Having left his label after the latest downturn in his fortunes, Tracy signed to Dreamworks where he was reunited with old producer James Stroud (and new label head) for 2004’s Strong. He didn’t write any of the material himself, but the result was a much better record than his last couple of efforts, and rather more successful commercially, at least to start with.
The wistfully beautiful ‘Paint Me A Birmingham’, previously recorded by the underrated Ken Mellons, was a comeback hit for Tracy, reaching #4. The cheerfully philosophical ‘It’s All How You Look At It’ was less successful, although it did sneak into the top 40; it is pleasant enough but a bit bland. The fun honky tonker ‘Sawdust On Her Halo’ is pretty good, but was sadly not a big hit with radio.
The title track is a paean to a single mother’s hard work, and comes across as a bit pandering because the woman in it is a cipher; she doesn’t really live as an individual character rather than a stereotype. The more downbeat and much more interesting (at least in its first half) ‘Bobby Darwin’s Daughter’ is a sensitive story song about a woman trapped in an unsatisfactory life, and longing for the innocence of her own childhood, when
She’d ask where God came from
Instead of wondering where He’s been
The second half of the song is a little more predictable, when she regains her faith when she is nearly killed in an accident and her remorseful and formerly neglectful husband remembers he loves her after all. It was written by Larry Boone, Paul Nelson, and Rick Huckaby. The nostalgic ‘When Daddy Was A Strong Man’ also tenderly recalls childhood.
The thoughtful ‘Stones’ has a pretty, delicate melody and sensitive vocal interpretation of its lyric about the passing of time. ‘Everywhere But Hollywood’ is quite a good song contrasting reality with fantasy, written by Bobby Pinson, Jimmy Ritchey and Jason Sellers.
The leaving song ‘A Far Cry From You’ is one of the album’s few heartbreak numbers, and is very good. Also sad, but in more dramatic fashion, the protagonist of ‘The Questionnaire’ discovers the true state of his marriage when he finds an old women’s magazine where his wife has filled in a questionnaire on the subject remorselessly ranging over his various failings and her unhappiness, and ending with the devastating answer to “Do you still love him?”. We can guess the answer isn’t yes by his petulant “damn that questionnaire”. It is slightly over-produced but is a neatly crafted song.
‘What The Flames Feel Like’ brings more of a Southern rock edge, and is convincingly performed, while the mid-tempo ‘Think Of Me’ reminds the listener of the role of those who keep them safe by willingly going into danger themselves.
As Tracy was not able to sustain the success of the initial single, sales faltered, and Dreamworks dropped him after the record had run its course. However this was definitely a return to form, and is worth picking up. Subsequently, Tracy moved to Mercury (his last major-label deal), but they released only a hits package with the two new songs not doing well enough as singles to keep him on the label.