My Kind of Country

Country music from a fan's point of view since 2008

Album Review – Aaron Tippin – ‘People Like Us’

TippinpeopleBy the turn of the century, Aaron Tippin was fading into obscurity. His What This Country Needs album didn’t yield any career defining singles and he hadn’t scored a major hit in more than five years. For his second album for Lyric Street, he got the career jolt he was looking for.

An argument between him and his wife Thea birthed the stoke of luck he needed. Muscular revenge anthem “Kiss This” brought Tippin one of his most significant career singles, complete with a perfectly biting lyric:

Why don’t you kiss, kiss this

And I don’t mean on my rosy red lips

Me and you, we’re through

And there’s only one thing left for you to do

You just come on over here one last time

Pucker up and close yours eyes

And kiss this goodbye

“Kiss This” may have everything to do with rock, and I can see where some may deem it distasteful, but for me it works. Tippin gives beautifully confident vocal that works in favor of his unique styling and I love the track’s biting edge.

The success of “Kiss This” pushed Tippin’s People Like Us album into the top 5, marking it the highest charting record of his career. Unfortunately for Tippin, the commercial success of the project ends there.

The similarly sounding title track, which wouldn’t have been out of place on any of Tippin’s earlier work, only managed to squeak into the top 20 where it peaked at #17. A third single, the excellent fiddle-laden ballad “Always Was” petered out at #40.

Given the progressive nature of “Kiss This,” I fully expected People Like Us to lean more in that vein, but co-producers Mike Bradley and Biff Watson keep the record fairly traditional. “And I Love You” has wonderful fiddle riffs even if the lyric is a bit generic, “I’d be Afraid of Losing You” is an excellent country shuffle (written by Mark Collie and Leslie Satcher), “Lost” has a nice early-2000s style honky-tonk beat and lyric, and “Every Now and Then (I Wish Then Was Now)” makes more use of fiddle to give it ear catching appeal.

He slicks up the proceedings again on “Big Boy Toys,” and in the context of the album, it would’ve made a worthy single choice. The track, which Tippin co-wrote with Buddy Brock, isn’t great but it works for his aesthetic and brings out a nice tone in his voice. Same goes for “The Night Shift,” which recalls “Girl on the Billboard” era Del Reeves thanks to Tippin’s somewhat deadpan delivery. He also does well on the twangy “Twenty-Nine and Holding.”

Tippin closes People Like Us collaborating with his wife on the tender “The Best Love We Ever Made.” It’s good, but hearing him trying to pull of tenderness with his gruff voice is kind of laughable. He may be a sweet husband and father, but that doesn’t translate through his vocal on this song.

I was pleasantly surprised to hear the decidedly country arrangements on People Like Us as I had anticipated an amped up rockfest. He doesn’t really hit on anything revelatory with any of the songs here (apart from “Kiss This”) but he gives it a nice valiant effort. People Like Us is a solid, if somewhat unspectacular album.

Grade: B

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One response to “Album Review – Aaron Tippin – ‘People Like Us’

  1. Luckyoldsun May 23, 2013 at 7:41 pm

    I agree with you pretty much on this one. “Kiss This” worked because the bluster was coming from the unnamed woman that the singer is “quoting”–rather than from Aaron himself. It’s a lot “I’m Gonna Hire A Wino” in that regard (even if the woman in that David Frizzell classic is more of a stand-by-your-man type.) And Aaron’s song was also something of an answer to Faith Hill’s “This Kiss,” which was huge around then.
    “Kiss This” was a great #1 for Aaron, who really had to earn his #1’s because he never had momentum at radio.
    The rest of the album had enough good songs to make it worth getting.

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