My Kind Of Country

Country music from a fan's point of view.

Tag Archives: Ronnie Milsap

Week ending 2/9/13: #1 singles this week in country music history

dougstone1953 (Sales): Eddy’s Song — Eddy Arnold (RCA)

1953 (Jukebox): I Let The Stars Get In My Eyes — Goldie Hill (Decca)

1953 (Disc Jockeys): I’ll Go On Alone — Marty Robbins (Columbia)

1963: The Ballad of Jed Clampett – Flatt & Scruggs (Columbia)

1973: She Needs Someone To Hold Her (When She Cries) — Conway Twitty (Decca)

1983: Inside – Ronnie Milsap (RCA)

1993: Too Busy Being In Love — Doug Stone (Epic)

2003: 19 Somethin’ – Mark Wills (Mercury)

2013: Every Storm (Runs Out Of Rain) — Gary Allan (MCA)

2013 (Airplay): Every Storm (Runs Out Of Rain) — Gary Allan (MCA)

Week ending 10/27/12: #1 singles this week in country music history

1952: Jambalaya (On The Bayou) — Hank Williams (MGM)

1962: Mama Sang a Song — Bill Anderson (Decca)

1972: Funny Face — Donna Fargo (Dot)

1982: He Got You — Ronnie Milsap (RCA)

1992: No One Else on Earth — Wynonna (MCA/Curb)

2002: Somebody Like You — Keith Urban (Capitol)

2012: We Are Never Ever Getting Back Together — Taylor Swift (Big Machine)

2012 (Airplay): Blown Away – Carrie Underwood (19/Arista)

Last hurrahs and late career resurgences

I became interested in country music at a time when many of the genre’s legends were still scoring hits. Within a few years however, the landscape changed dramatically as the New Traditionalist movement swept a lot of veterans off the charts. Though it was an exciting time with a lot of new talent emerging, it was also a bit sad to see a number of old favorites disappearing from the airwaves all at once. In their struggle to remain commercially relevant, many of these veterans produced some of their finest work. In some cases it resulted in one last big hit; in a few rare cases it resulted in a temporary halt in their slide down the charts, but above all, it usually resulted in some really great music. Here are a few examples of memorable late career moments from some of my favorite artists:

1. “Two Story House” — George Jones & Tammy Wynette (1980)
Though this duo continued to record together after their divorce, their collaborations became less frequent as Jones battled his personal demons. “Two Story House”, a tale of a marriage destroyed by materialism, was their last big hit, charting at #2. They scored one more Top 20 hit later the same year with “A Pair of Old Sneakers”. After that there were no more Jones/Wynette collaborations until 1994 when they remade their biggest hit, 1976′s “Golden Ring” for George’s Bradley Barn Sessions album, which led to one final album of duets, 1995′s One.

2. “Another Chance “– Tammy Wynette (1982)
This bouncy tune was Tammy’s last Top 10 hit as a solo artist, peaking at #8 in 1982. It’s largely forgotten today but it received a lot of airplay at the time and I’ve always thought it was one of her best singles. She would hit the Top 10 one more time in 1985 with “Sometimes When We Touch”, a duet with Mark Gray.

3. “I Lie” — Loretta Lynn (1982)
Loretta’s chart decline paralleled that of Tammy Wynette. This #9 hit from 1982 is one of her glossiest singles. It was her first Top 10 solo hit in three years, and her only appearance in the Top 10 as a soloist in the 1980s, though she did enjoy three more Top 10 duets with Conway Twitty.

4. “Shouldn’t It Be Easier Than This” — Charley Pride (1987)
Charley Pride’s hits began to taper off in the mid-80s. He ended a twenty-year association with RCA Records in 1986 and signed with the independent 16th Avenue label. He scored one final Top 5 hit the following year.

5. “I Wish That I Could Fall In Love Today” — Barbara Mandrell (1988)
Barbara was at the peak of her popularity in 1984 when she was seriously injured in a car accident. Her career never quite regained its momentum, which she partially blames on the bad publicity she received when she filed a lawsuit against the estate of the driver that struck her car — a requirement under Tennessee law in order for her to collect from her own insurance company. She ended a three-year dry spell in 1988 when she returned to a more traditional sound. I was unfamiliar with the Ray Price original, but I loved Barbara’s take on this song and consider it to be one of her very best recordings. By coincidence, my colleague Paul also gave this record a shout-out in the latest installment of his Favorite Country Songs of the 1980s series.

6. “Don’t You Ever Get Tired Of Hurting Me” – Ronnie Milsap (1989)
Ronnie had a voice tailor made for country music, but unfortunately much of his output during the 1980s leaned heavily towards pop and R&B. He was still enjoying chart success when he got on board with the New Traditionalist movement and covered this Hank Cochran tune.

7. “Wrong “– Waylon Jennings (1990)
This whimsical tune about a marriage that didn’t quite turn out as expected was Waylon’s first single released during a brief stint with Epic Records. It reached #5 and was the last hit of his career.

8. “Feed This Fire“– Anne Murray (1990)
Anne regularly scored hits in both pop and country throughout the 1970s, but during the 1980s her successes were primarily on the country charts. In 1986, in an attempt to regain her popularity outside of country, she deliberately moved in a more pop direction. Ironically, her first release under this new strategy, “Now and Forever (You and Me)” became a #1 country hit, even though it was not remotely country. After that she fell out of favor with both pop and country radio, and by the beginning of the 1990s, she was trying hard to get back on country radio. She succeeded with this excellent Hugh Prestwood tune, which she took to #5 in the US and #6 in Canada. It was her last Top 10 country hit in the US.

9. “Three Good Reasons” — Crystal Gayle (1992)
Loretta Lynn’s little sister managed to buck the commercial trend towards more traditional country and stay on the charts through most of the 1980s. By the end of the decade, however, the hits began to taper off. Like many others she eventually switched to a more traditional sound. This 1992 tune did not chart, although it did get a lot of airplay in the Philadelphia market because Crystal was one of the artists appearing at the local country radio station’s annual anniversary concert that year.

10. “Buy Me A Rose” — Kenny Rogers (1999)
Kenny Rogers hadn’t scored a Top 10 hit in a decade, but age 61 he defied the odds and became the oldest person in country music history to score a #1 hit when he took this tune to the top of the charts in 1999.

Favorite country songs of the 1980s, part 4

The 1980s got off to a poor start with the early 1980s producing some of the lamest country music ever recorded, as the Urban Cowboy movie wrecked havoc on the genre. Fortunately, there was still good country music being released. The first flowering of the late 1980s “New Traditionalist” movement arrived in 1981 with the first hits of Ricky Skaggs and George Strait, but they remained outliers until 1986 as far as good new artists were concerned. The latter part of the decade, however, produced some truly excellent country music with the 1986 arrival of Randy Travis and company.

Here are some more songs that I liked and remember. See if you recall any of these records:

“Everybody Needs Love On A Saturday Night”– The Maines Brothers Band
This 1985 song was the biggest hit (#24) for a bunch of talented musicians, some of whom went on to bigger and better things. Lloyd Maines is a leading steel guitar whiz and record producer – his daughter is Natalie Maines of the Dixie Chicks. Three other brothers of Lloyd’s were in this band, as well.

I Wish That I Could Fall In Love Today” – Barbara Mandrell
This 1988 slightly re-titled cover of Warren Smith’s big hit  from 1960 was to be Barbara’s last top ten recording. It is one of my favorite Barbara Mandrell recordings.

Save Me” – Louise Mandrell
Louise never quite emerged from her big sister’s shadow but this #6 single from 1983 shows that a lack of talent wasn’t the problem.

My First Country Song” – Dean Martin with Conway Twitty
Not really – Dean had recorded many country songs to great effect, although never with country accompaniment. The album from which this 1983 song was taken, was actually the last album the 66-year-old Dean would record after a hugely successful career as a pop singer, movie star , television star and stage performer. In his time very few performers were bigger stars than Dean Martin. Conway Twitty wrote this song and performed it with Dean. It wasn’t a huge hit (#35) but it was an interesting ending to one of the greatest careers in American entertainment history.

You Are My Music, You Are My Song”– Wayne Massey with Charly McClain
Wayne Massey was a soap opera heartthrob and his wife Charly was stunningly attractive. This 1986 hit was one of two top tens the duo would have, although Charly had a very successful career as a solo act.

Read more of this post

Week ending 7/7/12: #1 singles this week in country music history

1952: The Wild Side of Life — Hank Thompson (Capitol)

1962: Wolverton Mountain — Claude King (Columbia)

1972: Eleven Roses – Hank Williams, Jr. (MGM)

1982: Any Day Now — Ronnie Milsap (RCA)

1992: I Saw The Light — Wynonna (MCA/Curb)

2002: I’m Gonna Miss Her (The Fishing Song) — Brad Paisley (Arista)

2012: Drunk On You — Luke Bryan (Capitol)

Classic Rewind: Ronnie Milsap – ‘Lost In The Fifties Tonight’

[youtube-http://www.youtube.com/watch?v=INcflt9zdwc]

Classic Rewind: Statler Brothers – ‘How to Be A Country Star’

Classic Rewind: Ray Price – ‘Don’t You Ever Get Tired (Of Hurting Me)?’

The legendary Hank Cochran penned this classic tune, which Ray Price had a hit with in 1965.  Price would re-record the song as a duet with Willie Nelson in 1980 and reach the same #11 peak as the original, but it was Ronnie Milsap who took the song to #1 in 1989.

Classic Rewind: Ronnie Milsap – ‘The Future Is Not What it Used To Be’

Classic Rewind: Ronnie Milsap – ‘Pure Love’

Happy Valentine’s Day.

Favorite country songs of the 1970s: Part 5

For part five of this series, as always, just some songs I liked, one song per artist, not necessarily the biggest hit, (although I feel free to comment on other songs by the artist).

Let’s All Go Down To The River” – Jody Miller & Johnny Paycheck (1972)

A nice country cover of an old gospel song – how could you go wrong with this duo? Jody Miller would have a number of hits during the 1970s, although her single biggest record was in 1965 when “Queen of The House” (an answer song to Roger Miller’s “King of The Road”) went #12 pop / #5 country. I don’t know that Jody viewed herself as a country singer, but she had a sassy & sexy voice and was quite easy on the eyes.

Tom Green County Fair” – Roger Miller (1970)

Roger Miller’s career had largely run out of steam by this time, but the imagery in this song makes it one of my favorites. Alas, this song only reached #38. Roger would experience a significant renaissance in the mid-1980s writing the music for the Broadway play Big River.

Music Box Dancer” – Frank Mills (1979)

I have no idea why this song charted country as Frank Mills was an orchestra leader and this instrumental song was no more country than Lady Gaga. It was a huge pop hit reaching #3 and selling millions in the process.

Pure Love” – Ronnie Milsap (1974)

Written by Eddie Rabbitt, this was Ronnie’s first #1. How can you not like a song that contains a line like “Milk and honey and Captain Krunch and you in the morning?”

Read more of this post

Week ending 1/21/12: #1 singles this week in country music history

1952: Let Old Mother Nature Have Her Way — Carl Smith (Columbia)

1962: Walk On By – Leroy Van Dyke (Mercury)

1972: Carolyn – Merle Haggard (Capitol)

1982: I Wouldn’t Have Missed It For The World — Ronnie Milsap (RCA)

1992: Love, Me — Collin Raye (Epic)

2002: Where Were You (When The World Stopped Turning) — Alan Jackson (Arista)

2012: Let It Rain — David Nail featuring Sarah Buxton (MCA)

Country Heritage Redux: Eddie Rabbitt (1941-1998)

Edward Thomas (Eddie) Rabbitt had a seventeen year run as a recording artist on the Billboard country charts with some success on the pop charts. He also enjoyed success as a songwriter, writing many of his own hits and supplying songs to other artists. Ultimately, 20 of his recordings reached #1 on either Billboard or Cashbox (usually both).

Rabbitt was the son of Irish immigrants, born in Brooklyn, New York, but raised in nearby East Orange, New Jersey. His father was an oil refinery worker who played accordion and fiddle, and who performed Irish and country music in local venues. Surrounded by music, Rabbitt learned the guitar at an early age and by 12, he had become quite proficient. By his teen years, Rabbitt was extremely knowledgeable on Irish and country music; in fact, to the end of his life he regarded country music as an extension of Irish music, and often used minor chords to create an Irish feel.

When Rabbitt was 16, his parents divorced. After the divorce he dropped out of school, hoping to make music his career. Later, however, he would take courses at night school and earn his diploma.

Rabbitt was employed briefly as a mental hospital attendant during the late 1950s, performing music locally whenever possible. As a result of winning a local talent contest, he was given an hour of Saturday night radio show time to broadcast a live performance from a bar in Paterson, New Jersey. In 1964, Rabbitt signed his first record deal with 20th Century Records and released the singles “Next to the Note” and “Six Nights and Seven Days,” neither of which charted.

In 1968, Rabbitt moved to Nashville where he began his career as a songwriter. According to legend, on his first night in Nashville, he wrote “Working My Way Up to the Bottom,” which Roy Drusky recorded as an album track for his In A New Dimension album. In order to survive, Rabbitt worked at miscellaneous odd jobs such as driving a truck and picking fruit. Eventually, he was hired as a staff writer for the Hill & Range Publishing Company and received a reported salary of $37.50 per week.

The first blush of real success for Eddie Rabbitt occurred in 1969 when Elvis Presley recorded his song “Kentucky Rain.” The song charted #16 pop and #31 country for Elvis, selling over a million copies in the process. Rabbitt continued to write, with the next milestone occurring with a song idea that came to him while eating some breakfast cereal. Something about the lyric “…Milk and honey and Captain Krunch and you in the morning…” appealed to record producer Tom Collins, who was working for Charley Pride at the time. Collins saw Rabbitt perform the song live, and brought the song to Pride, who thought it would be perfect for Ronnie Milsap, at that time opening shows for Pride. “Pure Love” would hit #1 for Milsap in 1974, and lead to a contract offer from Elektra Records for Rabbitt later that year.

His first single for Elektra, “You Get To Me,” hit #34 and the next two singles, both released in 1975, “Forgive And Forget” and “I Should Have Married You,” barely missed the top 10. These three songs, along with a recording of “Pure Love,” were included on Rabbitt’s self titled debut album in 1975.

The next single, the very traditional “Drinkin’ My Baby (Off My Mind),” kicked off a long series of hits that included four songs that also charted among the top 10 pop songs “Drivin’ My Life Away,” “Step By Step,” “You And I”” (with Crystal Gayle), and “I Love A Rainy Night.” The latter song also topped Billboard’s pop and adult contemporary charts.

As the seventies wore on, Eddie’s music began drifting away from traditional country music into the more pop-flavored sounds of the 80s, such as the three biggest pop hits cited above. After 1982’s “You And I,” his singles and albums were issued on the Warner Brothers label, the result of a label merger with Elektra. In late 1985, Eddie moved over to RCA, where his success continued unabated. Following the death of his infant son in 1985, Rabbitt put his career on hold, although RCA had some recordings to release, issuing four top ten singles. In 1986, a duet with Juice Newton, “Both To Each Other” soared to #1.

Rabbitt returned to recording in 1988, scoring #1 records with “I Wanna Dance With You” and a remake of Dion Denucci’s 1961 pop hit “The Wanderer.” In 1990, he moved to Universal/Capitol, and with the leap came a return to a more traditional country sound; especially notable from this era is “On Second Thought,” his last #1 and my favorite of all of his recordings.

Eddie Rabbitt would issue four albums on Capitol before exiting the label.

In 1997, Rabbit was diagnosed with lung cancer. While seemingly on the rebound he issued his final album titled Against All Odds on the Intersound label. Sadly, it was not to be. Rabbitt passed away in May, 1998, at the age of 56.

For his career, Eddie placed forty-three songs on the Billboard country charts (twenty-six top five entries), with fourteen of his songs placing on Billboard’s pop charts.

Rabbitt was one of the phalanx of Nashville songwriters who entered into the realm of more introspective and contemplative material. He felt a personal responsibility as an entertainer to serve as a good role model and was an advocate for many charitable organizations including the Special Olympics, Easter Seals, Muscular Dystrophy Association and United Cerebral Palsy. Rabbitt was active in politics and gave permission to Senator Bob Dole to use his song “American Boy” during Dole’s presidential campaign in 1996.

Discography

Vinyl

Eddie Rabbitt issued many vinyl albums. Since he was a big seller, most of his albums should be available online (or, perhaps, in your favorite used record store). The earlier albums (1970s) are more traditional sounding than their later (post 1978 counterparts), until you get to his output on Capitol. All of his albums contain interesting songs; the variable is the production and the way they are framed. Unfortunately, Eddie did not live long enough to recast his later Elektra/Warner Brothers recordings with more traditional settings, or perhaps as bluegrass.

CD

Currently, Rabbitt is woefully under-represented on CD, with only some Greatest Hits collections being available (mostly of the Elektra/Warner Brothers years, but also some Intersound remakes). During his lifetime, many of Rabbitt’s later recordings were released on cassette and CD, so used record shops may have copies of music from the RCA and Capitol years. None of the Capitol or RCA material is in print.

The best available collection is the Rhino Platinum Collection which has twenty-two songs from the Elektra/Warner Brothers years of 1975-1980, including Eddie’s version of the rarely reissued “Pure Love”, which was a major hit for Ronnie Milsap. This collection is about half hits and half album tracks. Among the more significant omissions is “Step by Step”, Eddie’s second biggest pop hit.

A few years ago, there was a better representation of Eddie Rabbitt material available on CD. Most of the following CDs are out of print, although it may be possible to find them in used record shops or from online dealers specializing in cutouts and used discs. Among the treasures worth searching for are the Warner Brothers albums Horizon (“I Love A Rainy Night” and “Drivin’ My Life Away”); Rocky Mountain Music (title song plus “Two Dollars In The Jukebox” and “Drinkin’ My Baby”); and 36 All-Time Greatest Hits. Formerly available from places like Costco, Sam’s Club and Collector’s Choice Music, the three-disk 36 All-Time Greatest Hits is misnamed as it has only about a dozen actual hits, with the rest being album cuts from the Electra/Warner Brothers years. Several double-packs of his Elektra/Warner Brothers albums also were issued in recent years.

The Intersound album Beating The Odds was reissued after Rabbitt’s death as From The Heart–The Last Recordings. It had six new songs and six pretty decent remakes of older hits. Until recently, it was the only place to get any CD versions of two of the Capitol hits “On Second Thought” and “American Boy.”

In 2009, Rhino released Eddie Rabbitt: Number One Hits, which contains the original versions of all of Eddie’s hits to chart at number one on Billboard. This is the album to get if you want only one Eddie Rabbitt CD. Unfortunately, it seems to have gone out of print, so if you see a copy, grab it.

Week ending 10/22/11: #1 albums this week in country music history

1966: Bill Anderson – I Love You Drops (Decca)

1971: Merle Haggard and The Strangers – Hag (Capitol)

1976: Waylon Jennings – Are You Ready For The Country? (RCA)

1981: Ronnie Milsap – There’s No Gettin’ Over Me (RCA)

1986: Randy Travis – Storms Of Life (Warner Brothers)

1991: Garth Brooks – Ropin’ The Wind (Capitol)

1996: LeAnn Rimes – Blue (Curb)

2001: Martina McBride – Greatest Hits (RCA)

2006: George Strait – It Just Comes Natural (MCA)

2011: Scotty McCreery – Clear As Day (Mercury/19/Interscope)

Week ending 9/10/11: #1 singles this week in country music history

1951: Always Late With Your Kisses — Lefty Frizzell (Columbia)

1961: Tender Years — George Jones (Mercury)

1971: Good Lovin’ (Makes It Right) — Tammy Wynette (Epic)

1981: (There’s) No Gettin’ Over Me — Ronnie Milsap (RCA)

1991: Brand New Man — Brooks & Dunn (Arista)

2001: Austin – Blake Shelton (Giant)

2011: Remind Me – Brad Paisley with Carrie Underwood (Arista)

Week ending 9/3/11: #1 singles this week in country music history

1951: Always Late With Your Kisses — Lefty Frizzell (Columbia)

1961: Tender Years — George Jones (Mercury)

1971: Good Lovin’ (Makes It Right) — Tammy Wynette (Epic)

1981: (There’s) No Gettin’ Over Me — Ronnie Milsap (RCA)

1991: You Know Me Better Than That — George Strait (MCA)

2001: Austin – Blake Shelton (Giant)

2011: Am I The Only One — Dierks Bentley (Capitol)

Week ending 5/14/11: #1 singles this week in country music history

1951: Cold, Cold Heart — Hank Williams (MGM)

1961: Hello Walls — Faron Young (Capitol)

1971: How Much More Can She Stand — Conway Twitty (Decca)

1981: Am I Losing You — Ronnie Milsap (RCA)

1991: If I Know Me — George Strait (MCA)

2001: Ain’t Nothing ‘Bout You — Brooks & Dunn (Arista)

2011:A Little Bit Stronger — Sara Evans (RCA)

Classic Rewind: Ronnie Milsap – ‘Day Dreams (About Night Things)’

Album Review: Steve Wariner – ‘Super Hits’

Steve Wariner didn’t become a staple at country radio until he signed with MCA in 1984, though he was already a veteran recording artist with six years and 17 charting singles under his belt. Released in 1998 and originally intended as a budget release, Super Hits anthologizes the portion of his catalog controlled by BMG (now Sony) Music. It consists primarily of his early recordings for RCA, along with a few tracks from his early 90s stint with Arista Records. It is the only currently available compilation of his early hits.

These recordings are very much a product of their time, which unfortunately means heavily pop-influenced 80s production that sounds quite dated to modern listeners. However, the songs themselves are quite good, and since Steve was experiencing his first chart successes at about the same time I became interested in country music, they hold great nostalgia value for me.

Wariner had been playing bass guitar in Dottie West’s band for seven years by the time he inked his deal with RCA in 1978. His first release for the label was “I’m Already Taken”, which peaked at #63 and is not included in this collection. A string of low-charting singles followed before he cracked the Top 40 for the first time with 1980′s “Your Memory”, which is the earliest hit included here. Written by Charles Quillen and John Schweers, and produced by Norro Wilson and Tony Brown, “Your Memory” climbed all the way to #7. Its successor, “By Now” did slightly better, reaching #6. “All Roads Lead To You”, produced by Tom Collins who was well known at the time for his work with Ronnie Milsap and Barbara Mandrell, became Steve’s first #1 hit in 1981. It was written by Kye Fleming and Dennis Morgan, who penned many of Mandrell’s early 80s hits, as well as Sylvia’s 1982 smash “Nobody”. Telling the story of a road construction worker struggling in vain to forget about his lost love, “All Roads Lead To You” was one of my very favorite songs from this era. I still like it, though I don’t think quite as highly of it now as I did at the time.

After “All Roads Lead To You”, Wariner’s chart success became inconsistent. “Kansas City Lights”, which was also produced by Collins, stalled at #15, but in spite of its failure to crack the Top 10, it is probably the best remembered of his RCA hits. It was followed by three singles that all failed to crack the Top 20.

In spite of Steve’s success at radio, RCA resisted releasing an album for four years, utilizing a tactic that has more or less become standard operating procedure for major labels today. When they finally did get around to releasing an album, 1982′s Steve Wariner, it consisted of six singles, including all of the aforementioned songs. His second album, 1983′s Midnight Fire, found him once again utilizing the services of Norro Wilson and Tony Brown. Midnight Fire produced two Top 5 hits, the title track and “Lonely Women Make Good Lovers”, as well as “Why Goodbye” which peaked at #12. These tracks sound more country – a fiddle can actually be heard on “Midnight Fire”! – and have aged better than his earlier releases. These represent Wariner’s final commercial successes for RCA. He departed the label for MCA shortly thereafter. RCA released a Greatest Hits collection that included two new tracks that went nowhere on the charts. In 1986, RCA finally got around to releasing Down In Tennessee, which had been recorded in 1978 and intended to be Steve’s debut album.

The remaining three tracks on this album were recorded for Arista in the early 90s, and represent a marked change in style from the RCA recordings. “Leave Him Out Of This”, Steve’s first release for Arista in 1991, reached #6. His remake of Bill Anderson’s “The Tips Of My Fingers” climbed to #3 and is one of the finest recordings of Wariner’s career. Completing the set is “If I Didn’t Love You”, a #8 hit from Steve’s second Arista album, 1993′s Drive.

While most of these tracks are not essential listening except for the die-hard fan, they do provide an interesting look at Steve’s development as an artist.

Grade: B

Super Hits is available on CD from third party sellers on Amazon at ridiculous prices and can be downloaded for a more reasonable $5.99.

Week ending 1/15/11: #1 albums this week in country music history

1966: Eddy Arnold – My World (RCA Victor)

1971: Ray Price – For The Good Times (Columbia)

1976: C.W. McCall – Black Bear Road (MGM)

1981: Ronnie Milsap – Greatest Hits (RCA)

1986: Kenny Rogers – The Heart Of The Matter (RCA)

1991: Clint Black – Put Yourself In My Shoes (RCA)

1996: Garth Brooks – Fresh Horses (Capitol)

2001: Tim McGraw – Greatest Hits (Curb)

2006: Carrie Underwood – Some Hearts (Arista)

2011:Taylor Swift – Speak Now (Big Machine)

Follow

Get every new post delivered to your Inbox.

Join 77 other followers