My Kind of Country

Country music from a fan's point of view since 2008

Album Review: Johnny Paycheck – ‘Shakin’ The Blues’

Bear Family Records issued Shakin’ The Blues in May 2006 as a collection comprised of recordings Johnny Paycheck made for Decca, Mercury, and Todd between 1958-1964. Much like the previous sets, the album leans heavily on hardcore honky-tonk and finds Paycheck echoing the styles of both Ray Price and Faron Young.

None of these recordings were ever issued as singles or reissued on LP or CD. What sets this compilation apart is the last nine songs, which are carbon copies of hits from the day meant to sound interchangeable with the hit recording. The chosen songs, which include “Hello Walls” and “Above and Beyond” are good, but they’re nothing special or essential.

The rest of these recordings, of which there are 20, are fantastic. I particularly enjoyed the jaunty “The Old Man and the River” and “Story Behind The Photograph,” which clearly demonstrates the influence of Young on his vocal style.

There are simply too many tracks to highlight them all, but Paycheck shines brightest on the honky-tonk numbers, which I found to be the most inviting of the bunch. There are a number of Nashville Sound era songs and while they’re good, there’s really nothing about that style that has held up to modern ears.

When I went back and read Razor X’s review from earlier this week, I took particular note of his comment regarding the sound quality of these Bear Family reissue recordings. It’s the latter part of this project, tracks 17-19, that stand out the most in this regard. That, unfortunately, contains the cover tunes, which truly sound awful. I, too, wish some delicate remastering had taken place, at least to aid in one’s enjoyment and appreciation of what Paycheck had recorded during this era.

To my ears, Shakin’ The Blues is a very uneven set of songs, diminished primarily in terms of sound quality and then Nashville Sound era trappings. The honky-tonk numbers, of which there are many, are fantastic and well-worth seeking out. They shine the brightest amongst the muck that surrounds them. This is still a worthy set, essential in the sense that it captures an icon in his formative years. These are important recordings, regardless of the quality.

Grade: B

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