My Kind of Country

Country music from a fan's point of view since 2008

Album Review – Suzy Bogguss – ‘Voices In The Wind’

220px-SuzyBoggussVoicesintheWindSuzy Bogguss had a lot riding on her Voices of the Wind album. She was following up the platinum selling Aces, which contained her first string of top ten singles, and justifying her Horizon Award victory over genre heavyweights Brooks & Dunn, Trisha Yearwood, and Pam Tillis. While the record didn’t contain as many singles as Aces it was still a big success as her second consecutive gold record. Jimmy Bowen also returned as producer.

Bogguss was still riding the wave of her single “Letting Go” when time came to release the follow-up CD. Liberty/Capitol decided to tack that single on to the end of Voices in an effort to capitalize on the song’s success. It worked, and the track hit #6. The follow-up, a cover of John Hiatt’s “Drive South” fared even better, hitting #2. The high energy number, one of my favorite singles from her, was her biggest hit to date. The only other single, “Heartache” would break Bogguss’ hot streak, managing to stall at #23. The neo-traditional number was good, but probably a bit too slow for heavy rotation status on the radio.

Also included on the album is her version of Richard Leigh’s “Cold Day In July,” which Dixie Chicks took into the top 10 from their Fly album in Spring 2000. Bogguss turns in a wonderful version of the song but it’s a bit too adult contemporary. It works better with the electric guitars and Natalie Maines’ biting vocal on the Chicks’ version. Bogguss’ is a little too sweet. “Eat At Joes,” co-written by Matraca Berg and Gary Harrison, is a fabulous bluesy number about life at an all night diner, and one of the highlights. Trisha Yearwood’s voice may’ve been better suited for the song, her bluesy side is unmatched, but Bogguss turns in a very competent performance.

“Aces” writer Cheryl Wheeler contributes “Don’t Wanna,” an emotionally stunning ballad that Bogguss takes to new heights with her angelic voice. Bogguss has a subtle way of conveying a lyric and this is one example of where the production works in her favor in helping her tell the story. “Lovin’ A Hurricane” is the second track written by Hiatt and while it’s very good, her vocal almost seems too bland for the upbeat production. It tries but fails to repeat the magic of “Drive South.”

Bogguss had a hand in co-writing two of the album’s tracks, including one with husband Doug Crider (who co-wrote “Letting Go”). “How Come You Go To Her” (co-written with Michael Garvin and Anthony Smith) is an excellent mid-tempo ballad about a woman wondering why her man just isn’t into her. The Crider co-write is “In The Day,” another contemporary sounding ballad that succeeds on Bogguss’ ability to sell a story, this time of a burgeoning romance.

Crider also co-wrote “Love Goes Without Saying,” another similar sounding ballad, but another lyrically strong number. Chuck Pyle wrote “Other Side of the Hill,” a honky-tonk highlight. I love the rousing steel guitar and western themes, as well as Bogguss’ perfectly energetic vocal. If this track were a single, it would’ve likely been a huge hit.

Voices In The Wind is the perfect example of a catch 22. Lyrically, there isn’t a dud in the bunch. But Bogguss and Bowen spend a bit too much real estate on similar sounding ballads that bog the album down in a sea of slowness. She needs more songs like “Other Side of the Hill” to breakup the monotony, and showcase more diversity in what she can do as a singer and artist. That being said, it’s still a very strong album and although the 1992 era production is dated by today’s standards, Voices In The Wind is a worthy addition to any music collection.

Grade: B+ 

4 responses to “Album Review – Suzy Bogguss – ‘Voices In The Wind’

  1. Razor X June 12, 2013 at 8:43 pm

    While it isn’t quite as good as Aces, I quite like this album. I prefer Suzy’s version of “Cold Day In July” to the Dixie Chicks’ version. I also quite like “Eat At Joe’s” and “Heartache”, which deserved to chart much higher than it did.

  2. Michael A. June 13, 2013 at 10:53 am

    When it comes to “Cold Day in July” I prefer the Chicks’ live version over the studio one.

  3. Jordan Stacey June 16, 2013 at 6:05 pm

    Just bought this one last week actually, haven’t gotten around to giving it a good listen but I’ve always loved “Drive South” and “Eat At Joe’s” which were on a compilation album I have of hers. I’m excited to hear some new tracks from her that I’ve never heard though lol.

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