Released in December 1972, Songs of Love By Charley Pride was Charley’s 13th studio album and his least successful album since 1967. The album did reach #1 on Billboard’s Country Album chart, but only reach #149 on Billboard’s all-genres album chart. As usual Jack Clement was the producer.
For whatever reason, the songs on this album and the arrangements seemed mostly derivative of Charley’s prior efforts. Make no mistake about it, this is a solid country album, with fiddle and guitar throughout; however, the overall production has a little more of an easy listening feel to it.
The opening track is “Too Weak To Let Go”, a mid-tempo ballad that is pleasant enough but not really worthy of consideration as a single. The song is about an affair that the narrator feels that he should end but really can’t bring himself to do.
I was on the rebound from a broken love affair
When I first caught a glimpse of her in you
And though you never measured up to what she meant to me
I couldn’t find the words to tell you so
Cause I’m not strong enough to leave you and too weak to let you go
You give me precious love to hold on to
But somehow deep inside I’ve got a feeling that you know
I’m not strong enough to leave you and too weak to let you go
The only single on the album was the Johnny Duncan composition “She’s Too Good To Be True”, a solid country song with fiddle and steel tandem work on the introduction and thereafter. The song spent three weeks at #1 and is what love should be about.
Sometimes late at night I wake up dreaming
I reach and feel for her she’s too good to be true
Then I touch the sleeping softness of my angel
And half asleep she turns to whisper I love you
Cause she’s just too good to be true but she is
And in my arms she reassures me with a kiss
She’s everything I ever looked for in a woman
She’s just too good to be true but she is
Ben Peters, who supplied Charley with “Kiss An Angel Good Morning” and “It’s Gonna Take A Little Bit Longer”, also provided Charley with “She’s That Kind”, another positive love song. Some of the instrumental accompaniment harkens back to “It’s Gonna Take A Little Bit Longer”.
She can take the morning rain falling on my window pane
And turn it into sunshine in my mind
And she can take the darkest night and brighten it with a love sweet light
And I’m satisfied just knowing she’s that kind
And I can feel so down and out but she knows what it’s all about
And she can help me leave it all behind
There’s someting in the way she smiles that seems to brighten all my trials
It’s good to know my woman is that kind
She’s that kind that I’m thankful to the Lord above
For sending me that kind of woman for me to love
If I could live another life and I could choose another wife
I wouldn’t change a thing cause she’s that kind
“You Were All The Good In Me” is a slow ballad about what the narrator lost when he lost his woman. The melody reminds me of “All I Have To Offer You (Is Me)”.
“Give A Lonely Heart A Home” has an upbeat arrangement that that seems overly familiar. It’s a nice song, a mid-tempo ballad, although the vocal chorus seems a bit obtrusive.
Well, just look close and you might find the saddest heart in town is mine
And should we give true love a try our hearts just might see eye to eye
So if you’re looking for a way to do your good deed for today
The one thing you could do and not go wrong is give a lonely heart a home
So just give a lonely heart a home…
If I need to give the history of “Good-Hearted Woman”, that means that you must have dropped in from another planet. Charley does a nice job with the song, but if released as a single by him, I suspect it would not have been a chart topper. Nice fiddle and piano on the chorus are the standout features on this recording.
“Love You More In Memory” is a chugging ballad about a lost love.
I heard “My Love Is Deep, My Love Is Wide” with some frequency on the radio, leading me to wonder if RCA considered releasing this upbeat Ben Peters song as a single. I think it would have made an excellent single.
My love is deep, my love is wide
You can’t see across to the other side
My love is deep my love is wide
I’ve got too much love for you for me too hard to hide
People say I’m not the man they used to know
Something made a change come over me
And when I feel such happiness I guess it’s gotta show
Cause I’m a happy man, that’s plain to see
Cause baby my love is deep…
Johnny Duncan’s “(Darlin’ Think of Me) Every Now and Then” is a really nice ballad that someone should have issued as a single. Duncan’s career as a performer would not hit high gear until 1976, but this song might have accelerated the process for him.
The album closes with “I’m Building Bridges”, a slow ballad about the protagonist’s efforts to win back his lost love:
I’ve been working every day since you’ve been gone
Mending the road that our love once traveled on
And I’ll have you back when I am through
Cause I’m building bridges that will take me back to you
Back in the day I would eagerly purchase every new Merle Haggard, Buck Owens and Charley Pride albums as they were release, with other artists being purchased if I had any money left over. While I liked this album, it wasn’t as satisfactory as Charley’s previous albums and thereafter I skipped over some of Charley’s albums, either waiting his hits collections to be issued, or waiting until a used or cut-out copy could be obtained.
I’d give this album a B+