Wynonna released her only solo live album to date, Her Story: Scenes From a Lifetime, in September 2005. The project was recorded live at the Grand Ole Opry House that winter. The concert traced her musical journey as one half of The Judds to her solo career and beyond.
It’s easy to view Her Story: Scenes From A Lifetime as just another live album, with little stylistic reinterpretation and little new to offer the longtime listener. But to cast it aside is to miss Wynonna at her most confident and self-assured, digging into her vocal prowess like never before. The double album is a rich tapestry perfectly encapsulating her personality through song and story.
Wynonna opened with a gorgeous rendition of “Dream Chaser,” a brilliant album cut that should’ve been a Judds single. She uses her refined grit to full effect on the plucky “Girls Night Out” and adds some bluesy charm to “Love Is Alive.” Wynonna reflects on the Mayberry-esque nature of Judds music before “Young Love” and Carl Perkins’ electric contributions to “Let Me Tell You About Love.”
For her solo music, Wynonna thanked the crowd for helping “She Is His Only Need” hit #1. She remarked on the acts (Garth Brooks, Tim McGraw, Billy Dean, etc) that were opening for her as “Tell Me Why” was climbing the charts. A quick story about changing diapers on the tour bus proved a poignant into to “To Be Loved By You.” There wasn’t a story, but she did elevate “No One Else on Earth” to full-fledged arena rock.
My favorite of her solo-revisions is “That Was Yesterday,” a song I’m embarrassed to say I hadn’t heard before. Wynonna told the audience of a fan who finally had the courage to leave her abusive husband and as an explanation left that song playing as a loop in the CD player. It’s my favorite vocal on the whole album, a reminder of why Wynonna is one of the greatest singers country music has ever produced. Her control is spellbinding.
Wynonna took liberties with the remainder of the set list. She performed many choice album cuts and a few cover songs. A few of the tunes, “Sometimes I Feel Like Elvis,” “Burnin’ Love” and “I Want to Know What Love Is” came from her What The World Needs Now Is Love album. She reprised “Don’t You Through That Mojo On Me” from The Other Side along with a quick anecdote about Ray Benson’s role in introducing her to the blues (along with giving her, her stage name).
The covers were, not surprisingly, excellent. Wynonna’s tone lends perfectly to Melissa Etheridge’s “I’m The Only One” and Tina Turner’s “The Best.” Just as good is “Help Me,” the Joni Mitchell classic she originally recorded on New Day Dawning.
It wouldn’t be a Wynonna album without a spiritual bent. She becomes her most personal, talking about the father she never met, when introducing “I Can Only Imagine.” I used this recording in college for a presentation on spirituality. She also included “When I Reach The Place I’m Going” (From Wynonna) and “Peace In This House.”
After listening to Her Story, you feel like you know Wynonna just a little bit more. The conversational style she brought to this album brilliantly sets it apart from those cash-grabbing live projects most singers release throughout their careers. This is a full concert and is treated as such. What that in mind it does become cumbersome to listen to the tracks individually and hear the talking before the music. But that’s a small price to pay for the magical night she’s committed to tape. This is the shining example of Wynonna the singer, warts and all.