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I liked “Sunflower” but other than that I think your review is spot on. The strings don’t especially bother me but I don’t like most of the arrangements and I didn’t like “Southern Nights”.
The arrangements were anything but country and frankly, most of the songs weren’t that good and the good Brian Wilson and Roger Miller songs were spoiled by the arrangements
D+ or C-
I have to disagree with this review. The reviewer struggles to point out credible flaws with musical terms such as “arrangements,” which it’s clear he doesn’t have the music chops to understand what an arrangement is (I will not go on to explain that here).
Without dissecting the album song by song, I will instead speak of the title song “Southern Nights.” Southern Nights was written by legendary jazz artist Allen Toussaint. You can find his original version on youtube. Give Mr. Toussaint’s version (the songwriter) a listen and Campbell’s version of Southern Night’s and without having to understand anything more about music, the listener will know something great was done with this song. In fact, it has been said, the legend Allen Toussaint himself walked into the chairman’s office of EMI Music Publishing where record producer Gary Klein was having a meeting and Toussaint got down on one knee, kissed Klein’s hand and thanked him for the production of the song he wrote.
Southern Night’s guitar intro by also legendary guitar player Glen Campbell is so infectious it’s impossible to ignore. The tune so catchy there’s a reason it charged ahead of hits by the Bee Gees and The Eagles Hotel California to become number one across all charts.
The production of this song is stunning. Record producer Klein’s recording was so compelling that the next artist to call on him was Dolly Parton. Klein took a song recorded by B.J. Thomas “Here You Come Again,” and heard a hit in it. Take a listen to the B.J. Thomas version and then what becomes of the Parton smash “Here You Come Again,” and you have all you need to know about record production.
After hearing Parton’s version of “Here You Come Again,” arguably the world’s greatest female vocalist, Barbra Streisand, asked to meet record producer Klein. He went on to be the only record producer to record more than one full album with Streisand (three).
I think the review of Southern Night’s needs to be reevaluated.
A+