My Kind of Country

Country music from a fan's point of view since 2008

Album Review: Craig Morgan – ‘This Ole Boy’

91fn7FvtfDL._SX522_Craig Morgan took a four-year hiatus from recording after leaving BNA Records. He re-emerged in 2012 via Black River Entertainment with This Ole Boy. In theory, signing with an indie label would give him more independence to record the kind of music he wanted. In practice, however, there is nothing to really distinguish the album from what the major labels were putting out.

As with his last few releases, Morgan shared production duties with Phil O’Donnell. Morgan co-wrote half of the album’s songs. This Ole Boy spawned three singles, the most successful of which was the title track which peaked at # 13. “Corn Star” reached #50, which is far more than it deserved, and “More Trucks Than Cars” topped out at #38. The album itself reached #5 on the albums chart.

In a nutshell, with one or two exceptions, This Ole Boy is a collection of songs that range from bad to mediocre. There is only two tracks that I truly enjoyed: the Monty Criswell/Tim Mensy composition “Country Boys Like Me” and the closing number “Summer Moon”, a Morgan co-write with Chris Wallin. The rest of the album falls into the trap of trying to offer something for everyone, a type of approach that usually leaves all unsatisfied. “This Ole Boy” is a not bad, faced paced number that had previously been recorded by Joe Nichols. “More Trucks Than Cars” is a cliche-ridden laundry list of buzzwords that are typically associated with southern living — lazy songwriting at it worst. I can’t decide which of the two bro-country numbers is worse: “Corn Star” or “Show Me Your Tattoo”, but currently I am leaning towards the former. Morgan is a decent vocalist whose talent is wasted on garbage songs like those, and it’s particularly difficult to forgive these kinds of transgressions from more mature artists who surely ought to know better.

“The Whole World Needs a Kitchen” is not a bad song, but it lacks originality. The theme reminds me of Tracy Lawrence’s “If the World Had a Front Porch”, which was a much better song. “I Didn’t Drink” is an interesting number and one of the few moments of originality on the album: a man walks into a bar to drown his sorrows following a bad break-up but doesn’t know what to order because he is a teetotaler. It’s an interesting concept, but it doesn’t quite work — mainly because it’s performed as a pop-tinged power ballad. This kind of theme needs a more traditional treatment.

With only two really good songs, I can’t really recommend this album. It’s available for streaming on Amazon Music, and presumably other streaming services as well for those who want to give it a listen before buying.

Grade: C

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