Clay’s second album was released in September 1994. The engagingly bouncy title track was written by Alan Jackson, Keith Stegall and Roger Murrah, and charged to #1 on the country charts. It has a copyright date of 1989, so I assume it was a reject from Alan’s first album, but it has genuine charm if not much depth.
Passionately sung ballad ‘This Woman And This Man’ about a couple on the cusp of breaking up was another chart topper. The run of hits was halted with ‘My Heart Will Never Know’, the final single, which peaked at #16. The sad lost love song was another ballad, with a pretty melody.
‘You Make It Look So Easy’ is another sad love song, written by Chris Waters and Tom Shapiro, with the protagonist failing to cope with a breakup.
However, the record was dominated by up-tempo numbers. One of my favourites is the insistent kiss-off ‘What Do You Want For Nothin’, written by Keith Follese and Michael Woody. Clay demands scathingly,
All I wanted was your love
But it was more than you would pay
Now you want a second chance
To give me more of the same
What do you want for nothin’, baby,
A solid gold guarantee
That you get everything you need?
But there was no love in it for me
You wanna deal on the way I feel
But I’m not buyin’ that
What do you want for nothin’, baby?
Your money back???
‘The Melrose Avenue Cinema Two’ is an effervescent reminiscence of childhood friendship and teenage romance which is quite enjoyable. ‘Boogie Till The Cows Come Home’ is ramped up western swing with honky tonk piano.
Clay wrote four songs, three of them with Kim Williams and Kent Blazy. ‘Heartache Highway’ is a wistful song about failing to patch things up:
It’s a hell of a road
When you’re leavin’ heaven behind
‘Down By The Riverside’ is another remembrance of first love. ‘Money Ain’t Everything’ is a dramatic swampy story song full of atmosphere. Finally Clay wrote the solid honky tonk song ‘Lose Your Memory’ solo.
James Stroud’s production isn’t bad, a little dated in places now, but sufficiently recognisable as country music with some nice fiddle, and Clay’s vocals are good throughout. The album sold very well, and was certified platinum.