Adam’s self-titled debut was recorded in 1994. There isn’t much information about it online, so I surmise it was possibly a self-release to sell on tour.
Opener ‘Bad Luck With Women’ is a relaxed mid-tempo number, with warm fiddle although other aspects of the instrumentation are a bit tinny. The up-tempo ‘Sick And Tired Of You’ is pretty good vocally with Adam able to show a bit of personality, but a brassy backing is not especially country. ‘Heartbreak Side Of Town’ is a somewhat dull song with 80s style keyboards and dated backing vocals.
Early in his career, Adam was forced to rely on a high proportion of covers.
I very much enjoyed his take on Tom T. Hall’s ‘Old Dogs And Children And Watermelon Wine’, which Adam delivers with a laidback charm. It also benefits from some tasteful steel guitar. Also good is a cover of the Jim Reeves classic ‘He’ll Have To Go’. A very retro arrangement suits the song, and Adam shows off the deepest part of his voice impressively. Another strong effort is his narration of the Red Sovine truckdriving story song ‘Phantom 309’.
Adam covers Conway Twitty with ‘I May Never Get To Heaven’, well sung but given a rather old fashioned string arrangement and backing vocals. The sexy and catchy ‘Tight Fittin’ Jeans’ works better for Adam.
He copies the crooning side of Elvis Presley with ‘It’s Now Or Never’; quite pleasant but far from original. He can’t match the vocals of Marty Robbins on ‘You Gave Me A Mountain’ and frankly struggles.
Tamworth in New South Wales is the Nashville of Australia, and the site of Australia’s premier country music festival. ‘Tamworth Blues’ is an amusing song about a hopeful country singer on the outs with his wife and performing at the festival, and either recorded live or affecting to be (I suspect the latter), with crowd sounds and singalong. I enjoyed the track, and felt it was a are glimpse of the real Adam on this album.
The record closes with ‘Cheryl Moana Marie’, a New Zealand pop hit from the 60s.
Elsewhere Adam had not quite found his own voice, sounding as if he is copying the original artists on the covers. This debut showed promise for the future, but the odd sounding production on several tracks does it no favors. It is almost impossible to find anyway, out of Australia. Luckily, much better music was to come.