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- Occasional Hope on Album Review: Vern Gosdin – Late & Great: The Voice
- Ron Oates on Album Review: Vern Gosdin – Late & Great: The Voice
- Luckyoldsun on Album Review: Aaron Tippin – ‘Tool Box’
- Pistol Annies are pro songwriters | canada.com on Album Review: Pistol Annies – ‘Annie Up’
- Gene Owen on “Remember country music?” – An Evening with Emmylou Harris and Rodney Crowell at Birmingham Symphony Hall, Friday 10 May 2013
- Luckyoldsun on “Remember country music?” – An Evening with Emmylou Harris and Rodney Crowell at Birmingham Symphony Hall, Friday 10 May 2013
- Jonathan Pappalardo on “Remember country music?” – An Evening with Emmylou Harris and Rodney Crowell at Birmingham Symphony Hall, Friday 10 May 2013
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I find it rather funny when country radio stations play this song on the 4th Of July as part of their “patriotic songs” category. Apparently they’ve never listened to the lyrics.
I feel the same way. The song seemed to be a 3-minute summary of a TV-movie from a few years before called “The Burning Bed”–in which Farrah Fawcett Majors torched her abusive husband. Somehow, the idea–though not the practice, thank God–caught on as some sort of feminist empowerment symbol.
I find it even funnier that the song became the theme song of one of the most aggressive right-wing Republican radio yakkers.
While I didn’t really dislike this song, I felt it pointed Martina’s career in the wrong direction as she shifted into being a “shrieking diva” . Until TIMELESS, from this point forward Martina recorded very few songs where I liked her performanc, even if I liked the song.
Songs this are why she earned the nickname ‘Martina McScream.”