My Kind of Country

Country music from a fan's point of view since 2008

EP Review: Jamie Floyd – ‘Sunshine & Rainbows’

sunshine & rainbowsOne of my favourite songs last year was the wonderful ‘The Blade, as recorded by Ashley Monroe. I was intrigued to learn that Jamie Floyd, one of the song’s writers, was releasing her own version as part of a six track EP. Ms Floyd has a warm alto voice which is not as sweet or vulnerable as Ashley’s, but is still attractive. As a precocious child singer she had a record deal at the age of 11 which went nowhere, and now combines her songwriting career with waitressing.

Her version of ‘The Blade’ is hushed and emotional, and does justice to the song, although it doesn’t quite match the Monroe version, it’s still an excellent performance of one of the best songs of recent years, and well worth tracking down.

Almost as good is ‘The People You Knew’, which she wrote with Lori McKenna. This delicate piano-led ballad is wistfully sad about losing touch with a former best friend:

I can’t explain it but the world changed
You slipped away

The appealing title track, a co-write with Shannon Wright, has a gentle melody and a philosophical approach to life and loss. This is another lovely track, and eminently coverable – it would be ideal for Ashley Monroe.

Unfortunately I did not care for Jamie’s musical choices on the remaining tracks.

‘The Devil Don’t Live In Georgia’ has an arresting title and is a good song with a sultry Southern Gothic blues feel, but the production on Jamie’s vocal is electronically distorted in such a way that it is unlistenable for me. ‘Hey Love’ offers similar treatment to a boring pop song; I disliked this intensely. ‘Casino’ was written with former pop-country singer Jennifer Hanson and Lucie Silvas, a British born pop singer-songwriter who is now based in Nashville and married to a member of the contemporary country duo the Brothers Osborne. It is another pop/rock tune which isn’t my cup of tea but I found it less offensive to my ears than the other two.

So this album of two halves falls into the hard to grade territory: I’ll average it at B-.

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