My Kind of Country

Country music from a fan's point of view since 2008

Album Review: Wynonna – ‘Revelations’

Wynonna_Judd_-_RevelationsIn the three years between Tell Me Why and Revelations, Wynonna took a much-deserved break in which she scandalously had a child out of wedlock and was four months pregnant with another when she finally married their father. She was absent from radio for the entirety of 1995, a first since she debuted twelve years earlier.

In January 1996, Wynonna put the focus back on her music. She launched her return with the Gary Burr and Mike Reid penned “To Be Loved By You,” a lush yet masterful ballad. The song quickly topped the charts and put her back in the good graces of the country music mainstream.

The only problem was Revelations was unlike anything Wynonna had recorded to date. Gone was the straightforward country she brought to her other solo albums. She instead gifted us with an ambitious album that embraced not only a spiritual longing, but also the bluesy rock she’d hinted at with “No One Else on Earth.”

Country radio didn’t have a place for the record and the subsequent singles began her downward trend. I’ve always adored “Heaven Help My Heart,” and despite its length, thought it deserved to peak higher than #14. She covered similar territory on the R&B tinged “My Angel Is Here,” which peaked at #44 despite having zero country bonafides. She turned up the electric guitars on the fiery “Somebody To Love You” and had even less success. The single peaked at #55.

Wynonna fully surrendered to her gospel tendencies on her revelatory cover of Lynyrd Skynyrd’s “Free Bird,” which came from a tribute album released two years earlier. She also succeeds brilliantly with her version of “Change The World.” The pop classic would have its due via Eric Clapton that summer although Wynonna recorded and released her version first.

“Love By Grace” is a sparse ballad that puts her voice front and center. “Don’t Look Back” follows the same trajectory, but with flourishes of steel guitar throughout, is the album’s biggest missed opportunity. If it had been released as a single, it likely would’ve faired much better with country radio than “My Angel Is Here” ever could have.

“Old Enough To Know Better” is straight bluesy rock with an arrangement better suited for the stage than the recording studio. “Dance, Shout” is in the same vein and lets Wynonna take her voice to places it hadn’t yet been.

If you listen to Wynonna’s vocal performances from her earliest Judd recordings until now (1996 in this case), you’d hear an artist coming into her own by discovering the booming grit deep down in her soul. Revelations was the first time she gave into it fully on a record and the results were spectacular. This isn’t a country album by any stretch of imagination, which is a good thing because it allows her to grow into her own as an artist. This is the style that separates the music of Wynonna from that of The Judds. She’ll always be the singer of simple country songs. That will never go away. But Revelations proves she can also be so much more.

Grade: A-

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