Album Review: Willie Nelson – ‘Band of Brothers’
June 26, 2014
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In era in which most artists only release new albums every two or three (or more) years, the ever-prolific Willie Nelson is back with a new collection, a mere eight months after the release of To All The Girls … Like all of Nelson’s recent releases for Legacy Recordings, Band of Brothers was produced by Buddy Cannon. It consists of fourteen tracks, eight of which were written by Willie and Cannon.
Band of Brothers is vintage Willie. He thankfully makes no attempts to chase current commercial trends, but manages to make the songs sound fresh and bold, without sounding retro. He serves notice that he’s ready to take on just about anything with the album’s opening track “Bring It On”. “Guitar on the Corner” sounds like a song you think you’ve heard before, but it’s a brand new composition. “The Wall” sounds like the aftermath of “Bring It On”, the bravado having worn off and the protagnist realizing that he’s bitten off more than he can chew. “Wives and Girlfriends” is aperhaps a semi-autobiographical, tongue-in-cheek and slightly (but only slightly) exaggerated account of an apparent glutton for punishment who has had more love affairs than most of us have had hot dinners.
In addition to the aforementioned Nelson/Cannon original compositions, Willie also enlists some help of a few prominent outside songwriters, including Gordie Sampson, Bill Anderson and Billy Joe Shaver. Sampson and Anderson contribute “The Songwriters”, which compares tunesmiths to heroes, schemers, drunks, and dreamers. It’s a perfect vehicle for Willie, one that I mistakenly assumed he’d written himself the first time I heard it. Jamey Johnson joins Willie on Billy Joe Shaver and Gary Nicholson’s “The Git Go”, which although well crafted, is a little too cynical for my liking. I prefer Shaver’s other submission “Hard To Be An Outlaw”, which again is a good match for Nelson.
I’ve often said that Willie Nelson’s voice is an acquired taste and I will readily admit to not being a huge fan when I first became interested in country music in the early 80s. I remember having a conversation with someone who told me to take a moment to appreciate Willie’s skill as a guitarist. It wasn’t enough to win me over as a Willie fan at the time, but over the years I’ve come to realize that the person who told me this was right. Willie remains one of music’s most distinctive pickers and it more than compensates for the occasional moments when his 81-year-old vocal chords let him down. He sounds pretty good on most of the uptempo and midtempo numbers, but the wear and tear is apparent on the ballads, most notably his cover of Vince Gill’s “Whenever You Come Around”. This type of song needs a prettier voice than Willie’s but his guitar picking helps to salvage the track.
Band of Brothers serves notice that Willie Nelson still has plenty to offer in the way of songs that are well played, well written, well produced and mostly well sung.
Grade: A –