Blake’s second album, produced as before by Bobby Braddock and released in 2003, featured a state of the art commercial country sound which mirrored the state of country music of the period.
One of my favorite ever Blake Shelton recordings is his second #1 hit, which was the lead single from this album. ‘The Baby’, penned by Harley Allen and Michael White, is a story song with a tear-jerking emotional payoff. It is the frank confession of a spoilt youngest son, whose doting mother excuses all his failings, “because I was her baby”. He ends up missing his mother’s deathbed, even though she has been calling for her favorite:
She looked like she was sleepin’
And my family had been weepin’
By the time that I got to her side
And I knew that she’d been taken
And my heart it was breaking
I never got to say goodbye
I softly kissed that lady
And cried just like a baby
The ill-chosen second single ‘Heavy Liftin’’ is a not very interesting song in itself but its main flaw is the production. There is just too much going on in the arrangement with banjos fighting against the blaring electric guitars – it ends up sounding as it would if two separate tracks were recorded, they couldn’t decide which to go with and stuck them together. It didn’t make into the top 30, but would probably do rather better if released to today’s radio.
Much better is memorably quirky top 30 single ‘Playboys Of The Southwestern World’, written by Neal Coty and Randy Van Warmer. It tells the amusing story of two wild boys who get themselves into trouble, ending up in jail in Mexico.
There is a great cover of Johnny Paycheck’s 1978 hit ‘Georgia In A Jug’, written by Blake’s producer Braddock. A jilted fiancé drinks away the money he had saved up for the exotic honeymoon:
I’m going down to Mexico in a glass of tequila
Going down to Puerto Rico in a bottle of rum
Goin’ out to Honolulu in a mai tai mug
Then I’m coming back home to Georgia in a jug
The arrangement copies the original fairly closely (with some delicious added fiddle), but that’s no bad thing, and the result is entertaining.
Braddock also wrote ‘Someday’, which questions what may happen beyond death. Delivered dramatically with a gospel choir, it is quite effective. The idiosyncratic ‘In My Heaven’ was written by Rivers Rutherford and Bobby Pinson and offers a picture of a perfect world from their point of view. The message is a bit mixed – on the one hand “we hurt no one”, on the other they’re feeding lawyers to the lions; and there’s a strong emphasis on having fun and playing sports missed in with the idealistic inclusiveness.
Blake wrote the title track, which is quite good, with the protagonist realising the costs of achieving his dreams of material success, and finding it has not made him truly happy when the one he loved is not with him. The production is a little louder than necessary, but overall this is a decent track ‘My Neck Of The Woods’ which he co-wrote with Billy Montana and Don Ellis celebrates both the natural beauties and the neighborliness of the countryside. It was partially inspired by Blake’s then Tennessee farm home, and acknowledges the very real difficulties of rural poverty more than the glut of rural pride songs we hear today. ‘Asphalt Cowboy’ is a modern trucking anthem, which is well sung and interpreted by Blake. John Rich co-write ‘Underneath The Same Moon’ is a somewhat overblown big ballad.
There are some great tracks here, but overall it isn’t as strong a set as Blake’s debut, with the production ramped up a bit too much at times. Cheap used copies are, however, easy to find. It was a reasonable success for him.