2011 was actually a slightly better year for country music than the past several years, though you’d never know it from listening to country radio. A lot of my old favorites released new albums this year, so it was a little easier than usual for me to find new music to listen to. Here are my favorite releases of 2011:
10. Working in Tennessee — Merle Haggard
While the material was not quite up to the standards of last year’s I Am What I Am, Haggard shows that he’s not ready to hang up his guitar just yet. Though he’s well past his vocal peak, his music is still worth listening to. An eclectic set that runs from Dixieland Jazz to more contemporary fare, with some social commentary and Hag’s views on the current state of country music, this set deserved more attention than it received. It is currently available for download for $4.99 at Amazon.
9. Remember Me, Volume 1 — Willie Nelson
This set picks up where last year’s Country Music left off, and even includes a re-recording of a track (a cover of Porter Wagoner’s “Satisfied Mind”) that appeared on that 2010 release. The album consists entirely of cover material, some of which Willie had recorded in the past, and none of which are his original compositions. It is to traditional country music what his Stardust collection was to pre-rock-and-roll pop. As the title suggests, a second volume is planned for sometime in 2012.
8. Neon — Chris Young
Chris Young is easily the best of the new male singers to emerge in the past few years, but his material has tended to be somewhat inconsistent. Neon is a huge step in the right direction.
7. Better Day — Dolly Parton
I was little skeptical when I first heard about this release, thinking that the last thing country music needs is another set of accentuate-the-positive songs, but Dolly pulls off this project quite well. She wrote all 12 tracks (one is a co-write with Mac Davis), and the lead single “Together You and I” is a remake of one of her old duets with Porter Wagoner. Overall, it’s a much stronger and more consistent set than her previous studio release, 2008’s Backwoods Barbie.
6. Where Country Grows — Ashton Shepherd
I really wanted to love Ashton’s debut album, 2008’s Sounds So Good, but found the material lacking in a lot of cases. After three long years, she finally released her sophomore disc, which is much more to my liking than the first. She’s tweaked her sound just enough to appeal to current commercial tastes, but sadly, the marketplace doesn’t seem to be paying much attention. If you haven’t heard this album yet, “Look It Up”. It’s currently available for download for $4.99 from Amazon.
5. Guitar Slinger — Vince Gill
The follow-up to These Days was long overdue but well worth the wait. As usual, Gill covers a wide range of musical territory from blues and contemporary Christian to adult contemporary and more mainstream county fare. But no matter what the label, it’s excellent music from start to finish.
4. Here For A Good Time — George Strait
I can’t remember a time when George Strait wasn’t at the top of the country charts. He’s been a constant presence for 30 years, and as such he is sometimes taken for granted. He hasn’t gotten a lot of critical acclaim in recent years, and admittedly, his last couple of albums didn’t compare with most of his earlier work. Here For A Good Time is his strongest effort since 2005’s Somewhere Down In Texas, and despite the title, is not a collection of party tunes. There is upbeat fare to be sure, but there are also darker and more serious offerings, such as “Drinkin’ Man”, “A Showman’s Life”, and “Poison”. For most of his career, Strait was well known for not writing the overwhelming majority of the songs he recorded, but he and his son Bubba wrote seven of the eleven tracks here, usually collaborating with Dean Dillon and Bobby Boyd.
3. Your Money and My Good Looks — Rhonda Vincent & Gene Watson
Two of country music’s best and most underrated artists teamed up for this project, which is a pure delight to listen to from beginning to end. It mixes a little bit of the old with a little bit of the new, but it is 100% pure country from beginning to end. No fancy studio trickery will be found here, just some excellent, well sung songs. My favorite tracks are the covers of Vern Gosdin’s “Till The End” and “This Wanting You”, which appeared on George Jones’ 1999 album Cold Hard Truth.
2. Hell on Heels — Pistol Annies
This collection from Miranda Lambert, Ashley Monroe and Angeleena Presley has got to be the year’s most pleasant surprise. I really wasn’t expecting much but this ended up being one of my most-played albums of the year. Despite Lambert’s current popularity — or perhaps because of it — the album isn’t getting a lot of attention from radio. Hopefully radio’s tepid response and the demands of the group members’ solo careers won’t prevent another Pistol Annies collection from being released before too long.
1. Long Line of Heartaches — Connie Smith
I rarely get excited about upcoming album releases anymore, but this was a definite exception. It’s difficult not to get excited about a new Connie Smith album, since they are such infrequent events; Long Line of Heartaches was her first new album in 13 years, and prior to that there was a 20-year gap between albums. It was produced by Smith’s husband Marty Stuart, and like his Ghost Train (my #1 pick of 2010), it was recorded in the famous RCA Studio B, where so many of Connie’s classic hits from the 1960s and 1970s were laid on tape. Half of the album’s songs were written by Smith and Stuart, with the remainder coming from the pens of legends such as Harlan Howard, Dallas Frazier and Johnny Russell. It simply does not get any better than this. It is currently available for download for $4.99 at Amazon.