My Kind of Country

Country music from a fan's point of view since 2008

Album Review: Kristy Cox – ‘Part Of Me’

part of meI loved Australian bluegrass singer Kristy Cox’s previous album, so I was keen to hear her latest work, produced, like its predecessor, by songwriter Jerry Salley. She is in great form vocally; last time around I felt she was better on the ballads than the up-tempo material, but now she sparkles on the faster songs too, and is reminiscent at times of Rhonda Vincent.

‘Another Weary Mile’ opens the album briskly in typical bluegrass style. Written by Michael Rogers, Joshua D Trivett, and Jason Barie, it is one of only two completely outside song, with the remainder coming from the pens of Salley and/or Cox. A vibrant vocal brings the tale of life on the road and the lure of home alive.

Kristy co-wrote four songs. Allen Caswell helped her with ‘William Henry Johnson’, a mournful murder ballad about ‘a hero and a villain’ who breaks the protagonist’s heart and ends up dead as a result. Caswell collaborated with Kristy and Jerry Salley on ‘You Walked In’, an upbeat song about the joy of new-found love. Equally sweet is ‘Young Love Never Gets Old’, a romantic tale of a lifelong love story against all the odds, written by Kristy and Jerry. Kristy and Jerry wrote one more song, the pacy but regretful ‘I’m No Stranger To This Lonesome Road’.

‘The Part Of Me (That’s Still In Love With You)’ is a wistful ballad about the emotional power of a memory overshadowing a current relationship, which Salley wrote with Pam Tillis, with a lovely melody.

‘Little White Whiskey Lies’, written by Salley with Tammy Rogers, picks up the tempo with a bluesy edge. ‘Baby, You Ain’t Baby Anymore’ is a bluegrass burner, written by Salley with Jenee Fleenor, which has Kristy bemoaning a faltering relationship. The brisk ‘Your Train Don’t Stop Here anymore’, written with Dani Flowers, is also solid, while the set closes with an optimistic gospel tune penned by Salley with Sally Barris, ‘That’s Where The Faith Comes In’.

Finally, there is a lovely cover of Chris Stapleton’s moving ‘Daddy Doesn’t Pray Anymore’. Kristy’s vocal style is about as different from Stapleton’s rough hewn soul as one can imagine, and her version adds sweetness and a gentle regret. Beautiful.

The sparkling playing and immaculate arrangements make the perfect backdrop for Kristy’s clear, pure voice. This is an excellent album which I recommend strongly.

Grade: A

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