Album Review: Sammy Kershaw – ‘A Sammy Klaus Christmas’
November 28, 2012
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The most interesting thing about Sammy Kershaw’s brand new Christmas record is the topping and tailing of the record with two narrations of the old poem ‘The Night Before Christmas’, both completely without any musical backing. The one at the start of the album is done quite straight, and makes an attractive opening as Sammy proves himself a fine readers of the recitation who really brings the story to life. Then at the end, Sammy tries a reworking in a strongly accented Cajun-English patois, which has a lot of charm.
This is an almost completely secular take on Christmas, with a strong emphasis on the figure of Santa Claus, who rather bizarrely gets a personal thank you in the liner notes. Sammy produced, and also designed the cheap looking cover. His road band provide the backings, with Melonie Cannon, John Wesley Ryles and Garnet Bowman guesting on backing vocals.
A playful ‘Santa Claus Is Coming To Town’ is perky and enjoyable and gets you in the Christmas mood even in November. ‘Up On The Housetop’ (the only song repeated from Sammy’s previous Christmas album, 1994’s Christmas Time’s A Comin’) is bright and cheerful; I really enjoyed this and prefer it to his previous version because that had a child singing half of it, not particularly well.
‘Here Comes Santa Claus’ is quite pleasantly Christmassy, and old chestnut ‘Let It Snow! Let It Snow! Let It Snow!’ is likeably done. ‘Jingle Bells’ is addressed energetically but unconvincingly, although I like the arrangement with the tentative piano representing the sleigh bells. ‘Have A Holly Jolly Christmas’ isn’t bad, but not particularly exciting. The pedestrian take on ‘The Twelve Days Of Christmas’ is paint-by-numbers and the poorest track here.
‘Santa Claus Is Back In Town’ is a blues number once recorded by Elvis, and while not really to my tastes, is quite well done. However, I didn’t like Sammy’s version of Ray Charles’ ‘That Spirit Of Christmas’ at all. The languid bluesy ballad about the joys of family time at Christmas ends up just sounding depressed. It is one of only two songs to mention Jesus at all, with the only really religious number a solemn reading of ‘Silent Night’, the most beautiful of all Christmas carols.
This isn’t quite as good as Christmas Time’s A Comin’, but it’s still quite an enjoyable Christmas album with a jovial party atmosphere.