Ronna’s second album for Mercury was released in 1992. It was slightly more successful in gaining radio play, although there were still no bona fide hits.
The mid-paced title track, ‘The More I Learn (The Less I Understand About Love)’, was written by one of the most successful female songwriters of the era, Karen Staley, with Steve Dean, and it is radio friendly enough to have been a potential hit. Its #49 peak would make it the closest ever Ronna ever got to the charts.
Follow-up ‘What If You’re Wrong’, written by Austin Cunningham and Denise Davis, is a big ballad in which Ronna offers to set her a restless husband free:
If you think the magic is gone
I agree, maybe you should move on
If you’re sure that your love for me has really died
If there’s something still missing for you
Then there’s nothing more I’ll know to do
So I’ll have to go along with whatever you decide
But what if you’re wrong?
Some nice steel augments the song effectively. It peaked at a dismal #70, one place higher than the third and last single, the pacy ‘We Can Hold Our Own’, which is pleasant if unremarkable.
My favorite track is ‘Nobody Here To Love’, an excellent Bob Mc Dill ballad about the loss of love. There is a gentle Celtic feel to the fiddle arrangement on the verses behind Ronna’s vulnerable vocals, which then soar on the chorus:
I was living all alone
And though I had a heart of stone
You touched my hand and melted me
And I believed
It was you that made me see
What love could be
But I walked in today and no one was there
Now nothing matters after all
Funny how things work out
Can’t believe somehow
You could leave me now
Tell me, what were you thinkin’ of
‘Cause now that you taught me how
There’s nobody here to love
Another solid McDill tune, ‘Honky Tonk Hearts’, had been a minor hit for Dickey Lee in 1980, and was also recorded by John Anderson. Ronna’s version is pretty good. ‘I’ll Be Faithful To You’ is a sweet love song (written by Paul Kennerley) offering a second chance to someone who has been hurt by another. It was previously recorded by Don Williams. I also quite enjoyed the up-tempo ‘Heartbreak Shoes’.
‘Frontier Justice’, written by Bobby Fischer, Charlie Black and Austin Roberts, is a dramatic number in which Ronna seethes about being done wrong and lied to:
‘Cause you can’t hang ’em high
You can’t lay ’em low
The way you could a hundred years ago
When love and honor were the law of the land
If frontier justice prevailed today
My daddy and brothers would make you pay
That’s the kind of justice you’d understand
Ronna’s attitude is directed triumphantly at her lover’s ex in the upbeat ‘Bless Your Cheatin’ Heart’, an entertaining song written by Buddy Cannon and Jessica Boucher:
You know, it’s almost funny to see you standing there in tears
I just wanna thank you dear, because he no longer cares about you
You had everything you didn’t want but then somehow
He started looking good to you the minute he fell in my arms
And I’m obliged to you
And bless your cheatin’ heart
Sammy Kershaw duets with Ronna on ‘There’s Love On The Line’. Their voices work well together on this song (written by Jerry Fuller) about a separated couple laying phone tag as they try to make a connection again.
There was a lot of strong material on this album, and it’s one I enjoyed listening to.