My Kind of Country

Country music from a fan's point of view since 2008

Album Review: Glen Campbell – ‘Rhinestone Cowboy’

rhinestone cowboyI originally felt like I had drawn the short straw when assigned this album. The two singles from the album, “Country Boy” and “Rhinestone Cowboy” are my two least favorite Glen Campbell singles, and this album is almost relentlessly downbeat in its feel and lyrics.

Al DeLory was often criticized for overproducing Campbell’s albums with string arrangements, but his arrangements never drowned out Campbell’s voice. At points that comes close to happening on this album, which was produced by Dennis Lambert and Brian Potter.

The album opens with “Country Boy”, written by Dennis Lambert and Brian Potter, a #3 country single that also charted pop. To me the production sounds far more over the top than DeLory ever was guilty of producing. As far as being country music, it is at best ersatz country.

Livin’ in the city
Ain’t never been my idea of gettin’ it on
But the job demands that you make new plans
Before your big chance is gone
You get a house in the hills
You’re payin’ everyone’s bills
And they tell you that you’re gonna go far
But in the back of my mind
I hear it time after time
“Is that who you really are?”

Country boy, you got your feet in L.A.
But your mind’s on Tennessee
Lookin’ back, I can remember the time
When I sang my songs for free
Country boy, you got your feet in L.A.
Take a look at everything you own
But now and then, my heart keeps goin’ home

Lambert & Potter also provided the next three songs on the album, “Come Back”, “Count On Me”, and “Miss You Tonight”, all passable album filler material salvaged by Campbell’s vocal prowess. While I don’t think these songs would stand alone as singles, they further the general theme of the album, which I would describe as that of the alienation of a country boy lost in the big city.

Side one of the vinyl original version of the album closes with the Smokey Robinson penned Temptations classic “My Girl”. While I wouldn’t describe Campbell as a blue-eyed soul singer, he always does a passable job on soul and R&B material. Side one of the album was mostly downbeat material so it was nice to have side one end on an upbeat note.

Side two opens with Larry Weiss’s “Rhinestone Cowboy”. This song was Glen’s biggest single, selling over two million copies on initial release and would receive two Grammy nominations for best pop vocalist and song of the year, and would win ACM Single of the Year for 1975. “Rhinestone Cowboy continues the general theme of the album.

Well, I really don’t mind the rain
And a smile can hide all the pain
But you’re down when you’re ridin’ the train that’s takin’ the long way
And I dream of the things I’ll do
With a subway token and a dollar tucked inside my shoe
There’ll be a load of compromisin’
On the road to my horizon
But I’m gonna be where the lights are shinin’ on me
Like a rhinestone cowboy
Riding out on a horse in a star-spangled rodeo
Rhinestone cowboy
Gettin’ cards and letters from people I don’t even know
And offers comin’ over the phone

Next up is a nice cover of a Mike Settle song “Build You A Bridge” followed up by a Johnny Cunningham song, “Pencils For Sale”.

Randy Newman was always a perceptive songwriter and “Marie” is no exception. Glen invests all the emotion necessary to bring Randy’s lyric to life:

The song that the trees sing
When the wind blows
You’re a flower, you’re a river
You’re a rainbow
Sometimes I’m crazy
But I guess you know
I’m weak and I’m lazy
And I hurt you so
I don’t listen
To a word you say
And when you’re in trouble
I turn away
But I love you
I loved you the first time I saw you
And I always will love you Marie
I loved you the first time I saw you
And I always will love you Marie

The album closes out with the Barry Mann/ Cynthia Weil composition “We’re Over”. As far as I know this song was never a big hit for anyone, but it is a well crafted song that I can see any number of contemporary artists (Adele, Michael Buble`) handing well.

We’re over. I guess we know we’re over
Even though all the words are still unsaid
And we talk of other things instead
We’re over. We’ve come and gone, we’re over
We go on like two actors in a play
Acting out our lives from day to day

Going through our paces
With smiling frozen faces
That tell more than they hide
And knowing when we fake it
It’s not love when you make it
Without any feeling inside

I had not listened to this album for many years as it strikes me as basically a seventies pop album, which I found to sound entirely different than the classic Al DeLory produced albums I had come to love and cherish.

There are a lot of different musicians on the album, but I was particularly struck by the following:
Horns – Paul Hubinon, Chuck Findley, Don Menza, Jerome Richardson, Tom Scott, George Bohanon, Lew McCreary, Dalton Smith / Strings – Sid Sharp and the Boogie Symphony / Backing vocals – Ginger Baker, Julia Tillman, Maxine Willard.

I would give this a C+ but many of my non-country music loving friends consider this to be their favorite Glen Campbell album, and considered as 70s pop this album is probably a B+.

Advertisements

2 responses to “Album Review: Glen Campbell – ‘Rhinestone Cowboy’

  1. Ken November 18, 2015 at 4:15 pm

    I really did like the two singles from this album which is a good thing because I can’t count the number of times that I have played both of them on the radio. I first heard “Rhinestone Cowboy” the same way that Glen did via a 1974 recording by the songwriter. Larry Weiss released the song for the 20th Century label and it stayed on the Billboard Adult Contemporary chart long enough for Glen to hear it on the radio in Los Angeles. Glen said that he knew that it would be the perfect song for him to record. He was right and it provided his biggest single success which is saying a lot when you consider the massive hits that he accumulated during the late 1960’s. I think one reason for the popularity of that song and the follow-up “Country Boy” was that they had a fresh and different sound compared to most of the other pop and country records on the radio at that time. Both songs had catchy choruses with memorable hook lines.

    Most of the other songs seemed flat by comparison although Glen did a fine job with “We’re Over.” I was already familiar with that song thanks to the Johnny Rodriguez Mercury single that had been a #3 country hit in December 1974. And I agree with Paul that “Marie” was a strong performance.

    This is the one Glen Campbell album in my collection that I’ve played the least in the 40 years since it was released. I do rate this LP as having the WORST album cover of Glen’s recording career. Not sure what might have worked better but the cartoon caricature was definitely NOT a good choice. It looked tacky to me back in 1975!

    Check out Larry Weiss’ original recording of Rhinestone Cowboy:

  2. Luckyoldsun November 18, 2015 at 10:01 pm

    Never heard of Larry Weiss.
    His record sounds fine, but Campbell definitely improved on it. I’ll bet Weiss would agree. (If not, he still could have bought a house along the ocean with the royalties he got from Campbell’s cut.)

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: