My Kind of Country

Country music from a fan's point of view since 2008

Jonathan Pappalardo’s Favorite Singles of 2014

When looking back, 2014 will be remembered as the year country music morphed into the biggest radio format in the land while pondering to never ending bro-country schlock and diminishing the efforts of solo female artists not named Miranda or Carrie. The genre also lost its biggest star, Taylor Swift, to world domination.

But I’ll remember a statistic far more puzzling. In the eighteen years I’ve been following the genre, I’ve never witnessed this big a turnover at the top of the Billboard Country Singles chart. How is it that seemingly every new male artist, either solo or in a group/duo, seems to be notching number one hits out of the gate? Everyone from Cole Swindell, Thomas Rhett, Sam Hunt, Parmalee, and Maddie & Tae are routinely racking up chart topping singles without having to fight for their chance to land on playlists. Watching the Billboard Country Airplay chart these days has become more than ridiculous.

My choices, as usual, prove radio doesn’t even begin to scratch the surface in the story of quality country music in 2014. I’ll say this until I’m blue in the face, but if you know where to look (Americana) the goods are definitely there.

Nickel-Creek-Destination10. Destination – Nickel Creek

After nine years of flexing their individual creative muscles, Sara Watkins, Sean Watkins, and Chris Thile reunited to celebrate Nickel Creek’s twenty-fifth anniversary. The time apart has only made them a stronger unit together, which boosts well for this plucky romp led by Sara’s wailing lead vocal. She’s done with her man and leaves no doubt she’s moving on to bigger and better things.

9. Frankie Please – Rodney Crowell

519z2FHhvCL._SL500_AA280_Leave it to Crowell to have the strongest opening line to any song in recent memory – ‘You tore through my life like a tornado looking for a trailer park.’ The blistering lead single from Tarpaper Sky only gets better from there, led by distinctive electric guitar and Crowell’s brilliant lyric. After 38 years in the business he proves he’s still on top of his game with no signs of slowing down.

8. I’ll Be There In The Morning – Don Williams

2468428_20140212162413_199149415The reason it’s so difficult to write an authentic love song is because the imagery has become so overdone, it borders on disingenuous parody. Simple sentiments like “You complete me” or the straightforward “I love you” have become so commonplace in our society, they mean almost nothing anymore.

Don Williams and producer Garth Fundis smartly avoid those trappings by looking forty-six years in the past and resurrecting Townes Van Zant’s elegant promise to his woman – no matter what trials and tribulations may arise on our journey, I’ll be next to you each time the sun rises to greet another day. A woman couldn’t ask more from her man and we couldn’t ask more from Williams, who imparts this wisdom as a man of seventy-five reflecting on the devotion of long-lasting love.

 7. Say You Do – Dierks Bentley

dierks-bentley-say-you-do-singleFinally back to form, Bentley leaves alcohol and frat parties in the dust for a melancholy ballad about a man pleading with the woman who won’t commit to their relationship, even after he begs her to ‘let those words roll off your tongue.’ He’s willing to do whatever it takes – buy her drinks, force her to lie, heck he wants her to lead him on – but she just won’t budge. Bentley hasn’t been this satisfying in years.

 6. Talladega – Eric Church

PrintAn epic ballad about the bonds of friendship set over a weekend at an empty NASCAR track, “Talladega” expertly illustrates Church’s storytelling prowess through Jay Joyce’s delicate production. When Church is on, there isn’t a more interesting or enjoyable male country singer scoring major hits today.

5. Meanwhile Back At Mama’s – Tim McGraw Featuring Faith Hill

 Tim-McGraw-Meanwhile-Back-At-MamasYou have to go back seven years to find Tim McGraw’s last truly outstanding single, the military-inspired “If You’re Reading This.” After years of screaming for relevancy he surrenders the fight and returns to form with a gracefully constructed lyric about home and the important role of family in our lives.

4. California – Radney Foster

RF.EISHS-11I couldn’t have willed this song to exist if I tried. ‘Can’t you hear California calling your name? A siren song, once you hear it, you’ll never be the same.’ Those nineteen words sum up exactly how I feel about the Golden State since visiting there repeatedly over the past few years. Foster has composed a stunner – part love story, part tourist battle cry.

600x600 3. The Trailer Song – Kacey Musgraves

 Kacey Musgraves’ genius lies in her ability to craft songs that on the surface seem littered with country clichés but are actually witty commentaries about the state of society as a whole. The two women depicted here may live in a trailer park, but they’re no different than any bickering neighbors setting up lives in suburbia. We all have that nosy neighbor, the one we wish would stay on their side of the fence and keep those damn mini-blinds closed.

2. What We Ain’t Got – Jake Owen

2522282_20140722163600_696746334Even as far back as six years ago, country singers abided by the cardinal rule – balance. For every uptempo ditty, artists would release a slice of substance to give themselves credibility. That concept, thank goodness, hasn’t been lost on Owen. “What We Ain’t Got” is a classic example of the kind of song that would’ve been all over 90s country radio.

Without a dousing of steel, it’s an almost perfect record about humans innate nature to always be searching for something that leaves us only wanting more. The almost non-existent production allows Owen to lay down a powerfully naked vocal that hits the listener like a sermon to the soul. Kudos to Travis Meadows and Travis Jerome Goff for pulling off the near impossible and Owen for driving it home like he should.

1. Automatic – Miranda Lambert

MirandaLambertAutomaticThe lead single from Platinum and CMA Single of the Year winner is without a doubt my favorite single of the year and easily a contender for one of the strongest country singles of the decade. Lambert, Nicolle Galyon, and Natalie Hemby have crafted a brilliant anthem capturing a shining testament to the days before social media, cell phones, and binge-watching overtook our lives.

There’s very little soul left in our modern world, a fact Lambert is thankfully self-aware enough to take to task. Even as a millennial, I’ll be 27 on Dec 31, I’m dying to get back to a time when media had half a brain and country music wasn’t run by rap influenced hooligans shamelessly flaunting their tatted up arms in tight wife beaters. The class is gone and without it, there’s nothing left. Lambert may have tamed her aggression, but she isn’t done standing up for what she believes in.

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