My Kind of Country

Country music from a fan's point of view since 2008

Album Review: Billy Yates – ‘These Old Walls’

these old wallsSinger-songwriter Billy Yates has released his latest independent album. As usual, it consist entirely of his own songs.

Five of the songs involve veteran and onetime George Jones duet partner Melba Montgomery as co-writer. The steel-drenched title track sadly reminisces about a childhood home.

‘No Fool Like An Old Fool’ (written with Melba and Tommy Polk) is great , with a sardonic lyric about a cheating wife who thinks she’s getting away with it – but:

Late last night in your sleep
You whispered soft and low
You told me that you loved me –
I just wish my name was Joe

This trio also wrote ‘She’s Got A Heart’, a nice love song.

Billy and Melba were joined by Monty Criswell to write the semi-up-tempo ‘Fallin’ Over Myself’ which is pleasant but not all that memorable. I preferred their ‘It’s Just A Scratch’, in which he soothes the wounded pride of a lady who has been hurt in love.

Billy and Criswell teamed up with Lee Thomas Miller for a pair of songs. The relaxed ‘You Must Be Out Of Your Mind’ is a charming love song about love triumphing over poverty. The entertaining western swing ‘Zeros’ has the poor man rejected by the object of his affections, because:

You never will amount to much nohow

Miller and Billy wrote another couple together. He is torn about taking back an ex revisiting ‘Her Old Stompin’ Grounds’. The resigned ‘Carry On’ is about pretending to be over someone as a way of working towards really getting over her. Both are good songs.

‘Waiting For The World To Turn My Way’ was written with John Northrup. The perky tune about an optimistic attitude to a really bad day and a tough life, with sprightly honky tonk piano prominent in the mix, makes this thoroughly enjoyable.

The closing ‘That’s All She Wrote’, written with Bill Able, is a breakup song in which the departing lady writes goodbye in lipstick on the wall. It’s a clever idea but the key is a bit too low for Billy in places, taking him down into a less attractive timbre.

The only solo composition is the quietly religious ‘Potter’s Hands’.

This is another excellent collection of songs from an underrated singer-songwriter whose music is always reliably genuine country.

Grade: A

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