Daryle’s debut album in 1995 was produced by his mentor Randy Travis with James Stroud and David Malloy.
Lead single ‘I’m Living Up To Her Low Expectations’ was not a great start, barely creeping into the top 40, but deserved better. Written by Bob McDill and Tommy Rocco, it’s a cheerful honky tonker about enjoying partying after his wife leaves.
It was followed by what was to prove to be Daryle’s biggest chart success, ‘I Let Her Lie’, a ballad about a cuckolded husband desperate to believe his wife, written by Tim Johnson. Daryle’s vocal is excellent, although the keyboards now sound a bit dated.
It was back to a more light hearted party vibe for ‘Too Much Fun’ which reached #4. Written by former Mercury artist Jeff Knight with Curtis Wright. The final single was one too many, peaking at #50. ‘Workin’ It Out’ (written by Tim Johnson and Brett James) is a beautifully sung ballad with a soothing melody, pleading for a relationship to last.
Another Tim Johnson song, the up-tempo ‘Ordinary Heroes’ compares depressing international headlines with people living day to day. Randy Travis provided one song he wrote with Ron Avis and Jerry Foster. ‘There’s A Cold Spell Moving In’ is an excellent measured ballad anticipating trouble in a relationship. My Heart’s Too Broke (To Pay Attention)’ is a lively western swing number written by Phil Barnhart, Kim Williams and Lonnie Wilson, and previously cut by Mark Chesnutt. Another nice song is the mid-tempo ‘A Love That Never Died’, written by Skip Ewing and Donny Kees.
The two best tracks appear at the end of the album, and both are covers, but of songs which had not been significant hits for others. Rhonda Vincent, then a Giant labelmate, lends her harmonies to the tenderly romantic ‘Would These Arms Be In Your Way’ (a minor single for Keith Whitley, but written by Vern Gosdin with Hank Cochran and Red Lane). This is really lovely. Even better is ‘What Am I Doing There’, which had been recorded a few years earlier by George Jones. It is a gorgeous ballad about being torn between a new love and feelings for an ex. Exquisite fiddle and steel add the final touches to what could potentially have been a career song.
At 24 Daryle had not yet quite matured vocally, and although the album was received well by critics, sales were relatively modest, perhaps because the singles did not truly represent Daryle’s gifts. However, it was a promising start, and I think it is worth catching up wth.