Released in 1995, Your Love and Other Lies was Buddy Miller’s first solo album, and the first of six to be released over the next decade on the HighTone label. A prior recording – Man on the Moon, also released in 1995 – was credited to Buddy Miller and the Sacred Cows on the obscure Coyote label, and is difficult to find today.
Miller has enjoyed great success in the Americana realm but is largely unknown to mainstream audiences, despite being highly regarded by some of the most prominent names in Nashville. I always find it interesting to speculate why artists like this didn’t enjoy mainstream success. He is a decent, though somewhat limited vocalist, and although the rootsy Your Love and Other Lies was less polished than what country radio wanted, even twenty years ago, it was not as far outside the mainstream at that time as it is today. His age – 43 at the time of this album’s release –may have been an obstacle, but the main reason Buddy Miller never made it as a mainstream major label act is that he doesn’t seem to have ever made any attempt to do so. For those of us who enjoy roots music made with little or no concessions to commercial tastes, this is a very good thing.
Miller had a hand in writing about half of the album’s 13 songs, some of them with his wife Julie, who also contributed two solo compositions and provided harmony vocals on some of the tracks. His good friend Jim Lauderdale also made two contributions (one co-write and one solo composition).
The two songs most likely to be familiar to mainstream country fans – or at least those of a certain age – are very nice covers of the Louvin Brothers’ “You’re Running Wild” and Tom T. Hall’s “That’s How I Got to Memphis”. Julie’s harmony vocals on the former are spectacular. The latter was recorded by the songwriter himself in 1969, and was a #3 hit for Bobby Bare the following year. It has been covered numerous times since then. I’m tempted to say that it’s my favorite cut on the album, but it’s a tough call. I’m likely partial to it because it’s more familiar to me. Additionally, there are quite a few other contenders , beginning with the opening track “You Wrecked Up My Heart”, a Buddy/Julie co-write that sounds like something that Patty Loveless might have included on one of her 90s albums. To my knowledge, none of these songs were covered by the mainstream artists of the day, which is somewhat surprising.
Julie’s solo composition “Don’t Listen to the Wind” with its fiddle-intro has a Celtic feel to it. Jim Lauderdale’s “Hold On My Love” , featuring harmony vocals by Emmylou Harris, is reminiscent of The Everly Brothers, and Buddy’s solo effort “Watching Amy Dance” is a tear-jerker about an abandoned husband who doesn’t miss his ex but is pining away for the daughter with whom he has lost contact.
I’m less impressed with the album’s two most contemporary numbers: the rock-tinged “I Can’t Slow Down” and “Hole In My Head”. The latter is catchy and sounds like a summertime single for a mainstream artist but the lyrics are on the shallow side.
Although considered by many to be an Americana album, Your Love and Other Lies has plenty of fiddle and pedal steel and is exactly what many of us wish we could hear on country radio. I highly recommend it.