Marty followed up the excellent When The Sand Runs Out with a gospel record, What I Came Here To Do, and then 2009 saw the release of This, That & The Other, a generous 14-track collection which he recorded with his live band, Full Circle. While it is predominantly bluegrass, it draws also from his country and Christian influences. It was self-released, and initially only available at a high price from Marty’s website, which meant it got limited attention at the time. Marty didn’t write any of the songs, and a number of them are familiar, but the arrangements and vocals give them an individuality which is worth hearing.
He opens the set with a nice bluegrass cover of Joe Diffie’s exuberant ‘Leavin’ On The Next thing Smokin’’. At the other end of the album is a similar arrangement on ‘Any Ol’ Stretch Of Blacktop’, which was an early Collin Raye album track. Shenandoah also did a version as a bonus track on their first Greatest Hits collection, but it was never a single.
The much-recorded Dickey Lee/Allen Reynolds song ‘Everybody’s Reaching (Out For Someone)’ is prettily done with a sincerely delivered vocal, and it works well in a bluegrass context.
Perhaps the most unexpected cover is the rapid-paced and tongue-in-cheek Bobby Braddock-penned George Jones hit ‘Nothing Ever Hurt Me (Half As Bad As Hurting You)’. While Marty doesn’t sound as on-the-edge as Jones, who recorded it in his days of alcohol abuse, his performance is still very entertaining. The light but bright ‘Ain’t Love A Lot Like That’ was also previously cut by Jones.
His love of bluegrass gospel wasn’t forgotten here. ‘I Cast My Bread Upon The Water’ is a pleasant mid-paced song, but more memorable is the impressive acappella performance of ‘Didn’t It Rain, Rain, Children’.
On a more sober note, the downbeat ballad ‘Going Through Hell (To Get There)’ was written by Curly Putman, Dale Dodson and Billy Ryan. It is the thoughtful reflection of a man realising he is on the wrong path in life, beautifully sung and played, with some stately fiddle leading in:
I’m tired and weary
Got a heavy load
But I’ll find my way
With each prayer I pray
This road will lead
On a brighter day
Cause I’ve been lost out here
On this road to nowhere
I went through Hell to get there
On a similar theme, but handled more dramatically, ‘The Devil’s Ol’ Workshop’ is a great story song about succumbing to temptation and ending up with disaster, written by Larry Cordle and Larry Shell. Red Lane’s ‘Blackjack County Chain’ (recorded in the past by Waylon Jennings and Willie Nelson, and also by bluegrass legend Del McCoury) offers another dark story song, about a man trapped into a chain gang by a dirty sheriff, and taking a bloody revenge.
‘The Immigrant Song’ (written by Billy Lawson) is a feelgood story song about a first generation American who marries a Cherokee girl and becomes the narrator’s great-great-grandfather, it has a Celtic feel reflecting its protagonist’s Scottish roots. On a picky note: Ellis Island, mentioned in the opening lines, only opened in 1892, which seems a bit late for the other clues in the song, but the song really works emotionally.
Marty goes Cajun with the lively ‘Luzianna Man’; the lyrics are predictable but the arrangement infectious. The up-tempo ‘Timber (Stand Back And Watch It Fall)’ is pleasant with a nice arrangement and great vocals but not very memorable. ‘You Get Me’ is a contemporary country love song written by Wendell Mobley and Neil Thrasher; it isn’t a great song, but Marty’s intensely soulful vocal lifts it to a higher plane.
This may be Marty Raybon’s most overlooked album, but it is very good indeed, with a lot of variety, and excellent vocals throughout. I recommend it to all fans of the singer’s voice.
He has since gone on to release a number of fine albums, and is currently signed to Rural Rhythm Records.