My Kind of Country

Country music from a fan's point of view since 2008

Daily Archives: July 20, 2009

Classic Rewind: George Strait – ‘Amarillo By Morning’

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Album Review: John Anderson – ‘Blue Skies Again’

Blue Skies AgainAfter the monster hit that was ‘Swinging’ the only way was down for John Anderson. He continued to incorporate pop and rock influences in his music for few years after All The People Are Talking, with diminishing returns both commercially and artistically. He was still hitting the top 10 sporadically, but in 1987 the time came to move on from Warner Brothers and try a new start, with a new label (MCA), new producer (Jimmy Bowen), and new sound (back to country, albeit less hardcore than his earliest work). The appropriately titled Blue Skies Again was the first of John’s comeback attempts.

The leadoff single, ‘When Your Yellow Brick Road Turns Blue’, failed to crack the top 40, although it is an excellent song with a beautiful melody with nods to ‘Over The Rainbow’, and has one of John’s finest vocal performances, as he portrays a husband offering unconditional love to a restless wife in the process of leaving him to pursue her dreams:
“You say that somewhere over the rainbow there’s a star that youve been wishing on
Well, is the grass really all that greener than here where you belong?
I hope that you find what you’re after and all of your dreams come true
But remember that I’ll always be here when your yellow brick road turns blue.”

John’s most successful single on MCA was ‘Somewhere Between Ragged And Right’, a duet with Waylon Jennings which Jennings wrote with Roger Murrah. The only song on the album to venture away from relationship themes, it sets out a series of interesting similes but offers no real resolution:
“We’re all polyester poets and pickers of a kind
With far too many questions for the answers in our minds…
Like a busload of taxi drivers learning how to fly
We’re on automatic pilot driftin’ through our lives.”
Sadly, the pairing of two of the most iconic and distinctive voices in country music doesn’t really work, as the two make no attempt to blend and seem to be fighting for precedence on the lines where they sing together.

The third and last single from the album was ‘It’s Hard To Keep This Ship Together’, which John wrote with Fred Carter Jr. It was the closest track to the more rock-influenced sound of recent years, but failed to make an impact at radio; not altogether surprising, as not only had the tide of commercial country music moved in the direction of the neotraditionalists, but the song itself is not very interesting. The metaphor of stormy weather addressed to a rocky relationship works better in the post-breakup title track, a mournful ballad written by Michael P Heeney with some sweet fiddle from Joe Spivey.

‘There’s Nothing Left For Me To Take For Granted’, written by John with Lionel A Delmore is another gloomy look at the aftermath of a broken relationship, and is a very good song as the protagonist finds all the couple’s old friends want nothing to do with him, and “the hardest part for me is stayin’ sober., and livin’ inthe past with broken dreams”. On a more positive note, John wrote a cheerful mid-tempo love song with his wife Jamie, ‘Just For You’. It is not particularly memorable, but pleasant filler.

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