My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: John Michael Montgomery

Week ending 3/1/14: #1 singles this week in country music history

webbpierce1954 (Sales): Slowly – Webb Pierce (Decca)

1954 (Jukebox) (tie): Slowly – Webb Pierce (Decca)
There Stands The Glass — Webb Pierce (Decca)

1954 (Disc Jockeys): Slowly – Webb Pierce (Decca)

1964: Begging To You — Marty Robbins (Columbia)

1974: Another Lonely Song — Tammy Wynette (Epic)

1984: Stay Young — Don Williams (MCA)

1994: I Swear — John Michael Montgomery (Atlantic)

2004: American Soldier — Toby Keith (DreamWorks)

2014: Chillin’ It — Cole Swindell (Warner Bros.)

2014 (Airplay): When She Says Baby — Jason Aldean (Broken Bow)

Week ending 2/22/14: #1 singles this week in country music history

rodriguez1954 (Sales): Slowly – Webb Pierce (Decca)

1954 (Jukebox) (tie): Wake Up Irene — Hank Thompson (Capitol)
There Stands The Glass — Webb Pierce (Decca)

1954 (Disc Jockeys): Bimbo – Jim Reeves (Abbott)

1964: Begging To You — Marty Robbins (Columbia)

1974: That’s The Way Love Goes — Johnny Rodriguez (Mercury)

1984: Don’t Cheat In Our Hometown — Ricky Skaggs (Epic)

1994: I Swear — John Michael Montgomery (Atlantic)

2004: American Soldier — Toby Keith (DreamWorks)

2014: Drink A Beer — Luke Bryan (Capitol)

2014 (Airplay): Drink A Beer — Luke Bryan (Capitol)

Week ending 2/15/14: #1 singles this week in country music history

jackson_stonewall1p1954 (Sales): There Stands The Glass — Webb Pierce (Decca)

1954 (Jukebox): Let Me Be The One — Hank Thompson (4 Star)

1954 (Disc Jockeys): There Stands The Glass — Webb Pierce (Decca)

1964: B.J. The D.J. — Stonewall Jackson (Columbia)

1974: World Of Make Believe — Bill Anderson (MCA)

1984: That’s The Way Love Goes — Merle Haggard (Epic)

1994: I Swear — John Michael Montgomery (Atlantic)

2004: Remember When — Alan Jackson (Arista)

2014: Drink A Beer — Luke Bryan (Capitol)

2014 (Airplay): Drink A Beer — Luke Bryan (Capitol)

Week ending 2/8/14: #1 singles this week in country music history

Bill Anderson1954 (Sales): There Stands The Glass — Webb Pierce (Decca)

1954 (Jukebox): There Stands The Glass — Webb Pierce (Decca)

1954 (Disc Jockeys): There Stands The Glass — Webb Pierce (Decca)

1964: Begging To You — Marty Robbins (Columbia)

1974: World Of Make Believe — Bill Anderson (MCA)

1984: Show Her — Ronnie Milsap (RCA)

1994: I Swear — John Michael Montgomery (Atlantic)

2004: Remember When — Alan Jackson (Arista)

2014: Drink A Beer — Luke Bryan (Capitol)

2014 (Airplay): Whatever She’s Got — David Nail (MCA)

Week ending 6/1/13: #1 songs this week in country music history

Jeanne Pruett1953 (Sales): Mexican Joe — Jim Reeves (Abbott)

1953 (Jukebox): No Help Wanted — The Carlisles (Mercury)

1953 (Disc Jockeys): Your Cheatin’ Heart — Hank Williams (MGM)

1963: Lonesome 7-7203 — Hawkshaw Hawkins (King)

1973: Satin Sheets — Jeanne Pruett (MCA)

1983: You Take Me For Granted — Merle Haggard (Epic)

1993: I Love The Way You Love Me — John Michael Montgomery (Atlantic)

2003: I Believe — Diamond Rio (Arista)

2013: Cruise – Florida Georgia Line (Republic Nashville)

2013 (Airplay): Wagon Wheel — Darius Rucker (Capitol)

Week ending 5/25/13: #1 singles this week in country music history

tanya1953 (Sales): Mexican Joe — Jim Reeves (Abbott)

1953 (Jukebox): No Help Wanted — The Carlisles (Mercury)

1953 (Disc Jockeys): Your Cheatin’ Heart — Hank Williams (MGM)

1963: Still – Bill Anderson (Decca)

1973: What’s Your Mama’s Name — Tanya Tucker (Columbia)

1983: Common Man — John Conlee (MCA)

1993: I Love The Way You Love Me — John Michael Montgomery (Atlantic)

2003: Three Wooden Crosses — Randy Travis (Word/Curb)

2013: Cruise – Florida Georgia Line (Republic Nashville)

2013 (Airplay): Get Your Shine On — Florida Georgia Line (Republic Nashville)

Week ending 5/18/13: #1 singles this week in country music history

royclark1953 (Sales): Kaw-Liga – Hank Williams (MGM)

1953 (Jukebox): No Help Wanted — The Carlisles (Mercury)

1953 (Disc Jockeys): Your Cheatin’ Heart — Hank Williams (MGM)

1963: Still – Bill Anderson (Decca)

1973: Come Live With Me — Roy Clark (Dot)

1983: Whatever Happened To Old-Fashioned Love — B.J. Thomas (Columbia)

1993: I Love The Way You Love Me — John Michael Montgomery (Atlantic)

2003: Have You Forgotten? — Darryl Worley (DreamWorks)

2013: Cruise – Florida Georgia Line (Republic Nashville)

2013 (Airplay): Get Your Shine On — Florida Georgia Line (Republic Nashville)

Album Review – Sammy Kershaw – ‘Politics, Religion, and Her’

When Sammy Kershaw convened in the studio to follow up Feelin’ Good Train he stuck with his trusty production team of Buddy Cannon and Norro Wilson. In addition to his secular work, they’d teamed up for a holiday release, Christmas Time’s A-Comin’ (the title track being my favorite version of that fabulous song) in the winter of 1994, and Greatest Hits, Chapter 1 in 1995.  As a result, when Politics, Religion and Her was released in May 1996, it stuck true to the formula Kershaw had honed since his debut five years earlier.

Lead single “Meant To Be,” an uptempo ode to finding love in unexpected places, was the most successful at radio peaking at #5. He followed with the novelty song “Vidalia” which reached a #10 peak that summer. Both are very good although “Vidalia,” a song I remember distinctly from watching the video on CMT as a kid, isn’t the greatest lyric in Kershaw’s catalog.

Radio didn’t respond as kindly to the album’s title track and it only managed to squeak into the top the top 30. Thanks to a killer lyric by Bryon Hill and Tony Martin plus underpinnings of mournful steel, it’s my favorite of the four singles. Deflecting pain has rarely sounded so good as it does here:

Let’s talk about baseball

Talk a little small talk

There’s gotta be a good joke

That you’ve heard

Let’s talk about NASCARs

Old Hollywood movie stars

Let’s talk about anything

Anything in this world

But politics, religion and her

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Album Review: Vern Gosdin – ‘Nickels And Dimes And Love’

Vern’s days of major chart success were about over by the time Nickels and Dimes and Love was released in March 1993, not surprisingly for an artist 58 years old. Although the hits had largely stopped, the excellent recordings continued in abundance. This album has a little different history behind it than Vern’s other Columbia releases as producer Rick Hall took Vern to Muscle Shoals, Alabama, to record this album.

Vern had been off the charts for over a year when Columbia released ”Back When” as a single. Since the single only reached #67, Columbia gave up on Vern. Without major label backing, there would be no more chart singles for Vern Gosdin, and no more major label albums, except for various hit collections.

The album opens with the title track, a nostalgic look at the early years of a successful relationship, when times were tough and money was in short supply. This song falls in the usual medium-slow groove that Gosdin favored. The song may be familiar to some as a track on John Michael Montgomery’s Life’s A Dance album.

Remember when pocket change was all we had
And all those calls from the corner phone booth collect to mom and dad
And that old worn out couch was called our bed
When our cuisine was pork and beans, baloney and day old bread.

Remember that damn old car that kept on breaking down
And all the times it left me stranded thumbing all over town
And that old weekly paycheck just never stretched enough
Back in the times of nickels and dimes and love.

Although not a hit, the Hugh Prestwood-penned “Back When” was an excellent song, yet another nostalgic look back, but this time at a relationship that is struggling. I’m not sure that the song ever would have been a huge hit, but it likely would have been a top twenty record had it been released a few years earlier. Tempo of the song would be described as medium fast and a banjo is discernable along with outstanding fiddle and steel guitar.


Back when these cloudy hearts were sunny skies
And there were stars, not teardrops in these eyes
We wouldn’t even let the moon get blue
Darling I swear we need to get back to – back when

“Where The Tall Grass Grows” follows up the theme of looking back, this time on a relationship, his own, that is over. This song would be recorded by several artists, including George Jones and Ricky Van Shelton.

There’s three bedrooms, hardwood flooring and the kitchen’s new
It’s got everything a family needs with a backyard view
Ask anyone where it is, everybody knows
Who used to live here, where the tall grass grows.

The first three songs were all outside material. We now come to the first of five songs Vern co-wrote. Jukeboxes were, at one time, a frequent topic of country songs. The year 1993 saw two such songs chart in Doug Supernaw’s excellent “Honky Tonkin’ Fool” (a song that deserved better than being marooned at #50) and Joe Diffie’s “Prop Me Up Beside The Jukebox” (it reached #3). Vern’s nice medium-tempo ballad , “Bury Me In A Jukebox”, would have made a good single release as it is a better song than either the Diffie or Supernaw songs.

I’ve been hangin’ in here every night since you’ve been gone
This old honky tonk’s become my home away from home
I even got my favorite chair
It always sits right here
There by the jukebox, where I don’t feel so alone
Every time I put my money in
I hear the saddest song
My friends on the jukebox don’t mind if I sing along

So bury me in a jukebox when I die
Every time I think of her I get so lonesome I could cry
And it takes me up to heaven when they play made in heaven
Bury me in a jukebox when I die

Another piece of  outside material, this time from the trio of Auldridge, Nicholson and Trils,  “Any Old Miracle” is another slow ballad, this one of a distressed man asking God for a small miracle, this miracle in the form of some help in forgetting a lost love.

It’s late, and I sure do hate to bother you
But I know you’re the only one
Who knows what I’ve been goin’ through
It’s her, keepin’ me up all night again
And Lord I just had to call on you
To ask a favor of a friend
Any ol’ miracle that you could send me down
Don’t go to too much trouble Lord
What ever you might have around
‘Cause I’m never gettin’ over her
Without some help from you
I’m gonna need a miracle
Any ol’ miracle will do

“I Like My Country Music Kinda Rock”, another Vern co-write, is a bit disingenuous, since I’ve seen little evidence that Vern ever had much rock in his soul. This song would be best described as up-tempo country, with very country instrumentation. I really like the song and feel it might have made a good single.

“Two Good People With a Love Gone Bad” is a fine duet with Janie Fricke. Written by Vern Gosdin, Buddy Cannon and Dean Dillon, this slow ballad shows just how good a duet can sound when a pair of excellent, compatible voices are paired up.

Vern’s composition “What Are We Gonna Do About Me” attempts to show the perspective of a the child in divorce proceedings. The perspective of the child is a sad perspective, no doubt, when the topic is divorce. My folks were married for 54 years so it’s not a matter I personally ever had to face. “Gone in a Heartbeat” is another slow ballad provided by other writers. A cautionary ballad about taking someone for granted.

“Better Time to Say Goodbye” reunites songwriters Cannon, Dillon and Gosdin, and closes the album with a sad slow ballad, this one detailing the final act of the break-up.

Few artists have ever exited a record label with such an exquisite album. The album is a bit of a downer, but there’s not a song on the album that I don’t like. I really loved the duet with Janie Fricke but I don’t think there is just one standout track. Vern is in great voice throughout, and the accompaniment is solid country throughout. While I think Vern was still officially signed to the label for another year or two, Columbiawould issue no further albums of new material.  I would give this album a solid “A” – if you want to give it an A+, I won’t argue.

Favorite country songs of the 1970s, Part 8

Here are some more songs that I like; one song per artist, not necessarily his or her biggest hit. As always, I consider myself free to comment on other songs by the artist.

Another Somebody Done Somebody Wrong Song” – Billy Joe “B.J.” Thomas (1975)
His biggest country hit reached #1 and also topped the pop charts. Despite his long-time appeal to country audiences this song was his first to chart country.

Next Time I Fall In Love (I Won’t)” – Hank Thompson (1971)
This song got to #15, Hank’s 59th chart hit. Hank never lost his vocal chops. Hank charted records from 1948 to 1983, a total of seventy-nine songs, including two top tens in “The Older The Violin, The Sweeter The Music” and “Who Left The Door To Heaven Open”. Hank Thompson was so highly regarded in his day that George Strait made one of his very few guest appearances on one of Hank’s albums.

Smooth Sailin’”/ “Last Cheater’s Waltz” – Sonny Throckmorton (1976)
Sonny wasn’t much of a singer and this record only reached #47. He was, however, one heck of a songwriter, and T. G. Sheppard took both of these songs into the top ten. His most famous copyright probably is “I Wish I Was Eighteen Again” which was a major hit for George Burns in 1980.

What Time of Day” – Billy ThunderKloud & The Chieftones (1975)
Billy and his group were native Indian musicians from Northwest British Columbia. This song reached #16, the biggest of their five chart hits.

“Midnight, Me and the Blues” – Mel Tillis (1974)
Just a song I happened to like, one of 24 top ten hits Mel would chart during the 70s. This song reached #2, one of twelve top ten hits on MGM. Mel had a long career in country music, with a recording career that saw chart records from 1958-1989, but he was never better than during his years with MGM.

It’s A Man’s World” – Diana Trask (1973)
Australian born singer, first charted in 1968 with “Lock Stock and Tear Drops.” This record reached #20, one of four top twenty hits.

“I’ve Got All The Heartaches I Can Handle” – Ernest Tubb (1973)
The last MCA/Decca chart hit for the legendary Texas Troubadour. This record only reached #93 for the then 59 year-old Tubb. His recording career was kaput by this time, but not his legacy. This wasn’t quite the end of his recording career as he charted several more songs on other labels, the most noteworthy being “Leave Them Boys Alone” (with Hank Williams, Jr. and Waylon Jennings) which reached #6 in 1983.

As long as there’s a honky-tonk, people will play “Set Up Two Glasses, Joe,” “Waltz Across Texas” and “Walking The Floor Over You.”

Delta Dawn” – Tanya Tucker (1972)
What else? Record World had this record reach #1 (Billboard #6/Cashbox #3). Tanya’s recordings through the end of 1974 are sometimes described as “American Gothic’s last stand.”

Sometimes” – Mary Lou Turner & Bill Anderson (1976)
This record reached #1 in early 1976, one of only two top ten records for Ms. Turner, both of them duets with “Whispering Bill” Anderson.

This Time I’ve Hurt Her More Than She Loves Me” – Conway Twitty (1976)
One of many #1 records Conway would enjoy during this decade. Yes, I know “Hello Darlin’“ was the biggie, but Conway had many records I liked better, including “I See The Want To In Your Eyes,” “I Can’t See Me Without You” and “How Much More Can She Stand.”

“Johnny One Time” – Kathy Twitty (1976)
This cover of a minor Willie Nelson hit works, but Kathy is not a compelling singer. The label on the 45 has her billed as ‘Jessica James.’ Kathy had three charting singles.

It’s a Heartache” – Bonnie Tyler (1978)
Raspy-voiced pop singer from Wales, this song reached #10 on the country charts, selling a million copies in the process.

Just When I Needed You Most” – Randy Vanwarmer (1979)
A few country stations gave this song some airplay, enabling it to reach #71 en route to selling a million copies.

“Until The End of Time” – Sharon Vaughn with Narvel Felts (1974)
Sharon isn’t a great singer and had much more success as a songwriter than as a performer. Narvel Felts, however, is a great singer and he salvages the record. This record was Sharon Vaughn’s only top 40 hit.

What Ain’t To Be Just Might Happen” – Porter Wagoner (1972)
Hard as it is to believe, this was Porter’s last solo top 10 recording, reaching #8 on Billboard and #6 on Cashbox. Another interesting record for Porter during this period is “The Rubber Room,” a record which Billboard failed to chart, but which spent seven weeks on Cashbox’s country chart (just missing the top 40).

When A Man Loves A Woman (The Way That I Love You)” – Billy Walker (1970)
Billy was never a dominant chart performer but he did have three consecutive singles reach #3 in 1970-71 and continued to have occasional top forty singles until 1975. In 1975, Billy signed with RCA–his short stint there produced “Word Games,” Billy’s last top ten single and one of my favorites.

Odds And Ends (Bits And Pieces)” – Charlie Walker (1974)
By 1974, it had been seven years since Charlie had a top 20 single. This was Charlie’s last charting song, dying at #66. The song and performance are quite effective, a remake of a Warren Smith hit from 1961 but by this time his recording career was completely dead.

If You Leave Me Tonight I’ll Cry” – Jerry Wallace (1972)
Jerry Wallace was more of a pop singer than a country singer. He had several huge pop/easy listening hits during the 1960s, but then hit lean times causing Jerry to re-launch his career as a country singer. This song got to #1 on all of the country charts, fueled by exposure on an episode of the popular television show Night Gallery.

Big Blue Diamond” – Jacky Ward (1972)
Recorded on the Target label, this song only got to #39 although it was really huge in some markets. This song landed him at Mercury where he had some bigger hits. The original version of this song has not been available for many years and none of the remakes have the sizzle of the original.

I’m Already Taken” – Steve Wariner (1978)
An early version of a song Wariner had more success with fifteen years later. This charted at #63, the first of many chart hits for Steve Wariner.

“Bottle of Wine” – Doc & Merle Watson (1973)
Legendary blind guitarist Doc Watson only charted twice, both times accompanied by his equally talented son Merle (1949-85). Anyone who has not heard Doc Watson truly has a gaping hole in their musical education. Fortunately, many of his fine albums remain in print.

The Old Man and His Horn” – Gene Watson (1977)
This is absolutely my favorite Gene Watson song, although it’s close between this song and 75 others. Gene was never quite the chart presence a singer of his enormous talent deserved, but he had a pretty strong run of top 10 records from 1975 to 1984, with four records making it to #1 on Billboard, Cashbox or Record World. This wasn’t one of the bigger hits, reaching #11 on both Billboard and Cashbox, but its strong New Orleans feel makes it perhaps Gene’s most distinctive hit record. My recommendation for those who want to delve deeper into Gene’s music is … buy everything!

I’ll Still Love You” – Jim Weatherly (1975)
Much better known as a songwriter; Ray Price recorded one album of nothing but Jim Weatherly songs and another album of mostly Jim Weatherly songs. Jim’s most famous song was “Midnight Train To Georgia,” which was a huge hit for Gladys Knight and the Pips. This was Jim’s only top 10 hit.

“The Happiness of Having You” – Jay Lee Webb (1971)
This was the last of three chart records for Loretta Lynn’s brother. Charley Pride would have a much bigger hit with this in 1976.

Dueling Banjos” – Eric Weissberg & Steve Mandell (1973)
Featured in the movie Deliverance, this song was written by Arthur “Guitar Boogie” Smith during the mid 1950s. There is an interesting back story arising out of the movie, as the producers of the movie tried to use the song without paying Smith any royalties. Smith sued (after first trying to negotiate and being stonewalled) – Weissberg testified at trial that he originally learned the song from a record his grandfather had of Don Reno and Arthur Smith playing the tune!

“Ballad of A Hillbilly Singer” – Freddy Weller (1972)
Freddy Weller was part of Paul Revere and The Raiders from 1967-71. He launched his country career in 1969 with a #1 Cashbox hit in “Games People Play” and continued to have top 10 country success for the next four years. A very successful songwriter with songs such as “Jam Up Jelly Tight” and “Dizzy” both being big pop hits for Tommy Roe. His biggest country copyright was “Lonely Women Make Good Lovers” which was a big hit for both Bob Luman and Steve Wariner. John Michael Montgomery, Reba McEntire, George Jones and countless others have recorded his songs.

This song was somewhat of an insider joke, containing instrumental signatures of artists such as Roy Acuff, David Houston, Johnny Cash, Ernest Tubb and Marty Robbins. Consequently it only reached #26, but I love the song. I would also commend “Perfect Stranger” to anyone who wants to check out Freddy Weller.

“Wild Side of Life” – Kitty Wells and Rayburn Anthony (1979)
Kitty Wells had no top forty hits during the 1970s. This was Kitty’s last charting record, her 81st chart hit. This record reached #60, and found Kitty interjecting answer verses into Rayburn’s recording of the old Hank Thompson hit. By the time this record hit, Kitty was 60 years old. In a few months she will turn 93. She still is the Queen of Country Music.

Country Sunshine” – Dottie West (1973)
Record World had this record reach #1, Cashbox and Billboard both had it at #2. If I recall correctly, this song was inspired by a Coca Cola commercial. Dottie was lost in the shuffle at RCA and later signed with United Artists where she had some huge hits on some of the most contrived material I’ve ever heard.

Una Paloma Blanca” – Slim Whitman (1977)
A cover of an international pop hit by the Dutch band George Baker Selection, Slim’s version did not chart, but it certainly showed off his vocal prowess.

Week ending 11/13/10: #1 singles this week in country music history

1950: I’m Movin’ On — Hank Snow (RCA)

1960: Alabam – Cowboy Copas (Starday)

1970: I Can’t Believe That You’ve Stopped Loving Me– Charley Pride (RCA)

1980: On The Road Again — Willie Nelson (Columbia)

1990: Home — Joe Diffie (Epic)

2000: The Little Girl — John Michael Montgomery (Atlantic)

2010: Come Back Song — Darius Rucker (Capitol)

Week ending 11/6/10: #1 singles this week in country music history

1950: I’m Movin’ On — Hank Snow (RCA)

1960: Alabam – Cowboy Copas (Starday)

1970: Run, Woman, Run — Tammy Wynette (Epic)

1980: Theme from “The Dukes of Hazzard” (Good Ol’ Boys) — Waylon Jennings (RCA)

1990: You Lie — Reba McEntire (MCA)

2000: The Little Girl — John Michael Montgomery (Atlantic)

2010: Come Back Song — Darius Rucker (Capitol)

Week ending 10/30/10: #1 singles this week in country music history

1950: I’m Movin’ On — Hank Snow (RCA)

1960: Alabam – Cowboy Copas (Starday)

1970: Run, Woman, Run — Tammy Wynette (Epic)

1980: I Believe In You – Don Williams (MCA)

1990: Friends In Low Places — Garth Brooks (Capitol)

2000: The Little Girl — John Michael Montgomery (Atlantic)

2010: Roll With It — Easton Corbin (Mercury)

Week ending 7/10/10: #1 albums this week in country music history

1965: Connie Smith – Connie Smith (RCA Victor)

1970: Charley Pride – Just Plain Charley (RCA)

1975: Merle Haggard and The Strangers – Keep Movin’ On (Capitol)

1980: Kenny Rogers- Gideon (United Artists)

1985: Hank Williams Jr. – Five-O (Warner/Curb)

1990: Clint Black – Killin’ Time (RCA)

1995: John Michael Montgomery – John Michael Montgomery (Atlantic)

2000: Dixie Chicks – Fly (Monument)

2005: Toby Keith – Honkytonk University (DreamWorks)

2010: Lady Antebellum – Need You Now (Capitol)

Week ending 6/26/10: #1 albums this week in country music history

1965: Buck Owens – I’ve Got A Tiger By The Tail (Capitol)

1970: Charley Pride – Just Plain Charley (RCA)

1975: Merle Haggard and The Strangers – Keep Movin’ On (Capitol)

1980: Kenny Rogers- Gideon (United Artists)

1985: Hank Williams Jr. – Five-O (Warner/Curb)

1990: Clint Black – Killin’ Time (RCA)

1995: John Michael Montgomery – John Michael Montgomery (Atlantic)

2000: Dixie Chicks – Fly (Monument)

2005: Toby Keith – Honkytonk University (DreamWorks)

2010: Lady Antebellum – Need You Now (Capitol)

Week ending 6/19/10: #1 albums this week in country music history

1965: Buck Owens – I’ve Got A Tiger By The Tail (Capitol)

1970: Charley Pride – Just Plain Charley (RCA)

1975: Merle Haggard and The Strangers – Keep Movin’ On (Capitol)

1980: Kenny Rogers- Gideon (United Artists)

1985: Alabama – 40 Hour Week (RCA)

1990: Clint Black – Killin’ Time (RCA)

1995: John Michael Montgomery – John Michael Montgomery (Atlantic)

2000: Lee Ann Womack – I Hope You Dance (MCA)

2005: Toby Keith – Honkytonk University (DreamWorks)

2010: Lady Antebellum – Need You Now (Capitol)

Week ending 6/12/10: #1 albums this week in country music history

1965: Buck Owens – I’ve Got a Tiger By the Tail (Capitol)

1970: Charley Pride – Just Plain Charley (RCA)

1975: Merle Haggard and The Strangers – Keep Movin’ On (Capitol)

1980: Kenny Rogers- Gideon (United Artists)

1985: Alabama – 40 Hour Week (RCA)

1990: Clint Black – Killin’ Time (RCA)

1995: John Michael Montgomery – John Michael Montgomery (Atlantic)

2000: Lee Ann Womack – I Hope You Dance (MCA)

2005: Toby Keith – Honkytonk University (DreamWorks)

2010: Lady Antebellum – Need You Now (Capitol)

Week ending 6/5/10: #1 albums this week in country music history

1965: Buck Owens – I’ve Got a Tiger By the Tail (Capitol)

1970: Charley Pride – Just Plain Charley (RCA)

1975: Freddy Fender – Before The Next Teardrop Falls (Dot)

1980: Kenny Rogers- Gideon (United Artists)

1985: Alabama – 40 Hour Week (RCA)

1990: Clint Black – Killin’ Time (RCA)

1995: John Michael Montgomery – John Michael Montgomery (Atlantic)

2000: Dixie Chicks – Fly (Monument)

2005: Toby Keith – Honkytonk University (DreamWorks)

2010: Lady Antebellum – Need You Now (Capitol)

Week ending 5/29/10: #1 albums this week in country music history

1965: Buck Owens – I’ve Got a Tiger By the Tail (Capitol)

1970: Charley Pride – Just Plain Charley (RCA)

1975: Freddy Fender – Before The Next Teardrop Falls (Dot)

1980: Kenny Rogers- Gideon (United Artists)

1985: Alabama – 40 Hour Week (RCA)

1990: Clint Black – Killin’ Time (RCA)

1995: John Michael Montgomery – John Michael Montgomery (Warner Brothers)

2000: Dixie Chicks – Fly (Sony)

2005: Dierks Bentley – Modern Day Drifter (Liberty)

2010: Lady Antebellum – Need You Now (Capitol)

Week ending 5/22/10: #1 albums this week in country music history

1965: Buck Owens – I’ve Got a Tiger By the Tail (Capitol)

1970: Charley Pride – Just Plain Charley (RCA)

1975: Freddy Fender – Before The Next Teardrop Falls (Dot)

1980: Kenny Rogers- Gideon (United Artists)

1985: Alabama – 40 Hour Week (RCA)

1990: Clint Black – Killin’ Time (RCA)

1995: John Michael Montgomery – John Michael Montgomery (Warner Brothers)

2000: Dixie Chicks – Fly (Sony)

2005: Jo Dee Messina – Delicious Surprise (Curb)

2010: Lady Antebellum – Need You Now (Capitol)

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