My Kind of Country

Country music from a fan's point of view since 2008

Daily Archives: May 5, 2017

Breaking News: Loretta Lynn hospitalized

It has been announced that Loretta Lynn has suffered a stroke. We wish her the best and pray for a full and speedy recovery.

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Classic Rewind: Marty Stuart – ‘Don’t Leave Her Lonely Too Long’

Album Review: Don Williams – ‘Volume Two’

1974’s Volume Two was the aptly-titled follow-up to Don Williams’ solo debut album on the independent JMI label. Though it doesn’t it contain any of his best remembered songs, it does feature his first Top 10 hit. The track listing is stellar; consisting primarily of songs written by Bob McDill, Allen Reynolds, and Williams himself.

Produced by Allen Reynolds, the album consists of sparsely produced, laid-back songs that are a fry cry from the lush production usually used for country records in the early 70s. Williams’ original composition, the gentle ballad “Atta Way to Go” was the album’s first single, whose chart performance mirrored those of the singles from Volume One, peaking at #13. I was not previously familiar with it but I took to it immediately. The midtempo “We Should Be Together”, written by Allen Reynolds was the next single. It carried Don into the Top 10 for the first time, peaking at #5. Consisting of acoustic guitar and dobro, it is catchy yet mellow. I’d never heard this one before, either, which is surprising since it was Williams’ first significant hit. The third single, “Down the Road I Go”, another Williams compostion, is the closest this album gets to something up-tempo. It’s a pleasant tune, with some nice fiddle and steel work, as well as a vocal chorus that aligns it a little more closely with the mainstream of the day, but it fared poorly on the charts, topping out at #62. From this point forward, though, all of Williams’ records for the next decade would crack the Top 10.

The great Bob McDill contributed two other tracks: the album opener “I Wish I Was In Nashville” and “She’s In Love With a Rodeo Man”. The former is about an aspiring musician who has dreams of making it big in Music City; the latter is about a honky tonk angel who attracts plenty of suitors but only has eyes for a particular rodeo rider. There is an excellent steel guitar solo on this track.

The outlier on the album is the ballad “I Don’t Think Much About Her No More”, which features a subtle string section alone with the acoustic guitar and pedal steel. Originally recorded by its author Micky Newbury in 1969, it was covered many times, sometimes under its alternate title “Poison Red Berries” by artists such as Eddy Arnold, George Hamiton IV, Bobby Bare, The Carter Family, Jan Howard, and Tammy Wynette. It’s more polished than the rest of the album but still the perfect vehicle for Williams’ baritone.

Although it doesn’t contain any of Williams’ best remembered hits, Volume Two is an excellent collection that has aged well and is worth a listen. It is available on a two-for-one CD along with Volume One.

Grade: A