My Kind Of Country

Country music from a fan's point of view.

Tag Archives: The Oak Ridge Boys

Week ending 4/27/13: #1 singles this week in country music history

kershaw1953 (Sales): Kaw-Liga – Hank Williams (MGM)

1953 (Jukebox): Kaw-Liga – Hank Williams (MGM)

1953 (Disc Jockeys): Kaw-Liga – Hank Williams (MGM)

1963: Still – Bill Anderson (Decca)

1973: Superman – Donna Fargo (Dot)

1983: American Made — The Oak Ridge Boys (MCA)

1993: She Don’t Know She’s Beautiful — Sammy Kershaw (Mercury)

2003: Have You Forgotten? — Darryl Worley (DreamWorks)

2013: Cruise – Florida Georgia Line (Republic Nashville)

2013 (Airplay): Downtown – Lady Antebellum (Capitol)

Favorite Songs of the 1980s: Part 5

The 1980s got off to a poor start with the early 1980s producing some of the lamest country music ever recorded, as the Urban Cowboy movie wrecked havoc on the genre. Fortunately, there was still good country music being released. The first flowering of the late 1980s “New Traditionalist” movement arrived in 1981 with the first hits of Ricky Skaggs and George Strait, but they remained outliers until 1986 as far as good new artists were concerned. The latter part of the decade, however, produced some truly excellent country music with the 1986 arrival of Randy Travis and company.

Here are some more songs that I liked and remember. See if you recall any of these records.

the okanes“When You Leave That Way You Can Never Go Back” – Sam Neely
This 1983 song reached #77 for a talented performer who spent many years playing the clubs and honky-tonks of Corpus Christi. The song, the reflection of a condemned inmate’s life, looks back at all the bridges he burned beyond repair. The song also was recorded by Bill Anderson and Confederate Railroad.

Dream Lover” – Rick Nelson
Epic reissued Rick’s 1979 cover of a Bobby Darin classic after Rick’s death in a New Years Eve 1985 air crash. It only reached #88 but it gives me a chance to mention one of the fine rock ‘n roll / country singers one last time.

Save Me” – Louise Mandrell
Louise never quite emerged from her big sister’s shadow but this #6 single from 1983 shows that a lack of talent wasn’t the problem.

Wabash Cannonball” – Willie Nelson with Hank (Leon Russell) Wilson
This song is at least as famous as any other song I’ve mentioned in any of my articles. Although the song is often attributed to A.P. Carter, it really is much older than that. Willie and Hank took this to #91 in 1984.

American Trilogy”– Mickey Newberry
Mickey issued a new version of his classic 1971 pop hit in 1988. While it only reached #93, it was good to hear it again on the radio. Glory, Glory Hallelujah forever.

The Sweetest Thing (I’ve Ever Known)“– Judy Kay ‘Juice’ Newton
This #1 hit from 1982 was Juice’s biggest hit. As great as this recording is, the song sounds even better when she performs it acoustically.

Dance Little Jean” – The Nitty Gritty Dirt Band
Perhaps my favorite recording by NGDB, it only reached #9 in 1983 but I still hear the song performed today by various and sundry acts, not all of whom are country. The song was the group’s first top ten country hit there would be sixteen in all), although they had pop chart hits dating back to the 1960s.

“Let’s Go All The Way ” – Norma Jean and Claude Gray
A pair of veteran performers teamed up to release this 1982 hit which charted at #68. The song was Norma Jean’s first chart hit back in 1964. This was her last chart hit; in fact, she hadn’t charted since 1971 when this record was released on the Granny White label.

Elvira” – The Oak Ridge Boys
Although not their biggest chart hit, this cover of a Dallas Frazier-penned song from the 1960s , was easily their biggest selling song, reaching #1 in 1981 while hitting #5 on Billboard’s pop charts. Has anyone really forgotten the chorus?

So I’m singin’, Elvira, Elvira
My heart’s on fire, Elvira
Giddy up, oom poppa, omm poppa, mow mow
Giddy up, oom poppa, omm poppa, mow mow, heigh-ho Silver, away!

I didn’t think so …

Oh Darlin’” – The O’Kanes (Kieran Kane and Jamie O’Hara)
This coupling of a couple of singer-songwriters who had not had solo success, resulted in a half dozen top ten records that had a fairly acoustic sound and feel that sounded like nothing else currently being played on the radio. This song reached #10 in 1986. Their next single “Can’t Stop My Heart From Loving You” would reach #1.

Read more of this post

Classic Rewind: The Oak Ridge Boys – ‘Jesus Is Coming Soon’

Christmas Rewind: Eddy Raven – ‘Thank God For Kids’

The Oak Ridge Boys had a big hit with this song. This is the writer’s own version:

Classic Rewind: The Oak Ridge Boys – ‘Just A Little Talk With Jesus’

Album Review: The Oak Ridge Boys – ‘Christmas Time’s A-Coming’

We kicked off the Christmas season with Wednesday’s review of Spotlight Artist Sammy Kershaw’s A Sammy Klaus Christmas. Continuing the theme, veteran performers the Oak Ridge Boys also have a new Christmas album out. It’s their sixth since 1982, but perhaps surprisingly there isn’t much overlap of material even though most of the songs are pretty familiar.

A delightful ‘Let It Snow! Let It Snow! Let It Snow!’ opens proceedings genially. Gene Autry’s ‘Here Comes Santa Claus’ makes great use of Richard Sterban’s gravelly bass. Sterban slightly overdoes it, though, on an otherwise attractive ‘White Christmas’.

The muscular ‘Peterbilt Sleigh’, written by Lonestar’s Richie McDonald (who has recorded it himself) with Philip Douglas and Ron Harbin, is a silly but quite entertaining story of Santa needing to call on a trucker for help when his sleigh breaks down one Christmas Eve. In contrast, the Harlan Howard song ‘All I Want For Christmas Is You’ is a sweet, understated seasonal love song, with Sterban on lead.

The group sadly bring little new to ‘Christmas Time’s A Coming’ (although it’s enjoyable enough) or the overused ‘The Christmas Song’. I didn’t like their ridiculously overblown version of ‘Santa Claus Is Coming To Town’ at all, and could also have done without a dragging take on ‘I’ll be Home For Christmas’.

The bulk of the material (as with Kershaw’s album) offers secular cheer, but brace of religious numbers appears three-quarters through the set. The best of these is the delicately tender ‘Getting Ready For A Baby’, written by Jerry Salley, Sue C Smith and Lee Black, and which touchingly explores the emotions of Mary and Joseph. An intimate ‘Mary, Did You Know’ is also feelingly interpreted.

‘Mary Had A Little Lamb’ (not the nursery rhyme, but a new song about the baby Jesus) has a faint Celtic feel but drags a bit. ‘Glorious Impossible’ is okay but a little forgettable. The hymn ‘Joy To The World’ seems on paper perfect fare for the quartet’s four part gospel harmonies, but an arrangement with electric guitars bursting in is horribly misjudged.

Overall, this makes a pleasant if inessential addition to the ranks of Christmas albums.

Grade: B

Spotlight Artist – Rodney Crowell

Born in Houston, Texas on August 6, 1950, Rodney Crowell has made a name for himself as one of the finest songwriters in country music.  A difficult family background was also a very musical one and he was a serious musician by his teens.  He moved to Nashville in 1972 to pursue his vocation as a songwriter, and found a first mentor in Jerry Reed before becoming a friend and acolyte of another great Texan songwriter, Guy Clark.

His career took a new turn when Emmylou Harris, who had recorded some of his early songs, recruited him as a seminal member of her Hot Band.  He also had a side project with the Cherry Bombs, a band whose other members included Vince Gill and future record executive Tony Brown.  In 1978 he signed his own deal with Emmylou’s label Warner Brothers.  He was to release three albums for the label in the late 70s and early 80s, but while his blend of country and rock garnered him significant critical acclaim, mainstream success was frustratingly slow to follow.  It certainly wasn’t due to poor material – many of his songs were hits for more established artists including Emmylou and the Oak Ridge Boys and even Crystal Gayle.

Rodney married Johnny Cash’s daughter Rosanne, and in 1981, he put his solo career on hold in favour of producing her records.  That led eventually to his signing with her label Columbia in 1986.  Street Language, his debut for the label was another flop, but it was followed in 1988 by Diamonds & Dirt.  This masterpiece was both a critical and commercial success, with Rodney having mastered a radio friendly sound.  It was the first album in country music history to contain five #1 hits, and is the biggest selling record in Crowell’s career.  The song ‘After All This Time’ won him a Grammy.  However, his hot streak slowed down after that and was not reinvigorated by a move to another major label, MCA, in 1992 (the year he and Rosanne divorced).

After a break from recording in the later 90s, Rodney returned to making music in the new millennium.  He was now primarily a singer songwriter with increasingly less concern for mainstream country, with 2008’s Sex And Gasoline Grammy-nominated in the Folk/Americana category.  He has nonetheless remainded a presence in country music thanks to a number of high profile covers of both older and newer songs, such as George Strait’s revival of ‘Stars On The Water’ and Tim McGraw’s version of Rodney’s ‘Please Remember Me’. He also revived the Notorious Cherry Bombs with Vince Gill.  His latest work, out on 5 June, is a collaboration with poet and writer Mary Karr, who like Rodney had a difficult childhood in Texas.  He is also reportedly working on a duet album with Emmylou Harris.

Favorite country songs of the 1980s, Part 2

The 1980s were a mixed bag, with the early 1980s producing some of the lamest country music ever recorded, as the Urban Cowboy movie wreaked havoc on the genre. Fortunately, there was still good country music being released. The first flowering of the late 1980s “New Traditionalist” movement arrived in 1981 with the first hits of Ricky Skaggs and George Strait, but they remained outliers until 1986 as far as good new artists were concerned. The latter part of the decade, however, produced some truly excellent country music with the 1986 arrival of Randy Travis and company.

This list is meant neither to be a comprehensive list of great country songs from the 1980s, nor any sort of ranking of records. It’s just a list of some songs that I liked and remember. See if you recall any of these records.


“Walk On By“– Donna Fargo
A nice cover of the 1961 Leroy Van Dyke hit, by the time this record was released Donna had already pulled back on her career due to being stricken with Multiple Sclerosis in 1979. Released in March 1980, the song reached #43. Donna is still alive and you can find out more about her at her website www.donnafargo.com


“Crying Over You” – Rosie Flores

Rosie’s never had much chart success but this self-proclaimed ‘Rockabilly Filly’ is a popular concert draw and a dynamic live performer. This song was her career chart highwater reaching #51 in 1987.

“Just In Case ” 
The Forester Sisters
Katie, Kim, June and Christie had a five year run of top ten hits from 1985 through 1989 with fourteen straight top ten records, including this song, their second of five number one records . Released in 1985, this topped the charts in early 1986.

“Crazy Over You”– Foster & Lloyd
Songwriters Radney Foster and Bill Lloyd joined forces as a duo in 1987. This was their first and biggest chart record reaching #4 in the summer of 1987.

“Always Have, Always Will” – Janie Frickie (or Janie Fricke)

This 1986 #1 was her ninth (and last) #1 record. This bluesy number was an excellent record coming after a long string of successful but insubstantial fluff. A former session singer, Janie’s career hit high gear during the 1980s, a decade which saw her tally 26 chart records with 17 top ten records and eight #1s.

“Beer Joint Fever” – Allen Frizzell

A younger brother of both Lefty and David Frizzell, Allen today writes and sings predominantly Christian music, although he will perform a Lefty Frizzell tribute (omitting Lefty’s rowdier songs). This song charted in 1981 – the follow up was titled “She’s Livin’ It Up (and I’m Drinkin’ ‘Em Down)”, neither of them songs Allen would dream of performing today.

“I’m Gonna Hire A Wino To Decorate Our Home” – David Frizzell
The early 1980s were David Frizzell’s commercial peak, both as a solo artist and as part of a duet with Shelly West. This unforgettable 1982 novelty was David’s sole #1 record, although my personal David Frizzell favorites were the follow up “Lost My Baby Blues” and his 1999 recording of “Murder On Music Row”.

“You’re The Reason God Made Oklahoma” – David Frizzell & Shelly West

A huge record, this song came from the Clint Eastwood film Any Which Way You Can and topped the charts in early 1981

“Houston (Means I’m One Day Closer To You)” – Larry Gatlin & The Gatlin Brothers

After a dominant streak from 1975 in which seven songs reached #1 on one or more of the major charts, Larry and his brothers hit a rough patch in which their singles charted, but few reached the top ten. Finally in late 1983 this song reached #1, and kicked off a brief resurgence fueled by a large infusion of western swing. The two records that followed this record (“Denver” and “The Lady Takes The Cowboy Every Time”) would have made Bob Wills proud.

“You and I” – Crystal Gayle & Eddie Rabbitt

Crytal Gayle had a run of thirty-four top ten records that ran from 1974 to 1987. I’m not that big a Crystal Gayle fan but I really liked her 1982 duet with Eddie Rabbitt which reached #1 country / #7 pop.

“Somebody’s Knocking” – Terri Gibbs

Released in 1980, this song peaked at #8 (#13 pop / #3 AC) in early 1989. Blind since birth, Terri really wasn’t a country singer and soon headed to gospel music . This was her biggest hit, one of four top twenty records.

“Sweet Sensuous Sensations” – Don Gibson
Not a big hit, this was Don’s next-to-last chart record, reaching a peak of #42 in April 1980. Don’s chart career ran from 1956-1981. His influence as a songwriter is still felt today.

“Oklahoma Borderline” – Vince Gill
It took Vince a while for his solo career to take off after leaving Pure Prairie League. This song reached #9 in early 1986 and was his second top ten recording. The really big hits would start in 1990 with “When I Call Your Name”.

“A Headache Tomorrow (Or A Heartache Tonight)” – Mickey Gilley
Mickey Gilley was a second cousin to Jerry Lee Lewis and Jimmy Swaggart as his piano playing amply demonstrates. This song reached #1 in 1981. Mickey’s long string of hits consisted of some original material (such as this song and “Doo-Wah Days”) and some covers of pop hits such as his next record “You Don’t Know Me” (a cover of a Ray Charles hit covering an Eddy Arnold hit) and prior hits “True Love Ways” and “Stand By Me”.

“White Freight Liner Blues” – Jimmie Dale Gilmore

Jimmie Dale Gilmore looks like a renegade hippie from the sixties and sounds like one of my honky-tonk specialist from the fifties. He’s never had much chart success (this song reached # 72 in 1988) but his albums are terrific and his vocals solid country through and through. Probably the most underrated performer of my generation.

“If I Could Only Dance With You” – Jim Glaser

A part of the famous trio Tompall and The Glaser Brothers, Jim’s voice was midway in range between brothers Chuck and Tompall with significant overlap on both ends.  Also, Jim was part of the vocal trio on Marty Robbin’s classic hit “El Paso” and wrote the pop hit “Woman, Woman” (#4 pop hit for Gary Puckett and The Union Gap).  Jim released a number of chart records under his own name form 1968-1977, but his real success began after Tompall & The Glaser Brothers split up (again) in 1982 and Jim signed with Noble Vision Records. After the first three records for Noble Vision went top thirty, this 1984 single reached #10. The follow up “You’re Getting To Me Again” went to #1 but then Noble Vision started having financial problems. Jim would subsequently sign with MCA in 1985 but the momentum had been lost (not to mention that by then Jim was already 47 years old).

“Loving Her Was Easier (Than Anything I’ll Ever Do Again)” – Tompall & The Glaser Brothers

Tompall and The Glaser Brothers were one of the most impressive live singing groups to ever take the stage. Unfortunately, their stage show did not translate into recording success. The group was together from 1959 until about 1974, recording many fine records but only one top ten hit in “Rings” which reached Record World’s #1 slot in 1971. The group briefly reunited in 1980 and had their career record with this Kris Kristofferson song which reached #2 Billboard / #1 Cashbox in 1980.

“Today My World Slipped Away” – Vern Gosdin

Recorded for the small AMI label, this gem reached #10 in early 1983, just as AMI was going down the toilet. It’s hard for me to pick out just one favorite Vern Gosdin song, but this one would be in my top three. From here Vern would go to another small label Compleat where he would have his biggest hit in 1987’s “I Can Tell By The Way You Dance (You’re Gonna Love Me Tonight”).

“Diamonds In The Dust”- Mark Gray

Mark Gray and Vince Gill were the two young male singers most highly touted to make it big in the early 1980s. Both were associated with bands that had some success (Mark was a member of Exile for a few years, Vince a member of Pure Prairie League). Then Nashville took a traditionalist turn leaving Gray, not as versatile a performer as Vince Gill, stranded. Still, Gray almost made it. This song was Gray’s third top ten record, reaching #9 in late 1984. The follow up “Sometimes When We Touch”, a nice duet with Tammy Wynette reached #6. Then came the Randy Travis, Dwight Yoakam, et al floodwaters of 1986.

“When A Man Loves A Woman” – Jack Grayson

Nice 1981 cover of a #1 pop hit for Percy Sledge in 1966. This song peaked at #18 in early 1982. This was Grayson’s only top twenty recording out of thirteen charted records.

“The Jukebox Never Plays Home Sweet Home” – Jack Greene
This 1983 single barely cracked the top 100 for Jack but it was a pretty good recording that probably would have been a big hit had Jack recorded it a dozen years earlier. This was Jack’s thirty-third chart record. He would have three more before fading off the charts for good. His 1966 single was #1 for seven weeks in 1966-1967 and was the CMA Single of The Year in 1967. Jack also took home the Male Vocalist honors for 1967. Jack is now 82 years old and still performs, but mostly on the stage of the Grand Ole Opry.

“I.O.U.”– Lee Greenwood

This single reached #6 in 1983, his fourth consecutive top ten single, and still my favorite Lee Greenwood song. Lee was the first artist to record “Wind Beneath My Wings” and had it planned as the second single from the I.O.U album. Gary Morris dashed into the studio and got his version recorded and released before “I.O.U.” finished its chart run. Lee’ version was better (and better than the pop version that came out in 1989).

“Lone Star State of Mind” – Nanci Griffith

Nanci is a fine songwriter/poet having written many fine songs. As a singer, she’s not much. This song reached #36 in 1987, her biggest chart hit of the 1980s. She did a nice recording of “Love At The Five & Dime”, but even that song was better in a cover version, as recorded by Kathy Mattea.

“Still The Same” – Bonnie Guitar

Nine years after her last chart entry and twenty years after her last top forty recording , country music’s ‘Renaissance Woman’ snuck onto the charts in 1989 with a nice version of a Bob Dylan song.

“Trains Make Me Lonesome”– Marty Haggard
Marty’s career almost ended before it started when he picked up a hitch hiker who shot him and left him for dead. A long recovery followed with an extended period of recovery. This song reached #57 in 1988 for the soon to be defunct MTM label. Written by Paul Overstreet and Thom Schuyler, this song was recorded by a number of artists including George Strait on his 1992 album Holding My Own. Marty’s version is better and would have been a big hit had it been released in 1958 rather than 1988.

“A Better Love Next Time – Merle Haggard

This was Merle’s 100th chart single reaching #4 in 1989. What else is there to say?

“Song of The South” – Tom T. Hall & Earl Scruggs

Tom T. Hall’s days as a hit maker were largely over by 1982 and Earl Scruggs never was a hit maker – he was of far greater importance than that. These two music masters combined for a wonderful album titled The Storyteller and The Banjo Man in 1982 from which emerged this single. Alabama would have a big hit with this song a few years later but the Alabama version lacks the personality and charm of this rendition.

“She Says” – George Hamilton V

The only chart record for the son of George Hamilton IV, this tune reached #75 in early 1988.

“There’s Still A Lot of Love In San Antone” – Connie Hanson with Darrell McCall

A cover of Darrell’s 1974 hit, this version peaked at # 64 in early 1983.

“After The Last Goodbye ” – Gus Hardin

This 1983 recording was the only solo top ten for the smoky voiced Ms. Hardin. A longtime favorite in Tulsa, Gus broke through with a major label contract (RCA) and charted eight solo singles and two duets. Released in 1984, her duet with Earl Thomas Conley “All Tangled Up In Love” peaked at #8 in early 1985. Her 1985 duet with David Loggins “Just As Long As I Have You” reached #72.

“I’m Moving On ” – Emmylou Harris
Emmylou had 26 top ten recordings between 1975 and 1988. This 1983 live cover of Hank Snow’s 1950 hit (in fact, the biggest chart hit in the history of country music) reached #5. During the 1980s, most of Emmylou’s best recordings were duets – “That Loving You Feelin’ Again” (with Roy Orbison) and “If I Needed You” (with Don Williams) come readily to mind, but there were more.

“Sure Thing” – Freddie Hart

After a hugely successful first half of the 1970s, Freddie hits got progressively smaller. By 1979 Freddie had been dropped by Capitol and signed by Sunbird, the same label that launched Earl Thomas Conley. The label failed to re-launch Freddie’s career but did provide a few good recordings, including this song, which reached #15 in 1980 and would prove to be Freddie’s last top twenty hit.

“Key Largo” – Bertie Higgins

Just when it seemed that the ‘Gulf & Western’ subgenre had been strip mined of hits by Jimmy Buffett, along comes this nostalgic hit which became a #8 pop hit in 1982 (topped out at #50 on the country chart).

“Whiskey, If You Were A Woman” – Highway 101

Highway 101 exploded onto the country music scene in January 1987 running off a string of ten consecutive top tens through early 1990. This one is my personal favorite with Paulette Carlson’s voice seemingly tailor made for the song, which reached #2 in 1987. Typical story – Carlson left the band in late 1990 seeking solo stardom and the band never recovered its momentum (plus Carlson did not succeed as a solo act). I was torn between this song and one of the group’s #1 hits “Somewhere Tonight”.

“Jones On The Jukebox” – Becky Hobbs
The inability of the Hobbs to break through at radio has always bugged me. Other than a duet with Moe Bandy (“Let’s Get Over Them Together” – #10 in 1983), Ms Hobbs was unable to break the top thirty. The closest she got was this song, which peaked at #31 in 1988.

“Texas Ida Red” – David Houston
David’s 60th (and next to last) chart record, this recording peaked at #69 on the small Excelsior label in 1981. This was a pretty good western swing record. Houston would have one more chart record in 1989. His 1966 hit “Almost Persuaded” was (according to Billboard) the biggest chart record of the last fifty years, spending nine weeks at #1.

“All American Redneck” – Randy Howard
#84 in 1983 – what more need I say.

“Til You And Your Lover Are Lovers Again” – Engelbert Humperdinck

Engelbert is one of the truly great vocalists of my generation. His greatest decade was the 1960s when he made international huge pop hits out of country classics such as “Release Me”, “There Goes My Everything” and “Am I That Easy To Forget” as well as covering other country songs on his albums. This song peaked at #39 in 1983.

“Oh Girl” – Con Hunley

This cover of a Chi-Lites hit from 1972 reached #12 in 1982 and featured the Oak Ridge Boys on backing vocals. Con’s voice was too smoky and too distinctive to have achieved much success during the early 1980s but this was a fine recording, even if not very country. Con’s biggest hit came the year before when “What’s New With You” peaked at #11.

“Talk To Me Loneliness” – Cindy Hurt

This song reached #35 in 1982. Her biggest hit was “Don’t Come Knocking” which topped out at #28 earlier in the year. Cindy charted seven records between 1981 and 1983, then disappeared.

Week ending 4/7/12: #1 singles this week in country music history

1952: (When You Feel Like You’re In Love)Don’t Just Stand There — Carl Smith (Columbia)

1962: She’s Got You — Patsy Cline (Decca)

1972: My Hang-up Is You — Freddie Hart (Capitol)

1982: Bobbie Sue — The Oak Ridge Boys (MCA)

1992: Is There Life Out There — Reba McEntire (MCA)

2002: Blessed – Martina McBride (RCA)

2012: Alone With You — Jake Owen (RCA)

Single Review: Easton Corbin – ‘Lovin’ You Is Fun’

It seems like a long time since we’ve heard anything new from Easton Corbin. After arriving on the scene in a big way with two consecutive #1 hits two and a half years ago, he faltered with his third single “I Can’t Love You Back”, which stalled at #14. Since then he’s been relatively quiet, but he is finally back with a new single, with a new album slated for release later this year.

From the very beginning, Corbin’s vocal style was compared to that of a young George Strait, and though the similarities are still there, the first thing I thought of upon hearing the opening notes of “Lovin’ You Is Fun” was that it sounded very much like the kind of song that Clint Black used to do early in his career — fast paced, high energy and not taking itself too seriously, a throwback to the good old days in the 90s. It’s an upbeat, positive song that should appeal to country radio, if they can overlook the prominent pedal steel and lack of pop pretensions. It was written by Bob DiPiero and Jim Beavers. DiPiero has penned countless hits for the likes of The Oak Ridge Boys, Charly McClain, Reba McEntire, Pam Tillis, Brooks & Dunn, Sammy Kershaw and Sunny Sweeney, while Beavers co-wrote “Felt Good On My Lips” for Tim McGraw, “Red Solo Cup” for Toby Keith and a few of Dierks Bentley’s poorer efforts.

February seems like an odd time to release a light-hearted, beat-driven record like this one, but records take so long to climb the charts these days, summer will be just around the corner by the time this one peaks. I hope that does well for two reasons: (1) because Corbin needs a hit; in today’s climate he can’t afford to miss the Top 10 with two consecutive singles, and (2) because country music desperately needs more artists like Easton Corbin.

“Lovin’ You Is Fun” is not yet available for purchase, but it has been released to country radio and can be heard here.

Grade: A

Favorite country songs of the 1970s: Part 5

For part five of this series, as always, just some songs I liked, one song per artist, not necessarily the biggest hit, (although I feel free to comment on other songs by the artist).

Let’s All Go Down To The River” – Jody Miller & Johnny Paycheck (1972)

A nice country cover of an old gospel song – how could you go wrong with this duo? Jody Miller would have a number of hits during the 1970s, although her single biggest record was in 1965 when “Queen of The House” (an answer song to Roger Miller’s “King of The Road”) went #12 pop / #5 country. I don’t know that Jody viewed herself as a country singer, but she had a sassy & sexy voice and was quite easy on the eyes.

Tom Green County Fair” – Roger Miller (1970)

Roger Miller’s career had largely run out of steam by this time, but the imagery in this song makes it one of my favorites. Alas, this song only reached #38. Roger would experience a significant renaissance in the mid-1980s writing the music for the Broadway play Big River.

Music Box Dancer” – Frank Mills (1979)

I have no idea why this song charted country as Frank Mills was an orchestra leader and this instrumental song was no more country than Lady Gaga. It was a huge pop hit reaching #3 and selling millions in the process.

Pure Love” – Ronnie Milsap (1974)

Written by Eddie Rabbitt, this was Ronnie’s first #1. How can you not like a song that contains a line like “Milk and honey and Captain Krunch and you in the morning?”

Read more of this post

Favorite country songs of the 1970s: Part 3

The 1970s were not my favorite decade for country music but it was the decade in which I did my largest amount of listening to country radio, having the good fortune to have such country giants as WSUN AM- 620 in St. Petersburg, FL, WHOO AM-1090 in Orlando and WCMS AM-1050 in Norfolk, VA for my listening pleasure, plus I could tune in WSM AM – 650 in Nashville at night. I did a lot of shift-work during this decade so my radio was on constantly.

    

This list is meant neither to be a comprehensive list of great country songs from the 1970s, nor any sort of ranking of records. It’s just a list of some songs that I liked and remember. See if you recall any of these records

Silver Wings” – Jim & Jon Hager (1970)

Since Hag issued the song as a B side (“Workin’ Man Blues” was the A side), this version is the only charting version of Hag’s classic. The Hager Twins do a nice job with the song, although it only reached #59 on the charts . Fans of Hee Haw will remember this duo well.

I Can’t Be Myself” – Merle Haggard (1970)

My all-time favorite Merle Haggard recording, this song went to #1 on Cashbox. Frankly, picking an all-time favorite Hag song is a hopeless proposition as he is the most consistently great artist of all time. Hag wrote about fifty #1 songs, the most of any songwriter. The flip side of this record “Sidewalks of Chicago” also received a lot of airplay and likely would be in my top ten favorite Haggard recordings.   Read more of this post

Christmas Rewind: The Oak Ridge Boys – ‘The Most Inconvenient Christmas’

Week ending 11/12/11: #1 singles this week in country music history

1951: Slow Poke — Pee Wee King & His Golden West Cowboys (feat. Redd Stewart) (RCA)

1961: Walk On By – Leroy Van Dyke (Mercury)

1971: Here Comes Honey Again — Sonny James (Capitol)

1981: (I’m Settin’) Fancy Free — The Oak Ridge Boys (MCA)

1991: Someday – Alan Jackson (Arista)

2001: Angry All The Time — Tim McGraw (Curb)

2011: God Gave Me You — Blake Shelton (Warner Bros.)

Country Heritage: Con Hunley

In an article which appeared on the9513.com in March of 2010, titled Forgotten Artists: Ten from the ’80s, Pt. 1, I had the following to say about Con Hunley:

“I have no idea why Con Hunley didn’t become a big star. He had an excellent voice and the look that 1980s record labels were seeking. Perhaps his voice was too distinctive, as it was smoky with strong blues flavoring. At any rate, he charted 25 times (11 Top 20 hits) from 1977-86, with his biggest national hit being “What’s New With You,” which reached #11 in 1981. I doubt that anyone remembers him for that song, however, as other songs such as “Week-End Friend” (#13), “I’ve Been Waiting For You All My Life” (#14), “You’ve Still Got A Place In My Heart (#14), “Since I Fell For You” (#20) and “Oh Girl” (#12) were all huge regional hits, reaching Top 5 status in many markets.”

That doesn’t seem like enough to say about this superlative vocalist so here goes:

Conrad Logan “Con” Hunley (born April 9, 1945) was born in Union County, Tennessee, an area which also produced such country legends as Roy Acuff and Carl Smith. Con was born into a musical family and at age nine his parents bought him a used “Stella” guitar for Christmas. Con soon taught himself to play Chet Atkins thumb-style guitar; however, his biggest early influence was to be found among R&B artists, particularly Ray Charles.

Con’s first professional job came in 1964, courtesy of the Eagles Lodge in downtown Knoxville. In 1965 Con joined the United States Air Force in 1965. After basic training, Con was sent to a tech school at Chanute AFB in Illinois where he was taught aircraft hydraulic and pneumatic systems. Con learned so well that he was made an instructor. While there, he played area bars and clubs with a local band. Later Con was transferred to Castle AFB near Atwater, CA, where he found a job playing piano at the Empire Lounge in Atwater.

After his tour of duty was finished Hunley returned to Knoxville and began performing weekly at a local nightclub owned by Sam Kirkpatrick, who formed the independent label Prairie Dust Records to showcase Hunley’s talents. After some minor success on the country music charts with three 1977 singles charting in the lower regions outside the top fifty, Hunley caught the attention of Warner Brothers Records (WB), who signed him in 1978.

Hunley’s first WB single, a cover of Jimmy C. Newman’s  “Cry Cry Darling”, cracked the top forty, reaching #34. From this point forward, Con Hunley had eleven straight singles that reached the Billboard Top Twenty, although none reached the top ten.  This singles were all on the border between Country and R&B (this during a time when R&B was actually music). “Weekend Friend” started the parade, reaching #13 in October 1978. This was followed by a cover of the Leon Payne classic “You’ve Still Got A Place In My Heart”  which reached #14 . This was followed “I’ve Been Waiting For You All Of My Life” which also reached #14 (although according to Cashbox the record reached #10 and was Con’s biggest hit – this squares with my recollections of the record and its airplay in Central Florida). Paul Anka would have a pop hit with the record two years later in 1981.

Read more of this post

Week ending 6/4/11: #1 singles this week in country music history

1951: I Want To Be With You Always — Lefty Frizzell (Columbia)

1961: Hello Walls — Faron Young (Capitol)

1971: I Won’t Mention It Again — Ray Price (Columbia)

1981: Elvira – The Oak Ridge Boys (MCA)

1991: Meet In The Middle — Diamond Rio (Arista)

2001: Ain’t Nothing ‘Bout You — Brooks & Dunn (Arista)

2011: Old Alabama — Brad Paisley featuring Alabama (Arista)

Follow

Get every new post delivered to your Inbox.

Join 79 other followers