This 1998 release, Hillman’s first solo effort since 1984’s Desert Rose, found him back on the Sugar Hill label and working once again with his former Desert Rose Band colleagues Herb Pedersen, who produced the album, and Jay Dee Maness, who played steel guitar. Jerry Douglas and David Crosby also appear among the musician credits. Hillman co-wrote eleven of the album’s twelve songs, ten of them with Steve Hill.
Like A Hurricane is a combination of country and rock, with a touch of folk and the occasional pop flourish thrown in. It’s not terribly different from Hillman’s work with the Desert Rose Band, although it is not as slickly produced. Had it appeared a few years earlier, it would probably have been considered a solidly mainstream release and not relegated to a roots-oriented indie label such as Sugar Hill.
In the hands of a lesser artist, an eclectic album like this would seem choppy and disjointed, but Hillman makes the transition from more acoustic and rootsy fare like “Angel’s Cry” and “Second Wind” to harder-edged rock numbers like “Run Again” and “Livin’ On The Edge”, seamlessly and effortlessly. At first glance, the Jackie DeShannon-penned “When You Walk Into The Room” seems out of place on this album. A 1964 pop hit for The Searchers and a #2 country hit for Pam Tillis in 1994, it is the only non-original song on the album, and although it appears to be an odd choice, Hillman puts his owns stamp on the song, and I enjoyed this version much more than I thought I would.
Not surprisingly, Like A Hurricane didn’t produce any charting singles, but it contains a number of well-crafted songs, such as “Second Wind” (my favorite), the title track, and the beautiful “Heaven’s Lullaby” which closes out the album. The folk-tinged “Carry Me Home” reminds me of something that Irish singer Maura O’Connell might have recorded, in no small part due to the dobro-playing of Jerry Douglas. I was slightly bored by some of the more rock-oriented songs like “Livin’ On The Edge” and “Run Again”, which will come as no surprise to my long-time readers.
Like most non-major label releases by artists over the age of 50, Like A Hurricane received little radio airplay and was likely overlooked by a large segment of the record-buying public. If, like me, you missed this ablum when it was first released, you may want to give it a try now. There is much here to enjoy.