My Kind of Country

Country music from a fan's point of view since 2008

Daily Archives: September 22, 2010

Classic Rewind: Vince Gill with Patty Loveless – ‘When I Call Your Name’

Before his death, Roy Acuff was on record saying this was his ‘favorite contemporary record’.  High praise indeed.

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Album Review: Sunny Sweeney – ‘Heartbreaker’s Hall Of Fame’

Sunny Sweeney began her performing career as a student of improv comedy in New York City.  Fortunately for country music fans, her fellow classmates encouraged her to first pursue a career in music.  After that, Sunny retreated to her Texas hometown, before she made the move to Austin and began playing the local honky tonk circuit.  She was soon writing her own songs and landed a spot on an international tour with Dwight Yoakam.  In 2007, Big Machine Records signed Sweeney to the label and issued her first album, Heartbreaker’s Hall of Fame.  Three singles were released, all of which failed to chart.

Heartbreaker’s Hall of Fame was recorded at Cherry Ridge Studio in Floresville, Texas, far from Music Row.  It’s no wonder the set failed to generate any radio hits given the album’s overall sound and running themes.  That she really honed her chops playing the honky tonks is evident in both the aesthetic and the themes present in the lyrics here as Texas roadhouse country seems to the most common recurring musical theme among a littering of influences of honky-tonk, traditional country, and embracing Nashville renegades.

‘Refresh My Memory’ is a straight-up country, drown-in-your-sorrows number where the narrator is returning to one of her ex-boyfriends because she knows he’ll at least light a spark in her, even if she knows he’s wrong for her.  It’s been an awful long time since she felt the spark this guy brings to her, or perhaps since she’s felt any sparks at all, and here she implores him to jog her memory a bit

There are plenty of two-steps and genuine barroom honky-tonk with tracks like ‘East Texas Pines’, a rocking lament to days gone by and your current location.  The album’s title track was perhaps its best shot at a mainstream country radio hit, but even it was a long shot. Sunny’s charming drawl, coupled with layers of steel guitar, walking bass lines, and some saucy harmonica playing, keep it firmly rooted in traditional country; radical, you know.  ‘If I Could’ moves at breakneck speed – and shows Sunny to be capable as an auctioneer if nothing else – in a knee-slapping good time of a song.

Proving Sweeney to be a singer’s singer – a characteristic that almost always means quality but also means no commercial appeal for some reason – this album has more than its share of insider songs about the music industry, and even more that just plain espouse the virtues and importance of music to the mind and soul.  ‘Next Big Nothing’ tells of a singer’s struggles and frustrations with the slow pace of success while ‘Slow Swinging Western Tunes’ sings both the praises and the curses of sweet dance hall numbers – ‘play them in reverse and you get yourself a broken heart’.

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