My Kind Of Country

Country music from a fan's point of view.

Tag Archives: Hank Thompson

Country Heritage: Merle Travis

merle travisIt troubles me no end that the artistry of Merle Travis has been lost in the sands of time. It troubles me, but does not surprise me, as Travis–the victim of changing tastes and a lifelong battle with John Barleycorn–had largely disappeared from the airwaves by the time I started really following country music in the mid-60s. Although the general public lost sight of Merle’s genius, he has fared better in the esteem of Nashville’s pickers and singers and has been cited as a primary influence by many of the world’s best pickers, including Chet Atkins, Doc Watson, Earl Hooker, Scotty Moore and Marcel Dadi.

Chet Atkins admired and initially tried to emulate the Travis style, once commenting that it was fortunate that he did not have as much opportunity to hear Travis growing up as he would have liked or his own style might have become a clone. The great Arthel “Doc” Watson thought so much of Travis that he named his son Merle after him. Glen Campbell’s parents were such big fans that they reportedly gave their son the middle name “Travis.” The Nitty Gritty Dirt Band had him as a featured performer on their classic Will the Circle Be Unbroken album issued in 1972.

Travis was born and raised in Muhlenberg County, Kentucky, a coal mining center that would prove to be the source of inspiration for many of his finest musical compositions. In the hard and bleak life of a coal mining town, he found escape in the guitar–an instrument played by his brother Jim, who was also believed to have made Merle’s first guitar.

Music was one of the few recreations available in the area of western Kentucky, particularly during the heights of the Great Depression. There were many guitar players in the vicinity of Muhlenberg, and Travis freely acknowledged his debt to such earlier players as black country blues guitarist Arnold Shultz, and more directly to guitarists Mose Rager, a part-time barber and coal miner, and Ike Everly, the father of Don and Phil Everly. The Travis style eventually evolved into the ‘Travis Pickin’’ style of playing a steady bass pattern with the thumb and filling out some syncopated rhythms with the fingers of the right hand. Meanwhile, he developed a “talking bluesman” style of singing that was instantly recognizable by the perpetual smile in his voice. Read more of this post

Week ending 8/18/12: #1 singles this week in country music history

1952: The Wild Side of Life — Hank Thompson (Capitol)

1962: Wolverton Mountain — Claude King (Columbia)

1972: Bless Your Heart — Freddie Hart & The Heartbeats (Capitol)

1982: I’m Gonna Hire A Wino To Decorate Our Home — David Frizzell (Warner Bros./Viva)

1992: Boot Scootin’ Boogie — Brooks & Dunn (Arista)

2002: The Good Stuff — Kenny Chesney (BNA)

2012: Come Over – Kenny Chesney (Blue Chair/Columbia)

Week ending 8/11/12: #1 singles this week in country music history

1952: The Wild Side of Life — Hank Thompson (Capitol)

1962: Wolverton Mountain — Claude King (Columbia)

1972: It’s Gonna Take A Little Bit Longer — Charley Pride (RCA)

1982: Honky Tonkin’ — Hank Williams, Jr. (Elektra/Curb)

1992: Boot Scootin’ Boogie — Brooks & Dunn (Arista)

2002: The Good Stuff — Kenny Chesney (BNA)

2012: Come Over – Kenny Chesney (Blue Chair/Columbia)

Week ending 8/4/12: #1 singles this week in country music history

1952: The Wild Side of Life — Hank Thompson (Capitol)

1962: Wolverton Mountain — Claude King (Columbia)

1972: It’s Gonna Take A Little Bit Longer — Charley Pride (RCA)

1982: I Don’t Care — Ricky Skaggs (Epic)

1992: Boot Scootin’ Boogie — Brooks & Dunn (Arista)

2002: The Good Stuff — Kenny Chesney (BNA)

2012: 5-1-5-0 — Dierks Bentley (Capitol)

Week ending 7/28/12: #1 singles this week in country music history

1952: The Wild Side of Life — Hank Thompson (Capitol)

1962: Wolverton Mountain — Claude King (Columbia)

1972: It’s Gonna Take A Little Bit Longer — Charley Pride (RCA)

1982: Take Me Down — Alabama (RCA)

1992: The River — Garth Brooks (Capitol)

2002: The Good Stuff — Kenny Chesney (BNA)

2012: Even If It Breaks Your Heart — Eli Young Band (Republic Nashville)

Week ending 7/21/12: #1 singles this week in country music history

1952: The Wild Side of Life — Hank Thompson (Capitol)

1962: Wolverton Mountain — Claude King (Columbia)

1972: Made In Japan — Buck Owens (Capitol)

1982: Till You’re Gone — Barbara Mandrell (MCA)

1992: I Saw The Light — Wynonna (MCA/Curb)

2002: Courtesy of the Red, White and Blue (The Angry American) — Toby Keith (DreamWorks Nashville)

2012: You Don’t Know Her Like I Do — Brantley Gilbert (Valory)

The Queen Is Dead

The legendary Kitty Wells died today at age 92. Born Ellen Muriel Deason in 1919 and known as the Queen of Country Music, Wells was the first woman in country music to score a #1 hit with “It Wasn’t God Who Made Honky Tonk Angels”, which was an answer to Hank Thompson’s “The Wild Side of Life.” Kitty Wells’ success paved the way for other female artists such as Patsy Cline, Loretta Lynn, and Tammy Wynette. The Queen is dead. May she rest in peace.

More information can be found here.

Week ending 7/14/12: #1 singles this week in country music history

1952: The Wild Side of Life — Hank Thompson (Capitol)

1962: Wolverton Mountain — Claude King (Columbia)

1972: Eleven Roses – Hank Williams, Jr. (MGM)

1982: Don’t Worry ‘Bout Me Baby — Janie Fricke (Columbia)

1992: I Saw The Light — Wynonna (MCA/Curb)

2002: I’m Gonna Miss Her (The Fishing Song) — Brad Paisley (Arista)

2012: Drunk On You — Luke Bryan (Capitol)

Week ending 7/7/12: #1 singles this week in country music history

1952: The Wild Side of Life — Hank Thompson (Capitol)

1962: Wolverton Mountain — Claude King (Columbia)

1972: Eleven Roses – Hank Williams, Jr. (MGM)

1982: Any Day Now — Ronnie Milsap (RCA)

1992: I Saw The Light — Wynonna (MCA/Curb)

2002: I’m Gonna Miss Her (The Fishing Song) — Brad Paisley (Arista)

2012: Drunk On You — Luke Bryan (Capitol)

Week ending 6/30/12: #1 singles this week in country music history

1952: The Wild Side of Life — Hank Thompson (Capitol)

1962: Wolverton Mountain — Claude King (Columbia)

1972: That’s Why I Love You Like I Do — Sonny James (Capitol)

1982: Slow Hand – Conway Twitty (Elektra)

1992: Achy Breaky Heart — Billy Ray Cyrus (Mercury)

2002: Living and Living Well — George Strait (MCA)

2012: Springsteen – Eric Church (EMI Nashville)

Week ending 6/23/12: #1 singles this week in country music history

1952: The Wild Side of Life — Hank Thompson (Capitol)

1962: She Thinks I Still Care — George Jones (United Artists)

1972: The Happiest Girl In The Whole USA — Donna Fargo (Dot)

1982: Slow Hand – Conway Twitty (Elektra)

1992: Achy Breaky Heart — Billy Ray Cyrus (Mercury)

2002: Living and Living Well — George Strait (MCA)

2012: Springsteen – Eric Church (EMI Nashville)

Week ending 6/16/12: #1 singles this week in country music history

1952: The Wild Side of Life — Hank Thompson (Capitol)

1962: She Thinks I Still Care — George Jones (United Artists)

1972: The Happiest Girl In The Whole USA — Donna Fargo (Dot)

1982: For All The Wrong Reasons — The Bellamy Brothers (Elektra/Curb)

1992: Achy Breaky Heart — Billy Ray Cyrus (Mercury)

2002: Drive (For Daddy Gene) — Alan Jackson (Arista)

2012: Good Girl — Carrie Underwood (19/Arista)

Week ending 6/9/12: #1 singles this week in country music history

1952: The Wild Side of Life — Hank Thompson (Capitol)

1962: She Thinks I Still Care — George Jones (United Artists)

1972: The Happiest Girl In The Whole USA — Donna Fargo (Dot)

1982: Finally – T.G.Sheppard (Warner Bros./Curb)

1992: Achy Breaky Heart — Billy Ray Cyrus (Mercury)

2002: Drive (For Daddy Gene) — Alan Jackson (Arista)

2012: Somethin’ ‘Bout A Truck — Kip Moore (MCA)

Classic Rewind – Mother Maybelle Carter – ‘Wildwood Flower’

A truly special performance from the pioneer who helped define our modern definition of Country Music. Included here is rare footage of her discussing the famed Bristol Sessions from 1927, known as “The Big Bang of Country Music.” Those sessions featured her, A.P., and Sara Carter (The Carter Family) along with Jimmie Rogers and others.

The song she sings here, “Wildwood Flower” was written circa 1860 with lyrics by  Maud Irving and music by Joseph Philbrick Webster. The original title of the song was ”I’ll Twine ‘Mid the Ringlets.” It became an American standard when The Carter Family recorded it on the Victor label in 1928.

“Wildwood Flower” would see a second life when Hank Thompson and Merle Travis recorded it as an instrumental in 1955. Their version would peak at #5 on the charts that year.

Actress Reece Witherspoon also has a version of the song, performing it in the film Walk The Line. She won The Best Actress Oscar for portraying June Carter Cash (Mother Maybelle’s daughter) in the 2005 film.

Carter passed away in 1978 at the age of 68.

Week ending 6/2/12: #1 singles this week in country music history

1952: The Wild Side of Life — Hank Thompson (Capitol)

1962: She Thinks I Still Care — George Jones (United Artists)

1972: (Lost Her Love) On Our Last Date — Conway Twitty (Decca)

1982: Just To Satisfy You — Waylon Jennings & Willie Nelson (RCA)

1992: Achy Breaky Heart — Billy Ray Cyrus (Mercury)

2002: Drive (For Daddy Gene) — Alan Jackson (Arista)

2012: Somethin’ ‘Bout A Truck — Kip Moore (MCA)

Week ending 5/26/12: #1 singles this week in country music history

1952: The Wild Side of Life — Hank Thompson (Capitol)

1962: She Thinks I Still Care — George Jones (United Artists)

1972: Grandma Harp — Merle Haggard (Capitol)

1982: Just To Satisfy You — Waylon Jennings & Willie Nelson (RCA)

1992: Some Girls Do — Sawyer Brown (Curb)

2002: Drive (For Daddy Gene) — Alan Jackson (Arista)

2012: Fly Over States — Jason Aldean (Broken Bow)

Week ending 5/19/12: #1 singles this week in country music history

1952: The Wild Side of Life — Hank Thompson (Capitol)

1962: She Thinks I Still Care — George Jones (United Artists)

1972: Grandma Harp — Merle Haggard (Capitol)

1982: Always On My Mind — Willie Nelson (Columbia)

1992: Neon Moon — Brooks & Dunn (Arista)

2002: My List — Toby Keith (DreamWorks Nashville)

2012: Over You — Miranda Lambert (RCA)

Week ending 5/12/12: #1 singles this week in country music history

1952: The Wild Side of Life — Hank Thompson (Capitol)

1962: Charlie’s Shoes — Billy Walker (Columbia)

1972: Chantilly Lace — Jerry Lee Lewis (Mercury)

1982: Always On My Mind — Willie Nelson (Columbia)

1992: Neon Moon — Brooks & Dunn (Arista)

2002: My List — Toby Keith (DreamWorks Nashville)

2012: Banjo – Rascal Flatts (Big Machine)

Favorite country songs of the 1970s, Part 8

Here are some more songs that I like; one song per artist, not necessarily his or her biggest hit. As always, I consider myself free to comment on other songs by the artist.

Another Somebody Done Somebody Wrong Song” – Billy Joe “B.J.” Thomas (1975)
His biggest country hit reached #1 and also topped the pop charts. Despite his long-time appeal to country audiences this song was his first to chart country.

Next Time I Fall In Love (I Won’t)” – Hank Thompson (1971)
This song got to #15, Hank’s 59th chart hit. Hank never lost his vocal chops. Hank charted records from 1948 to 1983, a total of seventy-nine songs, including two top tens in “The Older The Violin, The Sweeter The Music” and “Who Left The Door To Heaven Open”. Hank Thompson was so highly regarded in his day that George Strait made one of his very few guest appearances on one of Hank’s albums.

Smooth Sailin’”/ “Last Cheater’s Waltz” – Sonny Throckmorton (1976)
Sonny wasn’t much of a singer and this record only reached #47. He was, however, one heck of a songwriter, and T. G. Sheppard took both of these songs into the top ten. His most famous copyright probably is “I Wish I Was Eighteen Again” which was a major hit for George Burns in 1980.

What Time of Day” – Billy ThunderKloud & The Chieftones (1975)
Billy and his group were native Indian musicians from Northwest British Columbia. This song reached #16, the biggest of their five chart hits.

“Midnight, Me and the Blues” – Mel Tillis (1974)
Just a song I happened to like, one of 24 top ten hits Mel would chart during the 70s. This song reached #2, one of twelve top ten hits on MGM. Mel had a long career in country music, with a recording career that saw chart records from 1958-1989, but he was never better than during his years with MGM.

It’s A Man’s World” – Diana Trask (1973)
Australian born singer, first charted in 1968 with “Lock Stock and Tear Drops.” This record reached #20, one of four top twenty hits.

“I’ve Got All The Heartaches I Can Handle” – Ernest Tubb (1973)
The last MCA/Decca chart hit for the legendary Texas Troubadour. This record only reached #93 for the then 59 year-old Tubb. His recording career was kaput by this time, but not his legacy. This wasn’t quite the end of his recording career as he charted several more songs on other labels, the most noteworthy being “Leave Them Boys Alone” (with Hank Williams, Jr. and Waylon Jennings) which reached #6 in 1983.

As long as there’s a honky-tonk, people will play “Set Up Two Glasses, Joe,” “Waltz Across Texas” and “Walking The Floor Over You.”

Delta Dawn” – Tanya Tucker (1972)
What else? Record World had this record reach #1 (Billboard #6/Cashbox #3). Tanya’s recordings through the end of 1974 are sometimes described as “American Gothic’s last stand.”

Sometimes” – Mary Lou Turner & Bill Anderson (1976)
This record reached #1 in early 1976, one of only two top ten records for Ms. Turner, both of them duets with “Whispering Bill” Anderson.

This Time I’ve Hurt Her More Than She Loves Me” – Conway Twitty (1976)
One of many #1 records Conway would enjoy during this decade. Yes, I know “Hello Darlin’“ was the biggie, but Conway had many records I liked better, including “I See The Want To In Your Eyes,” “I Can’t See Me Without You” and “How Much More Can She Stand.”

“Johnny One Time” – Kathy Twitty (1976)
This cover of a minor Willie Nelson hit works, but Kathy is not a compelling singer. The label on the 45 has her billed as ‘Jessica James.’ Kathy had three charting singles.

It’s a Heartache” – Bonnie Tyler (1978)
Raspy-voiced pop singer from Wales, this song reached #10 on the country charts, selling a million copies in the process.

Just When I Needed You Most” – Randy Vanwarmer (1979)
A few country stations gave this song some airplay, enabling it to reach #71 en route to selling a million copies.

“Until The End of Time” – Sharon Vaughn with Narvel Felts (1974)
Sharon isn’t a great singer and had much more success as a songwriter than as a performer. Narvel Felts, however, is a great singer and he salvages the record. This record was Sharon Vaughn’s only top 40 hit.

What Ain’t To Be Just Might Happen” – Porter Wagoner (1972)
Hard as it is to believe, this was Porter’s last solo top 10 recording, reaching #8 on Billboard and #6 on Cashbox. Another interesting record for Porter during this period is “The Rubber Room,” a record which Billboard failed to chart, but which spent seven weeks on Cashbox’s country chart (just missing the top 40).

When A Man Loves A Woman (The Way That I Love You)” – Billy Walker (1970)
Billy was never a dominant chart performer but he did have three consecutive singles reach #3 in 1970-71 and continued to have occasional top forty singles until 1975. In 1975, Billy signed with RCA–his short stint there produced “Word Games,” Billy’s last top ten single and one of my favorites.

Odds And Ends (Bits And Pieces)” – Charlie Walker (1974)
By 1974, it had been seven years since Charlie had a top 20 single. This was Charlie’s last charting song, dying at #66. The song and performance are quite effective, a remake of a Warren Smith hit from 1961 but by this time his recording career was completely dead.

If You Leave Me Tonight I’ll Cry” – Jerry Wallace (1972)
Jerry Wallace was more of a pop singer than a country singer. He had several huge pop/easy listening hits during the 1960s, but then hit lean times causing Jerry to re-launch his career as a country singer. This song got to #1 on all of the country charts, fueled by exposure on an episode of the popular television show Night Gallery.

Big Blue Diamond” – Jacky Ward (1972)
Recorded on the Target label, this song only got to #39 although it was really huge in some markets. This song landed him at Mercury where he had some bigger hits. The original version of this song has not been available for many years and none of the remakes have the sizzle of the original.

I’m Already Taken” – Steve Wariner (1978)
An early version of a song Wariner had more success with fifteen years later. This charted at #63, the first of many chart hits for Steve Wariner.

“Bottle of Wine” – Doc & Merle Watson (1973)
Legendary blind guitarist Doc Watson only charted twice, both times accompanied by his equally talented son Merle (1949-85). Anyone who has not heard Doc Watson truly has a gaping hole in their musical education. Fortunately, many of his fine albums remain in print.

The Old Man and His Horn” – Gene Watson (1977)
This is absolutely my favorite Gene Watson song, although it’s close between this song and 75 others. Gene was never quite the chart presence a singer of his enormous talent deserved, but he had a pretty strong run of top 10 records from 1975 to 1984, with four records making it to #1 on Billboard, Cashbox or Record World. This wasn’t one of the bigger hits, reaching #11 on both Billboard and Cashbox, but its strong New Orleans feel makes it perhaps Gene’s most distinctive hit record. My recommendation for those who want to delve deeper into Gene’s music is … buy everything!

I’ll Still Love You” – Jim Weatherly (1975)
Much better known as a songwriter; Ray Price recorded one album of nothing but Jim Weatherly songs and another album of mostly Jim Weatherly songs. Jim’s most famous song was “Midnight Train To Georgia,” which was a huge hit for Gladys Knight and the Pips. This was Jim’s only top 10 hit.

“The Happiness of Having You” – Jay Lee Webb (1971)
This was the last of three chart records for Loretta Lynn’s brother. Charley Pride would have a much bigger hit with this in 1976.

Dueling Banjos” – Eric Weissberg & Steve Mandell (1973)
Featured in the movie Deliverance, this song was written by Arthur “Guitar Boogie” Smith during the mid 1950s. There is an interesting back story arising out of the movie, as the producers of the movie tried to use the song without paying Smith any royalties. Smith sued (after first trying to negotiate and being stonewalled) – Weissberg testified at trial that he originally learned the song from a record his grandfather had of Don Reno and Arthur Smith playing the tune!

“Ballad of A Hillbilly Singer” – Freddy Weller (1972)
Freddy Weller was part of Paul Revere and The Raiders from 1967-71. He launched his country career in 1969 with a #1 Cashbox hit in “Games People Play” and continued to have top 10 country success for the next four years. A very successful songwriter with songs such as “Jam Up Jelly Tight” and “Dizzy” both being big pop hits for Tommy Roe. His biggest country copyright was “Lonely Women Make Good Lovers” which was a big hit for both Bob Luman and Steve Wariner. John Michael Montgomery, Reba McEntire, George Jones and countless others have recorded his songs.

This song was somewhat of an insider joke, containing instrumental signatures of artists such as Roy Acuff, David Houston, Johnny Cash, Ernest Tubb and Marty Robbins. Consequently it only reached #26, but I love the song. I would also commend “Perfect Stranger” to anyone who wants to check out Freddy Weller.

“Wild Side of Life” – Kitty Wells and Rayburn Anthony (1979)
Kitty Wells had no top forty hits during the 1970s. This was Kitty’s last charting record, her 81st chart hit. This record reached #60, and found Kitty interjecting answer verses into Rayburn’s recording of the old Hank Thompson hit. By the time this record hit, Kitty was 60 years old. In a few months she will turn 93. She still is the Queen of Country Music.

Country Sunshine” – Dottie West (1973)
Record World had this record reach #1, Cashbox and Billboard both had it at #2. If I recall correctly, this song was inspired by a Coca Cola commercial. Dottie was lost in the shuffle at RCA and later signed with United Artists where she had some huge hits on some of the most contrived material I’ve ever heard.

Una Paloma Blanca” – Slim Whitman (1977)
A cover of an international pop hit by the Dutch band George Baker Selection, Slim’s version did not chart, but it certainly showed off his vocal prowess.

25 Greatest Live Country Albums

All readers of this website are fans of recorded music. I would assume that most also enjoy seeing and hearing music performed live. After all, there is electricity which permeates a live performance, the interaction of performer and audience coupled with the ambiance of the venue. Tempos are usually faster, there is banter between the performer and the band and/or audience, and often songs are performed that never are recorded by the artist.

That said, it can be very difficult to capture that electricity and the landscape is littered with poor live recordings, victims of either poor recording technology, poor venue acoustics or sub-par backing bands (I had a cassette copy – probably a bootleg – of a live Chuck Berry performance in France where he was backed by what was essentially a polka band, complete with tuba and accordion). Below is my  listing of the greatest live country albums.  My list is solid country, without too many fellow travelers such as Americana or alt-country artists. I may admire John Prine and Townes Van Zandt as songwriters but I cannot stand to listen to either of them sing. The less said about the Eagles and Gram Parsons, the better.  In putting my list together, I’ve limited any given artist to one album, although I may comment on other live albums issued by the artist.

Yes, I know that bluegrass and western swing are underrepresented in my list as are modern era artists, although if I expanded to a top forty list, I’d have albums by Alabama, Tracy Lawrence, Tom T. Hall, Brad Paisley, The Osborne Brothers, Glen Campbell, Bob Wills, Hank Thompson, Rhonda Vincent and Hank Williams to include. Moreover, over time there have been improvements in recording technology and the sound of live recordings has improved, so sonically, some of the albums I’ve left off will sound better than some I’ve included.

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