My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Charlie Rich

Album Review: Marty Stuart and his Fabulous Superlatives – ‘Saturday night/Sunday Morning’

saturday night sunday morningMarty Stuart’s latest album is something of a departure. It is really a double album: one disc, representing Saturday night, mixes a return to the kind of energised country rock he was doing in the 90s with the more traditional country of recent albums; the second, for Sunday morning, is gospel – not the country gospel of his other gospel album this year, but Southern church gospel.

Of the rocking country songs, the driving ‘Jailhouse’ (a metaphor for a bad marriage) which opens is by far the best. ‘Sad House, Big Party’ is also pretty good. The rockabilly ‘Geraldine’ is a bit too loud and busy for me, although the performance is committed and it’s fairly catchy. The echoey ‘Look At That Girl’ is definitely too loud, and boring besides, and I didn’t like it at all.

There are several effective covers of classic country songs, which are among my favourites. I liked a wailing version of ‘I’m Blue, I’m Lonesome’ (written by Hank Williams and Bill Monroe), complete with train whistle effects to illustrate the song’s imagery.

Best of all is a lovely sensitive cut of an obscure George Jones song, ‘Old Old House’, with lovely steel. Marty and the band do another great job on the less well remembered ‘Talking To The Wall’, written by Warner Mack and recorded by Loretta Lynn among others.

His soulful version of Charlie Rich’s sultry ‘Life Has Its Little Ups And Down’ is also excellent, but I wasn’t as keen on the blues of ‘Streamline’ which closes disc 1, although the band plays with real virtuosity.

‘Rough Around The Edges’ is a great honky tonker written by Marty himself about a man whose honky tonk lifestyle is caching up with him. ‘When It Comes To Loving You’ is a mid-paced ballad about helplessly loving one who has left and is another very fine new Stuart song, but the instrumentation is a bit loud at times, occasionally swamping the excellent vocal.

Disc 2 is clearly a labour of love; but it has little to offer the country fan. I did quite like ‘Boogie Woogie Down The Jericho Road’ and the slow ‘Long Walk To Heave’ .If you like traditional Southern gospel do check it out, as it’s very well performed with guests including gospel legend Mavis Staples. However, I doubt I’ll be revisiting it as it’s just not the kind of music I choose to listen to.

I rather wish the two projects had not been conceived of as a pair, but released as separate albums. The Saturday Night section is some of the best music Marty has ever made; Sunday Morning is very well done, but it’s not country.

Grade: Disc 1 A+
Disc 2: B+

Week ending 10/11/14: #1 singles this week in country music history

tobykeith1954 (Sales): I Don’t Hurt Anymore — Hank Snow (RCA)

1954 (Jukebox): I Don’t Hurt Anymore — Hank Snow (RCA)

1954 (Disc Jockeys): I Don’t Hurt Anymore — Hank Snow (RCA)

1964: I Guess I’m Crazy — Jim Reeves (RCA)

1974: I Love My Friend — Charlie Rich (Epic)

1984: Everyday – The Oak Ridge Boys (MCA)

1994: Who’s That Man — Toby Keith (Polydor)

2004: Days Go By — Keith Urban (Capitol)

2014: Burnin’ It Down — Jason Aldean (Broken Bow)

2014 (Airplay): Hope You Get Lonely Tonight — Cole Swindell (Warner Bros.)

Country roads and greener pastures

TaylorI was really happy to hear about the release of Taylor Swift’s new single last week. Now there’s something you never thought you’d hear me say. But (you knew there had to be a “but” coming, didn’t you?) I should qualify that comment by saying my mood was not affected so much because I was looking forward to listening to new Taylor Swift music, but because the single “Shake It Off” is a watershed moment in Swift’s career, as the artist, her label and her publicists acknowledge that 1989, Swift’s forthcoming album, is not country, but pop.

I will be the first to argue that this is hardly news and that Swift’s music was never really country to begin with, but it’s nice to hear the people responsible for marketing her finally admit it. While Swift’s defenders have argued for years that she was bringing new fans to the country genre, I always maintained that her youthful fanbase was unlikely to embrace the genre at large, and that Swift herself would eventually decide that the pop world was a better fit for her. The shift began with the release of 2012’s “We Are Never Ever Getting Back Together”, which became the first Taylor Swift single to be deemed not country enough for country radio. It spent nine weeks at #1 anyway, due to a ridiculous change in Billboard’s chart tabulation methodology, but that is a separate topic.
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Week ending 6/21/14: #1 singles this week in country music history

eddy raven1954 (Sales): I Don’t Hurt Anymore — Hank Snow (RCA)

1954 (Jukebox): Slowly – Webb Pierce (Decca)

1954 (Disc Jockeys): Oh Baby Mine (I Get So Lonely) — Johnnie & Jack (RCA)

1964: My Heart Skips A Beat — Buck Owens (Capitol)

1974: I Don’t See Me In Your Eyes Anymore — Charlie Rich (Epic)

1984: I Got Mexico — Eddy Raven (RCA)

1994: Wink – Neal McCoy (Atlantic)

2004: Redneck Woman — Gretchen Wilson (Epic)

2014: This Is How We Roll — Florida Georgia Line ft. Luke Bryan (Republic Nashville)

2014 (Airplay): Play It Again — Luke Bryan (Capitol)

Album Review: Tom T. Hall – ‘I Witness Life’

i witness life - 100 children1970 would prove to a year of steady development for Tom T Hall as two he would release two albums, I Witness Life and One Hundred Children, that would both crack Billboard’s top forty country album chart. The albums in turn would provide him with four chart singles. I mention the two albums together because the German reissue label Bear Family coupled them on a fine CD which, aside from engaging in a vinyl hunt, is the only format in which you will find either album. This article is about I Witness Life.

The instrumentation for the album finds the Mercury ‘A’ Team at work of Jerry Kennedy on guitar and dobro, Harold Bradley on guitar, Bob Moore on bass, Buddy Harman on drums and Hargus ‘Pig’ Robbins on piano with other artists such as Randy Scruggs (banjo), Pete Drake (steel guitar) and Charlie McCoy (harmonica) appearing on some tracks. All but one of the tracks were recorded in February or March of 1970.

One of the most unusual songs ever to grace the country airwaves opened the album as “Salute To A Switchblade Knife” gave Tom T his fifth top ten single, reaching #8. The song is based on Hall’s U.S. Army service in West Germany. As he put it ‘not necessarily an incident one would want to write Mother about ..’

Me and Yates an army buddy of mine
Were doin’ three years in Germany at the time
We came upon these Frauleins in the bar
Yates said, “Darf ich Sie begleiten?”, they said “Ja”
(spoken) And ‘Darf ich Sie begleiten means?’, ‘Can we sit with you all?’
Oh we must have drunk ten quarts of German beer
My conscience and my sinuses were clear
I asked that Fraulein if she was a spy
She said, “Nein but do bis ain bissel high”
(spoken) A condition not uncommon to the American soldier
***
And the army has a new policy if you can’t move it, paint it
If it has a switchblade knife, salute it
(spoken) Not necessarily an incident one would want to write mother
about, Germany being full of good soldiers …

I guess everyone has to start somewhere and for Tom T Hall, after his stint in the army ended in 1961, he headed to the Connorsville, Indiana home of an army buddy and started his career in earnest. In “Thank You, Connorsville, Indiana” Hall recalls his early days of playing all night for near peanuts

Well, after seven hours of ‘Cheatin’ Heart’ and ‘Wildwood Flower’
I had my seven dollars, eighty cents
I gave it to a waitress who was going to have a baby;
She said she needed just that much to help her pay her rent

“Do It To Someone You Love” was a nice song that became a top twenty hit for Norro Wilson, a record producer for various labels and a fine songwriter in his own right with the Charlie Rich classic “A Very Special Love Song” among his credits.

The words I love you come easy to the lips of a liar or a fool
If love talking is what you’re thinking of then do it to someone you love
Do it to someone you love

Some little things to let them know they’re all you’re thinking of
This day and time a little thing you do could mean so much
So do it to someone you love

“The Ballad of Bill Crump” is based on a true story, according to Hall. Whether or not there is any truth to the story, it makes for a fine song. Tom T plays some harmonica on this track joined by Charlie McCoy (overdubbed at a later date):

Now I hear a lot of tall stories since my business is writin’ songs
And every now and then if you listen real close
A good true one comes along
And this is the story of old Bill Crump from the North Carolina Hills
Nat Winston of Nashville knew this man real well

He built the church and he built the pews
He built the cradles and the furniture for the schools
Folks in Avery County say that he was better than good
Probably one of the reasons the Lord made wood

Now men have faults and Bill’s fault was
He loved to sip that corn
He lived ninety some years that way
Don’t guess it was hurtin’ him none

The end of the song finds Crump building his own casket !

If Tom’s music often has the feel of bluegrass, “Chattanooga Dog” makes no bones about it with Randy Scruggs (Earl’s son) prominently featured on banjo. Pete Drake supplies some delicate steel guitar shadings that do not detract from the bluegrass feel.

There’s a fairground down in Chattanooga
Where a kiddy train runs up and down the track
There’s an old black hound that always hangs around
And he chases that train down and back
And I’ve been chasing you like that Chattanooga dog
Even though I know you don’t care
I’ve been chasing you like that Chattanooga dog
And it ain’t gonna get me anywhere

The War in Vietnam (aka LBJ’s War) was one of the great tragedies in American history. Tom T. Hall describes the Vietnam War memorial in Washington D.C., as ‘an ongoing eternal funeral’. “Girls In Saigon City” reflects the situation that many a soldier found himself in during the Vietnam War. Apparently the idea came from one of Tom’s friends.

There’s a place called Da Nang Village cross the ocean far away
In deep concern for one young woman that’s where I abide today
Today, I got a dear-John-letter from that young woman in the USA

When I was called I knew I’d lose her it don’t matter anyway
There are girls in Saigon City waiting there with open arms
On my leave I may go see them in this other world called Vietnam

“Hang Them All” is a very up-tempo song, with a comic sense that tends to obscure the serious message. Hall describes it as the first protest song he ever wrote.

If they hang ‘em all they get the guilty
If they hang ‘em all they cannot miss
If they hang ‘em all they get the guilty
Been a lot of problem solved like this
Indeed

“Coming To The Party” is the story of a man who is trying to get over an old love by heading to a party to try to find a new love. It has somewhat of the quality of the George Jones hit “She Thinks I Still Care”.

Coming to the party tonight
And I’ll find someone new to hold me tight
She thinks I’m home crying won’t she be surprised
Cause I’m coming to the party tonight

“America The Ugly” is probably the most thought provoking song on the album. It’s not really a protest song, although some at the time thought of it that way. As Tom T Hall explains in the liner notes for the Bear CD: ‘This song is not simply about injustice in America, but also points out that those internal injustices hurt us abroad’.

There was a man, came to see the USA from a foreign land
To photograph the progress of dear old Uncle Sam
He got off the boat in New York, went down to the Bowery
I know what the man went to photograph and to see

There were hopeless, hungry living dead
Winos who sell their souls for a bottle of a cheapest red
That’s the picture that he wanted
And that’s what he got they say, America the ugly today

***

There were some folks, had plenty and some had none at all
The enemy knows when a heart gets hard, the country is bound to fall
If we get heads and hearts together we won’t have to hear them say
“America the ugly today, America the ugly today”

The album closes with “That’ll Be All Right With Me”, a nice reflective song which apparently came from an earlier recording session than the rest of the tracks on this album. Regardless, it’s a nice song and a fitting end to the album.

It’s not my sun, man, and if it’s not shinin’
When I wake up tomorrow morning, hmm, that’ll be all right with me
They’re not my birds, man, and if they’re not singin’
When I wake up tomorrow morning, hmm, that’ll be all right with me

One Hundred Children was not one of the albums we planned on presenting this month, but since it is paired with I Witness Life on the Bear Family CD, I though I’d say a few words about the album. Even though the album was recorded only seven months later in August and September 1970, you can hear an evolution in the arrangements of producer Jerry Kennedy. While the basic ‘talking blues man’ accompaniment is largely maintained, there are tracks where string overdubs are used to augment the basic accompaniment – yes, the dreaded ‘Nashville Sound’. Tom T Hall’s voice is distinctive enough that the strings don’t drown him out or change the fundamental qualities that made him such a distinctive artist. Temperate use of such embellishments would make Hall more accessible to a wider audience. Although neither of these two albums broke the top thirty, for the next five or so years, Hall’s albums would reach the top ten.

The singles from 100 Children were the title song, which reached #14 and “Ode To A Half A Pound of Ground Round” which reached #21.

The title track is one of those fairly meaningless family of man songs, akin to the later “We Are The World”. The synthesis of Randy Scruggs on banjo with a full string arrangement make this track sound better than the song actually is, but the rest of the album is full of much better songs.

The three standouts on the album are “I Can’t Dance” which is the story of my life (“I can’t dance, I never could, I guess my feet don’t match”), “Pinto The Wonder Horse Is Dead” (a nostalgic look at childhood) and “Ode To A Half A Pound of Ground Round”.

I think many of us have experienced circumstances similar to the narrator in “Ode To A Half A Pound of Ground Round”.

(spoken) This song is about the time I nearly starved to death in Roanoke Virginia

I woke up Wednesday morning in my little motel bed
Knowing I would die the minute that I moved my head
I felt around to make sure I was in my bed alone
I meet some friendly people when I’m stoned

My payday was on Friday I had two more days to go
Even in my agony I knew that I was broke
Lemme pay the check I said and keep the change my friend
She wiggled out of sight with my last ten

At noon I realized there wasn’t any way to eat
For lunch I just went out and shuffled up and down the street
At four o’clock I had a funny feeling in my chest
How long’s it take to starve a man to death

I found some pennies in a jar and bought a candy bar
Divided it in pieces and I ate one every hour
I just rolled into town and didn’t know a single soul
There wasn’t any way to make a loan

The next album would be In Search of A Song, Tom T’s first top ten album and featuring (arguably) Hall’s most famous solo hit, “The Year Clayton Delaney Died”.

Week ending 4/26/14: #1 singles this week in country music history

JohnnyLane1954 (Sales): Slowly – Webb Pierce (Decca)

1954 (Jukebox): Slowly – Webb Pierce (Decca)

1954 (Disc Jockeys): Slowly – Webb Pierce (Decca)

1964: Understand Your Man — Johnny Cash (Columbia)

1974: A Very Special Love Song — Charlie Rich (Epic)

1984: The Yellow Rose — Johnny Lee with Lane Brody (Warner Bros.)

1994: If The Good Die Young — Tracy Lawrence (Atlantic)

2004: When The Sun Goes Down — Kenny Chesney with Uncle Kracker (BNA)

2014: Play It Again — Luke Bryan (Capitol)

2014 (Airplay): Drink To that All Night — Jerrod Niemann (Sea Gayle/Arista)

Week ending 4/19/14: #1 singles this week in country music history

kendalls41954 (Sales): Slowly – Webb Pierce (Decca)

1954 (Jukebox): Slowly – Webb Pierce (Decca)

1954 (Disc Jockeys): Slowly – Webb Pierce (Decca)

1964: Understand Your Man — Johnny Cash (Columbia)

1974: A Very Special Love Song — Charlie Rich (Epic)

1984: Thank God For The Radio — The Kendalls (Mercury)

1994: If The Good Die Young — Tracy Lawrence (Atlantic)

2004: When The Sun Goes Down — Kenny Chesney with Uncle Kracker (BNA)

2014: This Is How We Roll — Florida Georgia Line ft. Luke Bryan (Republic Nashville)

2014 (Airplay): Doin’ What She Likes — Blake Shelton (Warner Bros.)

Week ending 4/12/14: #1 singles this week in country music history

LIttle Texas1954 (Sales): Slowly – Webb Pierce (Decca)

1954 (Jukebox): Slowly – Webb Pierce (Decca)

1954 (Disc Jockeys): Slowly – Webb Pierce (Decca)

1964: Understand Your Man — Johnny Cash (Columbia)

1974: A Very Special Love Song — Charlie Rich (Epic)

1984: Don’t Make It Easy For Me — Earl Thomas Conley (RCA)

1994: My Love — Little Texas (Warner Bros.)

2004: When The Sun Goes Down — Kenny Chesney with Uncle Kracker (BNA)

2014: This Is How We Roll — Florida Georgia Line ft. Luke Bryan (Republic Nashville)

2014 (Airplay): Doin’ What She Likes — Blake Shelton (Warner Bros.)

Week ending 3/22/14: #1 singles this week in country music history

NealMcCoy_sm1954 (Sales): Slowly – Webb Pierce (Decca)

1954 (Jukebox): Slowly – Webb Pierce (Decca)

1954 (Disc Jockeys): Slowly – Webb Pierce (Decca)

1964: Saginaw, Michigan — Lefty Frizzell (Columbia)

1974: There Won’t Be Anymore — Charlie Rich (Epic)

1984: Elizabeth – The Statler Brothers (Mercury)

1994: No Doubt About It –Neal McCoy (Atlantic)

2004: Watch The Wind Go By — Tim McGraw (Curb)

2014: Bottoms Up — Brantley Gilbert (Valory)

2014 (Airplay): Compass – Lady Antebellum (Capitol)

Week ending 3/15/14: #1 singles this week in country music history

Rich_Charlie_002_c_MOA.jpg1954 (Sales): Slowly – Webb Pierce (Decca)

1954 (Jukebox): Slowly – Webb Pierce (Decca)

1954 (Disc Jockeys): Slowly – Webb Pierce (Decca)

1964: Saginaw, Michigan — Lefty Frizzell (Columbia)

1974: There Won’t Be Anymore — Charlie Rich (Epic)

1984: Going, Going, Gone — Lee Greenwood (MCA)

1994: Tryin’ To Get Over You — Vince Gill (MCA)

2004: American Soldier — Toby Keith (DreamWorks)

2014: Bottoms Up — Brantley Gilbert (Valory)

2014 (Airplay): When She Says Baby — Jason Aldean (Broken Bow)

Week ending 12/14/13: #1 singles this week in country music history

Mitchell+Torok+111141953 (Sales): There Stands The Glass — Webb Pierce (Decca)

1953 (Jukebox): Caribbean — Mitchell Torok (Abbott)

1953 (Disc Jockeys): I Forgot More Than You’ll Ever Know — Davis Sisters (RCA)

1963: Love’s Gonna Live Here — Buck Owens (Capitol)

1973: The Most Beautiful Girl — Charlie Rich (Epic)

1983: Tell Me A Lie — Janie Fricke (Columbia)

1993: My Second Home — Tracy Lawrence (Atlantic)

2003: I Love This Bar — Toby Keith (DreamWorks Nashville)

2013: Stay — Florida Georgia Line (Republic Nashville)

2013 (Airplay): Sunny and 75Joe Nichols (Red Bow)

Week ending 12/7/13: #1 singles this week in country music history

1953 (Sales): There Stands The Glass — Webb Pierce (Decca)

anne murray1953 (Jukebox): There Stands The Glass — Webb Pierce (Decca)

1953 (Disc Jockeys): There Stands The Glass — Webb Pierce (Decca)

1963: Love’s Gonna Live Here — Buck Owens (Capitol)

1973: The Most Beautiful Girl — Charlie Rich (Epic)

1983: A Little Good News — Anne Murray (Capitol)

1993: American Honky-Tonk Bar Association — Garth Brooks (Liberty)

2003: I Love This Bar — Toby Keith (DreamWorks Nashville)

2013: We Were Us — Keith Urban & Miranda Lambert (Capitol)

2013 (Airplay): We Were Us — Keith Urban & Miranda Lambert (Capitol)

Week ending 11/30/13: #1 singles this week in country music history

charlie rich1953 (Sales):I Forgot More Than You’ll Ever Know — Davis Sisters (RCA)

1953 (Jukebox):I Forgot More Than You’ll Ever Know — Davis Sisters (RCA)

1953 (Disc Jockeys): A Dear John Letter — Jean Shepard & Ferlin Husky (Capitol)

1963: Love’s Gonna Live Here — Buck Owens (Capitol)

1973: The Most Beautiful Girl — Charlie Rich (Epic)

1983: Holding Her And Loving You — Earl Thomas Conley (RCA)

1993: Reckless – Alabama (RCA)

2003: I Love This Bar — Toby Keith (DreamWorks Nashville)

2013: We Were Us — Keith Urban & Miranda Lambert (Capitol)

2013 (Airplay): Mine Would Be You — Blake Shelton (Warner Bros.)

Week ending 7/13/13: #1 albums this week in country music history

lonestar greatest hits1968: Bobby Goldsboro – Honey (United Artists)

1973: Charlie Rich – Behind Closed Doors (Epic)

1978: Willie Nelson – Stardust (Columbia)

1983: Merle Haggard & Willie Nelson – Pancho & Lefty (Epic)

1988: Reba McEntire – Reba (MCA)

1993: Billy Ray Cyrus – It Won’t Be the Last (Mercury)

1998: Various Artists – Hope Floats: Music from the Motion Picture (Capitol)

2003: Lonestar – From There to Here: Greatest Hits (BNA)

2008: Taylor Swift – Taylor Swift (Big Machine)

2013: Florida Georgia Line – Here’s To the Good Times (Republic Nashville)

Week ending 6/29/13: #1 albums this week in country music history

alabama - the closer you get1968: Bobby Goldsboro – Honey (United Artists)

1973: Charlie Rich – Behind Closed Doors (Epic)

1978: Willie Nelson – Stardust (Columbia)

1983: Alabama – The Closer You Get (RCA)

1988: Reba McEntire – Reba (MCA)

1993: Wynonna – Tell Me Why (MCA/Curb)

1998: Various Artists – Hope Floats: Music from the Motion Picture (Capitol)

2003: George Strait – Honkytonkville (MCA)

2008: Jewel – Perfectly Clear (Valory)

2013: Florida Georgia Line – Here’s To the Good Times (Republic Nashville)

Week ending 6/22/13: #1 albums this week in country music history

reba mcentire - reba1968: Loretta Lynn – Fist City (Decca)

1973: Charlie Rich – Behind Closed Doors (Epic)

1978: Willie Nelson – Stardust (Columbia)

1983: Alabama – The Closer You Get (RCA)

1988: Reba McEntire – Reba (MCA)

1993: Wynonna – Tell Me Why (MCA/Curb)

1998: Various Artists – Hope Floats: Music from the Motion Picture (Capitol)

2003: Lonestar – From There to Here: Greatest Hits (BNA)

2008: Taylor Swift – Taylor Swift (Big Machine)

2013: Blake Shelton – Based on a True Story (Warner Brothers)

Week ending 6/15/13: #1 albums this week in country music history

willie nelson - stardust1968: Loretta Lynn – Fist City (Decca)

1973: Charlie Rich – Behind Closed Doors (Epic)

1978: Willie Nelson – Stardust (Columbia)

1983: Alabama – The Closer You Get (RCA)

1988: Reba McEntire – Reba (MCA)

1993: Wynonna – Tell Me Why (MCA/Curb)

1998: Garth Brooks – The Limited Series (Capitol/Pearl)

2003: Toby Keith – Unleashed (Dreamworks)

2008: Taylor Swift – Taylor Swift (Big Machine)

2013: Blake Shelton – Based on a True Story (Warner Brothers)

Week ending 5/11/13: #1 singles this week in country music history

Shelly West1953 (Sales -Tie):
Kaw-Liga – Hank Williams (MGM)
Mexican Joe — Jim Reeves (Abbott)

1953 (Jukebox): No Help Wanted — The Carlisles (Mercury)

1953 (Disc Jockeys): No Help Wanted — The Carlisles (Mercury)

1963: Still – Bill Anderson (Decca)

1973: Behind Closed Doors — Charlie Rich (Epic)

1983: Jose Cuervo — Shelly West (Viva/Warner Bros.)

1993: Alibis – Tracy Lawrence (Atlantic)

2003: Have You Forgotten? — Darryl Worley (DreamWorks)

2013: Cruise – Florida Georgia Line (Republic Nashville)

2013 (Airplay): If I Didn’t Have You — Thompson Square (Stoney Creek)

Week ending 5/4/13: #1 singles this week in country music history

Hawkshaw-Hawkins1953 (Sales): Kaw-Liga – Hank Williams (MGM)

1953 (Jukebox):Your Cheatin’ Heart — Hank Williams (MGM)

1953 (Disc Jockeys): Your Cheatin’ Heart — Hank Williams (MGM)

1963: Lonesome 7-7203 — Hawkshaw Hawkins (King)

1973: Behind Closed Doors — Charlie Rich (Epic)

1983: You’re The First Time I’ve Thought About Leaving — Reba McEntire (Mercury)

1993: Alibis – Tracy Lawrence (Atlantic)

2003: Have You Forgotten? — Darryl Worley (DreamWorks)

2013: Cruise – Florida Georgia Line (Republic Nashville)

2013 (Airplay): Downtown – Lady Antebellum (Capitol)

Favorite country songs of the 1970s, Part 9

Some more songs that I liked, one song per artist, not necessarily the biggest hit. As always, I consider myself free to comment on other songs by the artist.

Arkansas”– Teddy & Doyle Wilburn (1972)
The last chart hit for a duo that was of more importance as businessmen than as recording artists. This song got to #47 (#29 on Cashbox). The Wilburns remained important for many years to follow through their publishing companies and other enterprises. One of their protégées, Patty Loveless is still actively recording and performing.

One Monkey Don’t Stop No Show” – Little David Wilkins(1975)
This song got to #11; it figures that an equally large performer, Johnny Russell, was his closest friend in the business.

“We Should Be Together”– Don Williams (1974)
This was Don’s first top five recording. The single issued immediately prior to this “Come Early Morning” b/w ”Amanda” was a double sided hit , with the two sides splitting the airplay. This record was issued on the small JMI label – within a year Don would be signed by a major label and his career would jet into the stratosphere.

Why Don’t You Love Me” – Hank Williams(1976)
I don’t know why MGM reissued this 1950 single that spent 10 weeks at #1 in its original release. It only got to #61 this time around, but any excuse to list a Hank Williams single is welcome.

“Eleven Roses” – Hank Williams, Jr. (1972)
This Darrell McCall-penned song spent two weeks at #1. I was torn between listing this song or “I’ll Think of Something”, which Mark Chesnutt took to #1 in 1992. The pre-outlaw Hank Jr. was a pretty good straight ahead country singer.

“He Will Break Your Heart” – Johnny Williams (1972)
Johnny Williams was a soul singer from Chicago. This song reached #68. Country audiences became familiar with this song as Johnny Paycheck recorded it in 1971 on his first album for Epic. Although Billboard did not track album cuts at the time, country DJs gave the song so many spins off Paycheck’s album that I was sure that that Epic would issue the song as a Paycheck single.

“Country Girl With Hot Pants On” – Leona Williams (1972)
Great singer/songwriter, better remembered as one of the Hag’s ex-wives. While it’s been 26 years since she charted, she still is issuing great albums for the Heart of Texas label. ”Country Girl With Hot Pants On” only reached #52 but did much better in some markets. Her biggest hit was “The Bull and the Beaver” which reached #8 in 1978.

“I Wanna Go Country” – Otis Williams and The Midnight Cowboys (1971)
One of several black singers to attempt to follow Charley Pride, this all-black band from the Cincinnati area was led by the former lead singer of The Charms, who had several pop hits during the 1950s including “Hearts of Stone”. This was the only record to chart country but it, and the album from which it came, were both excellent.

“The Night Miss Nancy Ann’s Hotel For Single Girls Burned Down“ – Tex Williams (1972)

Tex was a big star during the 1940s, both as part of Spade Cooley’s band and on his own, with a mega-hit with “Smoke, Smoke, Smoke (That Cigarette)“ which went #1 country (16 weeks) and pop (6 weeks) in 1947. This amusing story reached #29 Billboard /#18 Cashbox, his last real hit. Tex died in 1985 of lung cancer.

“Ida Red” – Bob Wills (1976)
New version of Bob’s 1938 hit – reached #99 for one week. Bob had chart hits throughout the 1940s. His most famous song, “New San Antonio Rose, was nearing the end of its pop chart run when Billboard started their country charts on January 1, 1944. Had the charts been started six months earlier the song would have spent many weeks at #1.

“There’s A Song On The Jukebox” – David Wills (1975)
This was one of two top ten records for Wills, a protégé of Charlie Rich, who produced his first three singles. I don’t hear any resemblance to Rich, but he was a fine singer.

“Do It To Someone You Love” – Norro Wilson (1970)
The only top twenty record for one of Nashville’s leading producers and songwriters. Charlie Rich had huge hits with his “The Most Beautiful Girl”, “Very Special Love Song” and “I Love My Friend”.

“Johnny’s Cash and Charley’s Pride” – Mac Wiseman (1970)
Mac is probably the best bluegrass vocalist – ever. Known as ‘The Voice With A Heart’, this amusing record went top forty, a major feat for 50 year old bluegrass artist.

“The Wonders You Perform” – Tammy Wynette (1971)
Just a song I happen to like. This record reached #1 on Record World and #2 on Cashbox.

“Goin’ Steady” – Faron Young (1971)
A remake of his 1952 smash, this speeded up version is probably my favorite Faron Young track. From 1969 to 1971, Faron had six songs reach #1 on one or more of the major charts. “Step Aside”, “Leavin’ And Sayin’ Goodbye” and “Four In The Morning” were also classic songs from this period.

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