My Kind of Country

Country music from a fan's point of view since 2008

Album Review: Clint Black – ‘On Purpose’

711Wx-StaxL._SX522_In the seven years since we last heard new music from Clint Black (and ten since his last full album), the country music landscape has changed beyond recognition. Last week’s On Purpose is unlikely to garner much love from country radio, but Black’s return is surely something to celebrate for those of us who became castaways during the sea change in commercial tastes.

Black has made good use of his long hiatus. He wrote or co-wrote all of the album’s 14 tracks. The album has reunited him with his longtime co–producer James Stroud and while the final product doesn’t outdo anything that they did in the past, it more than holds it own against Black’s impressive back catalog. Black sounds as energetic and enthusiastic as he did back in 1989, and his voice is as good as ever. There are no huge artistic stretches; the album sounds exactly like something he would have released back in his commercial heyday, and I suspect that most fans will be more than OK with that. Clint was never quite the traditionalist he was given credit for, but his sound was always firmly rooted in country music, with fiddles, steel and harmonica on prominent display. There also was — and still is — a good deal of fancy electric guitar work, but not the heavy-handed arena rock-type that has become all too common in recent years. There is no pandering to current commercial tastes, just vintage Clint Black from start to finish.

Black’s old songwriting partner Hayden Nicholas co-wrote three of the album’s tracks: “Doing It Now For Love”, the catchy “Calling It News” — which laments the same old, same old dominating the headlines, and the excellent poignant ballad “The Last Day”, which finds an elderly couple reminiscing about the past, well aware that time is starting to run out. Frank Rogers co-wrote three tracks, including the current single “Time For That” and the excellent ballad “Breathing Air”, which is a lot more interesting than the title suggests. The tender love ballad is my favorite track on the album.

Steve Wariner shares co-writing credits on two tracks: “One Way to Live” is quite good but “Right on Time” is rather forgettable. The legendary Bill Anderson collaborated with Clint and Bob DiPiero for the album’s sole party song “Beer”, which ought to serve as an example to the bro-country crowd that drinking songs can still have intelligent lyrics. Big & Rich provide the background vocals.

I have a pet peeve about artists who, after long breaks between albums, include a remake of an older song on their comeback collections. I was, therefore, slightly disappointed to see a new version of “You Still Get To Me”, Clint’s 2008 duet with his wife Lisa Hartman Black, on the track listing. It’s bluesier than the original, but it seems like an unnecessary remake. However, the album contains a generous 14 tracks, so it’s a minor complaint at best.

While On Purpose may not break any new ground, it is sure to please Clint’s old fans, who hopefully will support it so it can overcome the inevitable lack of radio support.

Grade: A-

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