Album Review: Moe Bandy – ‘No Regrets’
February 27, 2018
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Moe Bandy released his first album on Curb Records, No Regrets, in Spring 1988. It was produced by Jerry Kennedy.
The first single from the record was the #8 peaking “Americana,” which marked Bandy’s final time inside the top ten. The mid-paced ballad is earnest in its depiction of American pride.
Two more singles were released. “Ashes In The Wind” is a pleasant ballad about a burned-out love affair that died at #47. “I Just Can’t Say No To You” is a string-laced ballad that fared better, hitting #21.
The album stays in a contemporary vein that was popular at the time, for those who weren’t strictly following the new traditionalist movement. I read that Bandy was criticized during this era of his career for straying so far from his roots at a time when his classic style was as popular as ever.
No Regrets doesn’t boast many notable tracks, and the uptempo material is kept to a minimum. The only exception was the piano-heavy title track, a jive, that doesn’t owe much to country music but does have some wonderful licks throughout. “Nobody Gets Off in this Town” was subsequently recorded by Garth Brooks on his debut album a year later. Bandy’s take on the song, which is very reminiscent of something Keith Whitley would’ve recorded, is excellent and worth seeking out. “The Champion” is another strong addition to the long lineage of rodeo songs in the genre, although I found the lyric could’ve been written more sharply.
This album is neither here nor there as a whole. It’s very pleasant to listen to, but there really isn’t anything truly exceptional about it.