My Kind of Country

Country music from a fan's point of view since 2008

Daily Archives: April 29, 2014

Classic Rewind: Gene Watson – ‘Back In The Fire’

Album Review: Ashley Lewis – ‘Captivated’

captivatedMost of the best female artists seem to come out of bluegrass these days. Singer, songwriter and mandolin player Ashley Lewis is the latest to catch my attention. Although this is her third album, it seems to be her breakthrough moment, setting a record for the number of tracks picked up simultaneously by bluegrass radio. Small wonder, as she has a lovely voice reminiscent of the young Alison Krauss, and is a talented writer who has composed almost all the songs here. The album is produced by fiddle player Jimmy Mattingly, and Jon Randall provides harmony vocals.

Opener ‘Nothing But Ashes’ is a fine song about facing the reality of a fading love affair.

‘Ghost’ is an excellent song with a beautiful melody (co-written with Jon Weisberger) about the pain of an abandoned wife’s memories of love now lost. Ashley has a vulnerable vocal which makes the song entirely believable, as she bemoans her ex’s choice:

Please don’t tell me it was worth the cost

Ashley’s angelic vocal soars on the dramatic Civil War story song ‘Blockade Runner’, backed by Mattingly’s atmospheric fiddle and Sammy Shelor’s banjo. ‘Winter In Wyoming’ is outstanding, a beautifully sung lonesome ballad about separation from a loved one who has followed his dream to Nashville. This is my favourite track.

The charming ‘You Put The Fire in Me’ has a Western Swing feel and features a cameo from Vince Gill on guitar (though sadly not vocals). ‘Blue Ridge Rain’ is delicately pretty, and the sultry ‘Fan The Flame’ and ‘Rivers Rising’ are also good. ‘Convicted’ is quite good but didn’t hold my attention as much as other tracks.

‘Another Place, Another Time’ is a wistful duet with Josh Williams which is excellent. This gentle ballad is actually included in two versions, bluegrass and country, the latter having a very slighter fuller but still tastefully understated production.

She veers into jazz in her instrumentals, which include a Django Reinhardt cover. ‘Mermaid’ also has a jazzy feel which is less to my taste than the rest of the album, although it is impeccably performed. An unexpected cover of Leonard Cohen’s ‘Hallelujah’ is dreamily sung.

Overall, this is a fine addition to the ranks of female bluegrass stars, and well worth checking out.

Grade: A-