My Kind of Country

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Daily Archives: August 28, 2017

Classic Rewind: Janie Fricke – ‘Where Does Love Go (When It’s Gone)?’

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Album Review: Janie Fricke – ‘After Midnight’

(NOTE: After Midnight was the second album in which Fricke changed the spelling of her name to Frickie. She made the adjustment after being annoyed with mispronunciations of her name 

Following the chart topping success of Black and White, Janie Frickie’s career began to decline. The new traditionalists movement of the late 1980s all but whipped her countrypolitan stylings off the radio and thus she struggled to gain traction with her singles. 1987’s After Midnight was Fricke’s first album not to produce a top 20 hit.

As was customary, two singles were released from the album. “Are You Satisfied,” a mid-tempo bluesy ballad with Frickie’s voice in top form, stalled at #32. The thickly produced and slower paced “Baby You’re Gone” fared worse, hitting #63. It was the first single of Fricke’s career to miss the top 30 entirely.

The album also features “From Time to Time (It Feels Like Love Again),” a duet with Larry Gatlin and the Gatlin Brothers. The power ballad, which features horns, hit #21 as a single from his Partners album, which was released the same year.

Frickie turns in one of her strongest vocal performances on “I Hurt,” a stunning steel-drenched number reminiscent of something Reba McEntire would’ve recorded during this time period. “I Don’t Like Being Lonely” also features steel guitar and a lot of percussion. “Teach Me How To Forget” is more of the same, an expertly executed power ballad with forceful vocals and production.

“If I Didn’t Care” is soaring and lounge-like, with strings and distinct echoes of Patsy Cline. “My Eternal Flame” retains a countrypolitan vibe updated for the time period. “Nobody Ever Loved Me So Good” is more of the same while “It Won’t Be Easy” might be the album’s most traditional-minded number.

After Midnight is an excellent album, even if the production feels out of place for the current trends of the era. The lack of variation is the album’s sole downfall, with ten songs that all fit within the same production and tempo. If anything the production gives Fricke room to sour, turning in some of the strongest vocal performances of her career.

Grade: A