My Kind of Country

Country music from a fan's point of view since 2008

Daily Archives: June 27, 2009

Album Review: Tanya Tucker – ‘Complicated’

TanyaTuckerComplicatedRainy walks, a midnight talk, dance me on your feet
Hold me close, don’t let go, all I’ll ever need
Is a single rose, a kiss hello, that smile upon your face
The tender way, you say my name takes my breath away
Little things

The first single released from Tanya Tucker’s 1997 album, Complicated, was the romantic ‘Little Things’ which finds the singer appreciating all the small things her man does for her like walking with her in the rain and making her laugh.  It climbed to the #9 position on the country charts and is Tucker’s last appearance in the top 10 to date.  A second single and my favorite from the album was ‘Ridin’ Out the Heartache’. The tune is another of the countless ‘leaving in a car’ songs that dotted the country charts a decade ago.  This catchy tune about driving south in a ’66 Chevrolet stalled at #45 and no subsequent singles were released.  Despite being one the top 10-played artists on country radio in 1996, the next would prove to be Tanya’s last successful year with radio.

It’s worth mentioning that Tanya sued Capitol Records in 1998 for $300,000.  The suit – which reportedly began when Capitol refused to finance a music video for the second single – centered on the label’s lack of promotion for the album and accused the label of focusing all its efforts on another artist.  The suit never named the other artist, but Garth Brooks had just the year before orchestrated a takeover at the label, ousting long-time chief Scott Hendricks for Pat Quigley, said to be hand-picked by Brooks.  Tucker also asked to be let out of her contract with Capitol.

In Tanya’s defense, she did turn in a quality album to the label, plenty worth promoting.  Just after the first two tracks, which are the two singles, comes the melancholy ‘It Hurts Like Love’.  This is followed by the swinging ‘I Don’t Believe That’s How You Feel’, written by Harlan Howard and Kostas, it’s a forgive-me number done up in Cajun style.  ‘By The Way’ makes use of the double-entendre.  The verses begin each statement with ‘by the way’ using the phrase as a opening to each observation.  Then in the chorus, it’s used to tell how the singer assures her man she knows he loves her ‘by the way you smile’.

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