days’, written by Stewart French, presumably another Australian, is gently nostalgic about a teenager’s first car whose manufacturer has now ceased making cars.

There are a handful of other, less predictable, covers. ‘Never Be Anyone Else But You’ was a pop hit for Ricky Nelson in the late 50s, but has been done in a country style before by Emmylou Harris. Adam’s version is likeably catchy. Neil Diamond’s ‘Solitary Man’ is less successful, pitched in too low a key for Adam’s voice, but is a rare misstep.

‘This Lovin’ You’ is a sweet love song inspired by Adam’s wife. ‘Lucky’ recounts life advice from an old mentor. The mid-tempo ‘Anything You Want Me To’ combines both themes, with a wife thanked for helping him fulfil his potential.

Harvey is one of my favorite Australian country singers, thanks to his hugely listenable deep baritone voice and traditional leaning instincts. This album is excellent and I strongly recommend it.

Grade: A

Classic Rewind: Adam Harvey – ‘Harvey’s Backyard Bar’

Classic Rewind: Kitty Wells – ‘Thank You For The Roses’

Classic Rewind: Joey + Rory – ‘It Is Well With My Soul’

Week ending 10/27/18: #1 singles this week in country music history

1958: City Lights — Ray Price (Columbia)

1968: Then You Can Tell Me Goodbye — Eddy Arnold (RCA Victor)

1978: Let’s Take The Long Way Around The World — Ronnie Milsap (RCA)

1988: Gonna Take A Lot of River — Oak Ridge Boys (MCA)

2008: Everybody Wants to Go to Heaven — Kenny Chesney with The Wailers (Blue Chair/BNA)

2018: Meant To Be — Bebe Rexha featuring Florida Georgia Line (Big Machine)

2018 (Airplay): She Got The Best of Me — Luke Combs (Columbia Nashville)

Classic Rewind: Lee Ann Womack – ‘I Know How’

A Loretta Lynn cover:

Classic Rewind: The Judds – ‘Mama He’s Crazy’

Album Review: Adam Harvey – ‘Family Life’

Family Life was Adam Harvey’s eleventh album and fifth for Sony-Australia. The album reached #10 on the ARIA chart and was released in August 2014 on the heels of Adam’s most successful album The Great Country Songbook, a duet album with Troy Cassar-Daley that reached #2 the year before.

The album features nine songs from Adam’s pen, plus three from American writers.

The album opens up with the title track an ode to family life. The song reminds me strongly of the John Conlee hit “Domestic Life” both in terms of the lyrics and the melody:

Two sugars in my coffee cup
Make it strong make it wake me up
Put my boots on in the dark
While I’m hoping that my car will start

Working ten hours a day
Another stack of bills to pay
The job don’t bother me no more
There’s three reasons
That I’m working for

Family Life
Mortgage, two kids and a beautiful wife
We ain’t got much but we’re good at getting by
And you’re looking at a man who’s proud
Yeah you’re looking at a man who’s found
Where he wants to be
Where he’s meant to be
Family life is alright with me

Next up is “Do The Best You Can”, a Bob McDill composition, a nice ballad. This is followed by another McDill song, “She Don’t Know She’s Beautiful” which was a #1 hit for Sammy Kershaw in 1993. Adam turns in a solid performance with an arrangement faithful to Kershaw’s hit but with more percussion.

Harvey continues the focus on matters domestic with “Kids”, a rollicking up-tempo ballad about life with kids, “Count On Me”, a tender ballad of reassurance to the singer’s woman, and “My Little Boy”, a paean to the joys of watching his son grow up.

Harvey gets a bit off track from his domestic bliss theme with “One Full Bottle of Rum”, a mid-tempo ballad about a night of catching up with an old chum.

“Mere Male” features Randy Kohrs on dobro on a largely acoustic up-tempo romp about the dumb things that guys do. The song is a hoot and I wish someone in the USA would record it.

What does one truly need in life? According to Adam Harvey the answer is “Sweet Sweet Love”. This song is a romantic ballad taken at mid-tempo and definitely qualifies as a love song to the singer’s woman.

“Daddy, What If” was a major hit for Bobby Bare in early 1974, reaching #1 on Cash Box and Record World and #2 on Billboard (the folks at Billboard must not have liked Bare as his records usually charted higher on Record World and Cash Box than on Billboard). The song, written by legendary Playboy cartoonist Shel Silverstein, is a perfect fit for this album. Adam performs this as a duet with his daughter Leylah:

(Daddy what if the sun stop shinin’ what would happen then)
If the sun stopped shinin’ you’d be so surprised
You’d stare at the heavens with wide open eyes
And the wind would carry your light to the skies
And the sun would start shinin’ again

(Daddy what if the wind stopped blowin’ what would happen then)
If the wind stopped blowin’ then the land would be dry
And your boat wouldn’t sail son and your kite wouldn’t fly
And the grass would see your troubles and she’d tell the wind
And the wind would start blowin’ again

(But daddy what if the grass stopped growin’ what would happen then)
If the grass stopped growin’ why you’d probably cry
And the ground would be watered by the tears from your eyes
And like your love for me the grass would grow so high
Yes the grass would start growin’ again

Next up is the up-tempo “My Family and Home”

When I hear country music
It takes me right back to my family home
Sittin’ by my dad’s radio
Trying to them songs on my own

The album concludes with the contemplative “You Are On My Mind”, performed as an acoustic ballad, with large parts of the song featuring just Adam and an acoustic guitar, joined in later with a lonesome fiddle played by Mick Albeck.

I really liked this album. It is nicely balanced in terms of tempos with both serious and humorous material and containing nothing you’d be afraid to let the children hear, even though this is not a children’s album. Adam Harvey is a great singer and songwriter. His vocals shine throughout the album. I would give this album a solid A

Track List
01 Family Life (A. Harvey)
02 Do the Best You Can (B. McDill)
03 She Don’t Know She’s Beautiful (B. McDill)
04 Kids (A. Harvey)
05 Count on Me (A. Harvey – Clint Crighton)
06 My Little Boy (A. Harvey)
07 One Full Bottle of Rum (A. Harvey)
08 Mere Male (A. Harvey – Colin Buchanan)
09 Sweet Sweet Love (A. Harvey – Clint Crighton)
10 Daddy What If (Shel Silverstein)
11 My Home and Family (A. Harvey – Clint Crighton)
12 You Are on My Mind (A. Harvey – Clint Crighton)

Partial List of Musicians
Jeff McCormack – Bass / Clayton Doley – Organ
Vaughan Jones – Piano / Mark Punch – Electric Guitar
Mick Albeck – Fiddle / Trent Williamson – Harmonica
Randy Kohrs – Dobro

Classic Rewind: Adam Harvey – ‘Genie In The Bottle’

Album Review: Adam Harvey and Troy Cassar-Daly – ‘The Great Country Songbook’

In 2013 Adam teamed up with fellow Australian country singer Troy Cassar-Daly for a collection of classic covers with a focus on the music of the 1970s which Adam grew up on. Mixed in with the duets are a number of songs on which either Adam or Troy sings lead.

The pair open with ‘Good Hearted Woman’ which is relaxed and enjoyable, and one of several covers of Waylon & Willie. The others are ‘Mamas Don’t Let Your Babies Grow Up To Be Cowboys’, sung seriously. Adam also performs a solo version of ‘Luckenbach, Texas’ which suits his voice very well. The duo also cover ‘Coward Of The County’, which doesn’t quite gel as a duet, although each man’s solo lines have believable emotional heft. ‘Rhinestone Cowboy’ feels rather karaoke, but ‘I Walk The Line’ is rather enjoyable, with Adam in particular sounding great. One of my favorites of the duets is a really lovely version of ‘Seven Spanish Angels’.

‘Lights On The Hill’ was an Australian country classic, written by Joy McKean for her husband, Aussie legend Slim Dusty in the 70s. Set to a catchy, oddly upbeat mid tempo tune, It is a story song about a trucker killed on the road one rainy night. This one is another duet. Troy also sings another Joy McKean/Slim Dusty classic, ‘Indian Pacific’, about a railway line, on which his natural Australian accent is more in evidence.

Adam takes on ‘He Stopped Loving Her Today’. It is a brave attempt, and Adam’s deep baritone sounds great, but who can match George Jones? He is very good on ‘Behind Closed Doors’, and ‘Old Dogs, Children And Watermelon Wine’ is absolutely perfect for his deep voice – wonderful. ‘You’re My Best Friend’ is another strong cover.

Troy has a nice, smooth voice, and he takes the lead on ‘Crystal Chandeliers’, a reproach to an ex wife who has abandoned the protagonist for a rich man. It was never a single for Charley Pride in the US, but was an international success for him. Better still is a lovely version of ‘For The Good Times’, with some gorgeous steel guitar, and a natural, relaxed ;That’s The Way Loves Goes’, which is a real highlight. ‘Mama Tried’ is enjoyable with the same arrangement as the original, and Troy delivers an authentic version of ‘Hey Good Looking’. ‘Oh Lonesome Me’ is quite good too.

There is a very generous helping of material, with 20 tracks. The last is a medley of three songs: a bright fun extract from ‘Thank God I’m A Country Boy’, a soulful ‘Before The Next Teardrop Falls’, and a good humoured ‘On The Road Again’ to wrap things up.

Covers collections aren’t everyone’s cup of tea, and the largely faithful arrangements will seems superfluous to some listeners. However, I really enjoyed this album and am happy to recommend it.

Grade: A

Classic Rewind: VInce Gill – ‘Look At Us’

Classic Rewind: Patty Loveless – ‘Here I Am’