After the failure of her first album to make any waves, Bobbie left Epic. She was fortunate enough, however, to be picked up by Epic. Her second album, released in 1996 and produced by new label head Tony Brown, was a little more contemporary in sound than her debut, and thematically was influenced significantly by her recent divorce.
Regrettably, that did not make her any more successful with country radio. The lead single was ‘I Just Can’t Stand To Be Unhappy’, a moderately up-tempo kissoff song written by Hugh Prestwood and previously cut by Baillie And The Boys. The protagonist takes no nonsense from an unsatisfactory man:
You made this bed, you can lie in it
But you can do it without me
Love ain’t worth a wooden nickel
If you haven’t got the trust
The brightest fire burns to ashes and the sweet dreams bite the dust
Ain’t no point in being sorry
Ain’t no use in being nice
‘Cause I ain’t gonna hang around and let your lightning strike me twice
It is a pretty good song, and well performed, but perhaps not distinctive enough to be a hit. It peaked at #63.
The self-penned ‘You’d Think He’d Know Me Better’ would prove to be Bobbie’s closest to a hit, reaching #56. A cover by Lorrie Morgan was also a flop. It is a subtle song with complicated emotional layers as the protagonist fools herself into thinking she is in the right about her crumbling marriage.
One final single, ‘I Didn’t Know My Own Strength’, was written by Bobbie with Kent Blazy and Sonny LeMaire. A contemporary ballad musing on coming to terms with a new life alone, it is a strong song with an empowering message.
She wrote a further three songs, all melancholy ballads about the end of her marriage, and all excellent songs. ‘Nobody Leaves’, which she wrote with David Stephenson, agonises about the dying days of the relationship. ‘The Girl Of Your Dreams’ looks back poignantly at the blissful early days of their love. ‘Vision Of Loneliness’ is about trying to hide her unhappiness by partying with friends.
‘Oh To Be The One’, written by Randy VanWarmer and Roger Murrah, is a wistful song about unrequited love, with a pretty melody. ‘Just Say So’ (by John Scott Sherrill and Cathy Majeski) is a seductive invitation to a loved one who may be wanting to leave. This is a lovely song with a sad undertone reflecting the mood of the album as a whole.
A couple of more uptempo covers are thrown in. A sultry and soulful ‘Son Of A Preacher Man’ is performed very well but feels a little out of place, with Bobbie channelling her namesake Bobbie Gentry. Bobbie’s version of Dottie West’s 1980 chart topping ‘A Lesson In Leaving’ may have acted as template for Jo Dee Messina’s 1999 hit.
I don’t love this album as much as Bobbie’s debut, but it still an excellent album which I recommend.